| Émilie | |
|---|---|
| Monodrama by Kaija Saariaho | |
| Librettist | Amin Maalouf |
| Language | French |
| Based on | life and writings of Émilie du Châtelet |
| Premiere | |
Émilie is an opera – specifically a 9-scene, 75-minute monodrama for soprano – by Finnish composer Kaija Saariaho to a libretto by Amin Maalouf. It was written in 2008. [1] [2] Based on the life and writings of Marquise Émilie du Châtelet (1706–1749), [3] the work premiered at the Opéra de Lyon, France, on 1 March 2010, with Finnish soprano Karita Mattila, its dedicatee, in the title role. It recounts the achievements of this mathematician, physicist, and mistress of Voltaire: the first woman to establish an international scientific reputation, with pioneering work in the study of fire.
Billed as the third opera by Saariaho, Émilie is more accurately a sister-piece to the oratorio La Passion de Simone (2006). [4]
In 2020, the opera was performed at the Peabody Conservatory with Australian conductor Leonard Weiss, led by soprano Elizabeth Futral, who premiered the role at Spoleto in 2011. [5] [6]
The opera Émilíe is based on the actual biography of Émilie du Châtelet, an 18th-century French intellectual in her own right and the mistress of the French philosopher Voltaire. She had a child by a later lover, and the childbirth led to her death. [7] In the plot of the opera, her character's arias are linked to the birth of the child and of her significant scholarship. The soprano soloist is seen in character pregnant and penning new ideas as the opera begins.
The subject of the work depicted in the opera was Éléments de la philosophie de Newton (1738) by Voltaire and Châtelet that helped to popularize the theories and thought of Isaac Newton. [8]
Émilie is one of three "female-centered operas" by Saariaho exhibiting a sonic world that feminist musicologist Susan McClary characterizes as "a 'sensual version of modernism', one in which 'smoldering intensities' of desire find voice." [9] [ clarification needed ]
Since Châtelet was actually tutored in mathematics by leading European scholars and her exceptional skills were thought to influence Voltaire's work, [8] the scenery in the 2008 Opera de Lyon production of the opera featured images of mathematical equations as significant aspects of the set and scenery for the monodrama.
One reviewer described it in 2010 as a "blue-stocking monodrama about the tension between intellect and nature." [4] When it came to the Spoleto Festival USA in 2011, James R. Oestreich in The New York Times characterized the title part as "a tour de force for soprano, some 75 minutes of almost continuous vocalization: speech, elevated speech and soaring melodic arcs, some with electronic voice processing to produce ghostly duets." [5] In 2012, a reviewer who attended a performance at the Lincoln Center Festival hailed the opera's "triumphant New York debut". [10]
Amin Maalouf is a Lebanese-born French author who has lived in France since 1976. Although his native language is Arabic, he writes in French, and his works have been translated into over 40 languages.
Kaija Anneli Saariaho was a Finnish composer based in Paris, France. During the course of her career, Saariaho received commissions from the Lincoln Center for the Kronos Quartet and from IRCAM for the Ensemble Intercontemporain, the BBC, the New York Philharmonic, the Salzburg Music Festival, the Théâtre du Châtelet in Paris, and the Finnish National Opera, among others. In a 2019 composers' poll by BBC Music Magazine, Saariaho was ranked the greatest living composer.
Karita Marjatta Mattila is a Finnish operatic soprano.
Dawn Upshaw is an American soprano. She is the recipient of several Grammy Awards and has released a number of Edison Award-winning discs; she performs both opera and art song, and her repertoire spans Baroque to contemporary. Many composers, including Henri Dutilleux, Osvaldo Golijov, John Harbison, Esa-Pekka Salonen, John Adams, and Kaija Saariaho, have written for her. In 2007, she was awarded a MacArthur Fellowship.
Gabrielle Émilie Le Tonnelier de Breteuil, Marquise du Châtelet was a French mathematician and natural philosopher from the early 1730s until her death due to complications during childbirth in 1749.
The origins of Finnish opera can be traced to the late 18th or 19th century, when the first opera performances were staged in Finland. It is generally assumed that the first opera performance in Finland took place in 1768 in Turku, when the troupe of Carl Gottlieb Seuerling presented the opera Adam und Eva by Johann Theile. However, other sources state that there was no orchestra at this performance.
El Niño is an opera-oratorio by the contemporary American composer John Adams. It was premiered on December 15, 2000, at the Théâtre du Châtelet in Paris by soloists Dawn Upshaw, Lorraine Hunt Lieberson, and Willard White, the vocal ensemble Theatre of Voices, the London Voices, La Maîtrise de Paris, and the Deutsches Symphonie-Orchester Berlin, with Kent Nagano conducting. It has been performed on a number of occasions since, and has been broadcast on BBC Television.
Susan Elizabeth Futral is an American coloratura soprano who has won acclaim throughout the United States as well as in Europe, South America, and Japan.
L'Amour de loin is an opera in five acts with music by Kaija Saariaho and a French-language libretto by Amin Maalouf. The opera received its world premiere performance on 15 August 2000 at the Salzburg Festival.
A monodrama is a theatrical or operatic piece played by a single actor or singer, usually portraying one character.
John Kennedy is an American conductor and composer.
Adriana Mater is the second opera by the Finnish composer Kaija Saariaho, with a libretto in French by her frequent collaborator, Amin Maalouf. The Opéra National de Paris and the Finnish National Opera jointly commissioned the opera. It received its world premiere at the Opéra Bastille on 3 April 2006 in a production directed by Peter Sellars. The production was dedicated to Gerard Mortier, Artistic Director of the Paris Opera.
La Passion de Simone is an oratorio composed by Kaija Saariaho to a libretto in French by Amin Maalouf, first premiered in a staging by Peter Sellars. The work, subtitled "a musical journey in 15 stations", centers on the life and writings of Simone Weil and was conceived in the Passion Play tradition with episodes in her life linked to the Stations of the Cross. It is composed for SATB chorus, soprano soloist, spoken voice, orchestra and electronic instruments.
Oscar Strasnoy is a French-Argentine composer, conductor and pianist. Although primarily known for his stage works, the first of which Midea (2) premiered in Spoleto in 2000, his principal compositions also include two secular cantatas and several song cycles.
Serge Lamothe is a French-Canadian writer.
Sydney Chamber Opera is an opera company based in Sydney, Australia. It is a resident company at Carriageworks. The company was founded in 2010 by Louis Garrick and Jack Symonds. Its first production was in February 2011 and it has since produced between two and four 20th- and 21st-century chamber operas each year. Its repertoire typically consists of world premieres of Australian operas and recent international works receiving their Australian premieres, including stagings of song cycles or non-traditional stage works.
Maria Riccarda Wesseling is a Swiss-Dutch operatic mezzo-soprano who has appeared in lead roles at international opera houses and festivals. She created the title role in Henze's last opera, Phaedra, at the Staatsoper Berlin, repeated at La Monnaie in Brussels and in the Barbican Centre.
Raquel Camarinha is a Portuguese operatic soprano. In 2011, she received the first prize at the Luísa Todi National Singing Competition.
Innocence is an opera in five acts by the Finnish composer Kaija Saariaho. The libretto was written in Finnish by Sofi Oksanen and translated/adapted by Aleksi Barrière.
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