History
Background (1731–1758)
The progenitor of Şemsipaşa Primary School was the Humbaracı Barracks, opened in 1731. While the former premises of the Palace of Ayazma, destroyed the barracks in the reign of Mahmud I opened in the empty plot. 3 years later (in 1734), opens in the Muhendishane-i Humayun. Ayazma Mosque, built in 1758 instead of the Palace of Ayazma. Ayazma Primitive School, built in 1758 instead of the Muhendishane-i Humayun.
Founding (1758–1842)
Şemsipaşa Primary School, in 1758 by Mustafa III has become primitive school. This school was named first Ayazma Primitive School. Building a two-storey, stone knitting, the outer side was a wooden building. Entrance of the "Ayazma Primitive School was built by Mustafa III Khan, AH 1171" was written.
Re-opening (1842–1913)
Ayazma Primitive School was closed and replaced immediately by Üsküdar Primary School (Üsküdar İlk Mektebi or Üsküdar Mekteb-i İbtidaiyesi) in the same building. This school continued to exist until 1913. Şeker Ahmed Pasha, graduated from this school.
Destruction and rebuilding (1913–present)
In 1913, 71 years after its re-opening, the school was destroyed. Mehmed V's chamberlain, Mehmet Tevfik Bey, became the sight of the school where he graduated Mehmed V has requested and the school's construction was begun in 1913. Minister of Awqaf, Ürgüplü Mustafa Hayri Efendi, the famous architect of the period Kemaleddin Bey gave the news and the school's current building was built, by Kemaleddin Bey. The money which was paid by National Defense. Ottoman Turkish writing on the entrance door is the following: "Rebuilt with National Defence money, Ayazma Foundation Primary School, AH 1333 School"
In 1953, principal Akif Güner, bought the ruins of Istanbul Metropolitan Municipality Basmahane and that "porch" emerged at the annex building. In 1975, Üsküdar Secondary School opened in a portion of the school. Moment "Şemsipaşa Primary School" under the name of continuing education and teaching.
Ahmed III was Sultan of the Ottoman Empire and a son of Sultan Mehmed IV. His mother was Gülnuş Sultan, originally named Evmenia Voria, who was an ethnic Greek. He was born at Hacıoğlu Pazarcık, in Dobruja. He succeeded to the throne in 1703 on the abdication of his brother Mustafa II (1695–1703). Nevşehirli Damat İbrahim Pasha and the Sultan's daughter, Fatma Sultan directed the government from 1718 to 1730, a period referred to as the Tulip Era.
Abdülhamid or Abdul Hamid I was the 27th Sultan of the Ottoman Empire, reigning over the Ottoman Empire from 1774 to 1789.
Mahmud I, known as Mahmud the Hunchback, was the Sultan of the Ottoman Empire from 1730 to 1754. He took over the throne after the Patrona Halil rebellion and he kept good relations with the Mughal and Safavid Empires.
Üsküdar is a large and densely populated district of Istanbul, Turkey, on the Anatolian shore of the Bosphorus. It is bordered to the north by Beykoz, to the east by Ümraniye, to the southeast by Ataşehir and to the south by Kadıköy; with Karaköy, Kabataş, Beşiktaş, and the historic city center of Fatih facing it on the opposite shore. Üsküdar has been a conservative cultural center of the Anatolian side of Istanbul since Ottoman times with its numerous grand and little historic mosques and historic dergahs. It is home to about half a million people.
Ottoman architecture is the architecture of the Ottoman Empire, which emerged in northwestern Anatolia in the 13th century. The architecture of the empire developed from earlier Seljuk Turkish architecture, with influences from Byzantine and Iranian architecture along with other architectural traditions in the Middle East. Early Ottoman architecture experimented with multiple building types over the course of the 13th to 15th centuries, progressively evolving into the Classical Ottoman style of the 16th and 17th centuries. This style was a mixture of native Turkish tradition and influences from the Hagia Sophia, resulting in monumental mosque buildings focused around a high central dome with a varying number of semi-domes. The most important architect of the Classical period is Mimar Sinan, whose major works include the Şehzade Mosque, Süleymaniye Mosque, and Selimiye Mosque. The second half of the 16th century also saw the apogee of certain decorative arts, most notably in the use of Iznik tiles.
Selamsız is a quarter in Üsküdar district on the Asian side of Istanbul, Turkey. It corresponds more or less to the current officially recognized neighborhoods of Selamiali and Muratreis. These neighborhoods are bounded on the north by Sultantepe, on the north and northeast by İcadiye, on the east by Altunizade, on the south by Valide-i Atik, and on the west by Mimarsinan.
Ahmet Kemalettin or Kemaleddin, widely known as Mimar Kemalettin and Kemalettin Bey, was a renowned Turkish architect the Late Ottoman Empire and the early years of the newly established Republic. He was among the pioneers of the first national architectural movement, a type of Ottoman Revivalism.
The following outline is provided as an overview of and topical guide to the Ottoman Empire:
Mehmet Vedat Tek (1873–1942) was a Turkish architect who was one of the leading figures of the First Turkish National Architectural Movement.
Sultanzade Mehmed Pasha was an Ottoman grand vizier. The epithet Sultanzade means son of a sultana.
Ayşe Hümaşah Sultan was an Ottoman princess, the only daughter of Mihrimah Sultan and Rüstem Pasha. She had a younger brother, Sultanzade Osman Bey. She was granddaughter of Sultan Suleiman the Magnificent (1520–1566) and his favorite consort and legal wife, Hurrem Sultan, and their first grandchild.
Ayşe Sultan, also called Küçuk Ayşe Sultan, was an Ottoman princess, the daughter of Sultan Ahmed III.
Safiye Sultan was an Ottoman princess, daughter of Sultan Mustafa II, and half-sister of Sultans Mahmud I and Osman III of the Ottoman Empire.
{{infobox royalty | name = Şehzade Mehmed | image = File:Mausoleum of Sultan Ahmed I - interior - P1030866.JPG | caption = The sarcophagus of Şehzade Mehmed is located in the Ahmed I Mausoleum, Blue Mosque, Istanbul, Turkey | birth_date = 11 March 1605 | birth_place = Istanbul, Ottoman Empire
| death_date = 12 January 1621 (aged 15) | death_place = Istanbul, Ottoman Empire | father = Ahmed I | mother = [[Kösem Sultan][Kösem Sultan]] | burial_place = Ahmed I Mausoleum, Blue Mosque, Istanbul | religion = Sunni Islam }}
The Çapanoğlu dynasty, also Cebbarzâdeler, Çaparzâdeler and Çaparoğulları, is Turkish dynasty that originates in the 17th-century Ottoman Empire and was once one of the most prominent Ottoman families. They became one of the most powerful dynasties in the empire in the 18th century.
Ottoman Baroque architecture was a period in Ottoman architecture in the 18th century and early 19th century which was influenced by European Baroque architecture. Preceded by the changes of the Tulip Period, the style marked a significant departure from the classical style of Ottoman architecture and introduced new decorative forms to mostly traditional Ottoman building types. The style emerged in the 1740s during the reign of Mahmud I (1730–1754) and its most important early monument was the Nuruosmaniye Mosque completed in 1755. Later in the 18th century new building types were also introduced based on European influences. The last fully Baroque monuments, such as the Nusretiye Mosque, were built by Mahmud II in the early 19th century, but during this period new European-influenced styles were introduced and supplanted the Baroque.
Feride Hanımsultan was an Ottoman princess, the daughter of Ahmed Fethi Pasha and Atiye Sultan.
The Ayazma Mosque is a mosque in the neighbourhood of Üsküdar in Istanbul, Turkey. It was commissioned by Ottoman Sultan Mustafa III and built between 1757 and 1761. It is an example of the Ottoman Baroque style that was prevalent in the 18th century.
Çamlıca is a leafy district of Üsküdar on the Asian side of Istanbul. It is famous for two hills - Big Çamlıca and Little Çamlıca - offering panoramic views across the Sea of Marmara and the Princes' Islands to the European side of Istanbul and Sarayburnu. Historically, these were renowned beauty spots although by the end of the 20th century modern development had detracted from that beauty, not least when a series of radio and television towers were built on the hills.
