A Shot at Dawn | |
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Directed by | Alfred Zeisler |
Written by | Rudolph Cartier Egon Eis Otto Eis |
Based on | The Woman and the Emerald by Harry Jenkins |
Produced by | Erich Pommer |
Starring | Ery Bos Genia Nikolaieva Karl Ludwig Diehl Theodor Loos |
Cinematography | Werner Bohne Konstantin Irmen-Tschet |
Edited by | Erno Hajos |
Music by | Bronislau Kaper |
Production company | |
Distributed by | UFA |
Release date |
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Running time | 73 minutes |
Country | Germany |
Language | German |
A Shot at Dawn (German : Schuß im Morgengrauen) is a 1932 German crime film directed by Alfred Zeisler and starring Ery Bos, Genia Nikolaieva and Karl Ludwig Diehl. It was based on the play The Woman and the Emerald by Harry Jenkins and recounts a jewel theft. [1] It was shot at the Babelsberg Studios in Potsdam with sets designed by the art directors Willi Herrmann and Herbert O. Phillips. A separate French-language version Coup de feu à l'aube was also produced.
Peter Lorre was a Hungarian and American actor, active first in Europe and later in the United States. He began his stage career in Vienna, in the Austro-Hungarian Empire, before moving to Germany where he worked first on the stage, then in film in Berlin in the late 1920s and early 1930s. Lorre caused an international sensation in the Weimar Republic–era film M (1931), directed by Fritz Lang, in which he portrayed a serial killer who preys on little girls. Known for his timidly devious characters, his appearance, and his accented voice, Lorre was frequently caricaturized during and after his lifetime and the cultural legacy of his persona remains in media today.
The Lost One is a 1951 West German crime drama film directed by Peter Lorre and starring Lorre, Karl John and Renate Mannhardt. It is an art film in the film noir style, based on a true story. Lorre wrote, directed, and starred in this film, his only film as director or writer. The film's translated name has been used as the title of his biography.
Karl Ludwig Diehl was a German film actor. He appeared in 66 films between 1924 and 1957. His father was Karl Diehl, the German professor of Anarchism.
Congo Crossing is a 1956 American Technicolor adventure film directed by Joseph Pevney and starring Virginia Mayo, George Nader and Peter Lorre. It was produced and distributed by Universal Pictures. Most of the exterior sequences were shot in the Los Angeles County Arboretum and Botanic Garden.
The Squeaker is a 1931 German crime film directed by Martin Frič and Karel Lamač and starring Lissy Arna, Karl Ludwig Diehl and Fritz Rasp. It is an adaptation of the 1927 Edgar Wallace novel The Squeaker. This adaptation introduced the mix of suspense and comedy that would come to define numerous German Wallace adaptations over the following decades. Lamač followed it up with another Wallace film The Ringer in 1932. The film's sets were designed by the art director Heinz Fenchel. It was shot at the Halensee Studios in Berlin and on location in Prague.
Reinhold Häussermann was a German-born Austrian stage and film actor. Haussermann appeared in twenty-one films during his career, largely in supporting roles in films such as Karl Leiter's The Missing Wife (1929). He was the father of the actor and director Ernst Haeussermann. His daughter in law was the actress Susi Nicoletti.
Rolf von Goth was a film actor from Windhoek in German Southwest Africa who settled and worked in Germany. After appearing in minor roles in several silent films such as Metropolis (1927) von Goth emerged as a prominent actor in the late 1920s. During the early 1930s he played a mixture of leading and supporting roles in films such as Once There Was a Waltz and A Shot at Dawn (1932) but his appearances began to decline during the Nazi era. By the outbreak of the Second World War he had almost entirely retired from film. von Goth switched to become a director of radio shows, becoming extremely successful in the format during the post-war years. He was married to the actress Karin Hardt.
The Swedish Nightingale is a 1941 German musical film directed by Peter Paul Brauer and starring Ilse Werner, Karl Ludwig Diehl, and Joachim Gottschalk. The film is based on a play by Friedrich Forster-Burggraf set in nineteenth century Copenhagen. It portrays a romance between the writer Hans Christian Andersen and the opera singer Jenny Lind, the "Swedish Nightingale" of the title.
Scampolo is a 1932 German comedy film directed by Hans Steinhoff and starring Dolly Haas, Karl Ludwig Diehl and Oskar Sima. The film is an adaptation of the Italian play Scampolo by Dario Niccodemi, which has been turned into numerous films. It was shot at the Sievering Studios in Vienna.
Heinz Salfner was a German stage and film actor. Salfner appeared in more than sixty films during his career. He played the lead in the 1932 crime film A Shot at Dawn.
Narcotics is a 1932 German drama film directed by Kurt Gerron and Roger Le Bon and starring Jean Murat, Danièle Parola and Jean Worms. It is the French-language version of the 1932 German film The White Demon.
What Women Dream is a 1933 German comedy crime film directed by Géza von Bolváry and starring Nora Gregor, Gustav Fröhlich, and Otto Wallburg. In 1934, it was remade as an American film One Exciting Adventure. The film's sets were designed by the art directors Emil Hasler and Willy Schiller.
The Missing Wife is a 1929 Austrian silent film comedy crime film directed by Karl Leiter and starring Harry Halm, Iris Arlan and Mary Kid. The sets were designed by the art director Hans Ledersteger.
Invisible Opponent is a 1933 German-Austrian drama film directed by Rudolph Cartier and starring Gerda Maurus, Paul Hartmann, and Oskar Homolka. The film's sets were designed by the art director Erwin Scharf. The plot revolves around an oil swindle in a South American country. The film was made at the Sievering Studios in Vienna. The critics were not generally impressed with the film, the Deutsche Allgemeine Zeitung described it as "unbelievable and unbelievably awful picture".
Ery Bos was a German dancer and film actress. She established herself as a star in the cinema of the Weimar Republic, but was forced to flee following the takeover of the Nazi Party due to her Jewish background.
Two in a Car is a 1932 German comedy film directed by Joe May and starring Karl Ludwig Diehl, Magda Schneider and Richard Romanowsky. It was shot at the Joinville Studios of Pathé-Natan in Paris with sets designed by the art directors Heinrich Richter and Hermann Warm. It premiered at the Gloria-Palast in Berlin. A separate French version Companion Wanted was also released. In 1940 the film was remade at the Cinecitta studios in Rome as Two on a Vacation.
Werner Bohne (1895-1940) was a German cinematographer of the Weimar and Nazi eras. He was killed in 1940, while working on a propaganda documentary during a battle as part of the invasion of Norway.
The Allure of Danger is a 1950 West German drama film directed by Eugen York and starring Angelika Hauff, Walter Richter and Berta Drews. It was screened at the 1950 Venice Film Festival.
Another World is a 1937 French-German drama film directed by Marc Allégret and Alfred Stöger and starring Käthe Gold, Karl Ludwig Diehl and Franz Schafheitlin. Shot at the Epinay Studios of Tobis Film in Paris, the film is the German-language version of Woman of Malacca. The film's sets were designed by the art directors Jacques Krauss and Alexandre Trauner.
The Emperor's Candlesticks is a 1936 Austrian historical adventure film directed by Karl Hartl and starring Sybille Schmitz, Karl Ludwig Diehl and Friedl Czepa. It is an adaptation of Baroness Orczy's 1899 novel The Emperor's Candlesticks. A Hollywood film version of the story The Emperor's Candlesticks was released the following year.