Étienne Arnal (2 February 1794 –10 December 1872) was a French comic actor. [1]
Arnal was born at Meulan, Yvelines. After serving in the army, and working in a button factory, he took to the stage. His first appearance (1815) was in tragedy, and for some time he was unsuccessful; it was not until 1827 that he showed his real ability in comedy parts, especially in plays by Felix August Duvert (1795–1876) and Augustin Theodore Lauzanne (1805–1877), whose Cabinets particuliers (1832), Le Mari de la dame de châteurs (1837), Passe minuit, L'Homme blast (1843), La Clef dans le dos (1848), etc., contained parts written for him. He was twenty years at the Vaudeville, and completed at the various Parisian theatres a stage career of nearly half a century. [2]
The composer Frédéric Chopin describes, in a letter, visiting the theatre in 1847 to see Arnal: "[He] tells the audience how he was desperate to pee in a train, but couldn't get to a toilet before they stopped at Orléans. There wasn't a single vulgar word in what he said, but everyone understood and split their sides laughing." [3]
Arnal was the author of Épître à bouffe (1840), which is reprinted in his volume of poetry, Boutades en vers (1861). He died in Geneva, aged 78. [2]
Jean-Marie Collot d'Herbois was a French actor, dramatist, essayist, and revolutionary. He was a member of the Committee of Public Safety during the Reign of Terror and, while he saved Madame Tussaud from the Guillotine, he administered the execution of more than 2,000 people in the city of Lyon.
Étienne Geoffroy Saint-Hilaire was a French naturalist who established the principle of "unity of composition". He was a colleague of Jean-Baptiste Lamarck and expanded and defended Lamarck's evolutionary theories. Geoffroy's scientific views had a transcendental flavor and were similar to those of German morphologists like Lorenz Oken. He believed in the underlying unity of organismal design, and the possibility of the transmutation of species in time, amassing evidence for his claims through research in comparative anatomy, paleontology, and embryology. He is considered as a predecessor of the evo-devo evolutionary concept.
Claude Adhémar André Theuriet was a 19th-century French poet and novelist.
Victor Henri Rochefort, Marquis de Rochefort-Luçay was a French writer of vaudevilles and politician. He was born in Paris and died in Aix-les-Bains.
Les Sylphides is a short, non-narrative ballet blanc to piano music by Frédéric Chopin, selected and orchestrated by Alexander Glazunov.

Victor-Joseph Étienne, called de Jouy, was a French dramatist who abandoned an early military career for a successful literary one.
The Lady of the Camellias, sometimes called in English Camille, is a novel by Alexandre Dumas fils. First published in 1848 and subsequently adapted by Dumas for the stage, the play premiered at the Théâtre du Vaudeville in Paris, France, on February 2, 1852. It was an instant success. Shortly thereafter, Italian composer Giuseppe Verdi set about putting the story to music in the 1853 opera La traviata, with female protagonist Marguerite Gautier renamed Violetta Valéry.
Alexandre Frédéric Febvre was a French actor.
François-Adrien Boieldieu was a French composer, mainly of operas, often called "the French Mozart". His date of birth was also cited as December 15 by his biographer and writer Lucien Augé de Lassus and as September 15 by some local press releases.
Paul Hervieu was a French novelist and playwright.
Louis-Henri Murger, also known as Henri Murger and Henry Murger, was a French novelist and poet.
Charles Paul de Kock was a French novelist. Although one of the most popular writers of his day in terms of book sales, he acquired a literary reputation for low-brow output in poor taste. In 2021 Brad Bigelow wrote: "Today, if we set aside over-priced print on demand reprints of his ancient editions, the works of Paul de Kock haven't seen a new English edition in at least a century."

Robert Garnier was a French poet and dramatist. He published his first work while still a law-student at Toulouse, where he won a prize (1565) in the Académie des Jeux Floraux. It was a collection of lyrical pieces, now lost, entitled Plaintes amoureuses de Robert Garnier (1565). After some legal practice at the Parisian bar, he became conseiller du roi au siège présidial and sénéchaussée of Le Maine, his native district, and later lieutenant-général criminel. His friend Lacroix du Maine says that he enjoyed a great reputation as an orator. He was a distinguished magistrate, of considerable weight in his native province, who gave his leisure to literature, and whose merits as a poet were fully recognized by his own generation.
Georges de Porto-Riche was a French dramatist and novelist.
Antoine Louis Prosper "Frédérick" Lemaître was a French actor and playwright, one of the most famous players on the celebrated Boulevard du Crime.
Olivier Émile Ollivier was a French statesman. Starting as an avid republican opposed to Emperor Napoleon III, he pushed the Emperor toward liberal reforms and in turn came increasingly into Napoleon's grip. He entered the cabinet and was the prime minister when Napoleon fell.
Alphonse Royer, was a French author, dramatist and theatre manager, most remembered today for having written the librettos for Gaetano Donizetti's opera La favorite and Giuseppe Verdi's Jérusalem. From 1853 to 1856, he was the director of the Odéon Theatre and from 1856 to 1862 director of the Paris Opéra, after which he was appointed France's Inspecteur Général des Beaux-Arts. In his later years, he wrote a six volume history of the theatre and a history of the Paris Opéra. He also translated the theatrical works of the Italian dramatist Carlo Gozzi, as well those of the Spanish writers, Miguel de Cervantes, Tirso de Molina, and Juan Ruiz de Alarcón. A Chevalier and later Officier of the Légion d'honneur, Royer died in Paris, the city of his birth, at the age of 71.
Jan Edward Aleksander Matuszyński was a Polish physician and close friend, in Warsaw and Paris, of Polish composer Frédéric Chopin.
L'Orphelin de la Chine is a 1753 French play by Voltaire based on The Orphan of Zhao, a thirteenth-century Chinese play attributed to Ji Junxiang.
Pol Mercier, real name Jean-Étienne-Polydore Mercier was a 19th-century French playwright and librettist.