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Lotte Neumann was a German film actress, screenwriter, and film producer.
The Little Napoleon is a 1923 German silent historical comedy film directed by Georg Jacoby and starring Egon von Hagen, Paul Heidemann and Harry Liedtke. It depicts the life and amorous adventures of Jérôme Bonaparte, the younger brother of Napoleon, who installed him as King of Westphalia.
What a Woman Dreams of in Springtime is a 1929 German silent comedy film directed by Curt Blachnitzky and starring Paul Rehkopf, Anna Müller-Lincke and Colette Brettel. The film's art direction was by Kurt Richter.
Accommodations for Marriage is a 1926 German silent comedy film directed by Georg Jacoby and starring Elga Brink, Georg Alexander and Kurt Vespermann. It was based on a novel by Fedor von Zobeltitz. The film premiered in Berlin on 18 March 1926.
The Bohemian Dancer is a 1926 German silent drama film directed by Frederic Zelnik and starring Lya Mara, Harry Liedtke, and William Dieterle. It premiered in Berlin on 5 March 1926. It is based on the operetta 1907 Die Försterchristl composed by Georg Jarno with a libretto by Bernhard Buchbinder. The film's art direction was by Gustav A. Knauer and Andrej Andrejew. The film is set in Vienna and Hungary during the 18th century.
The Third Squadron is a 1926 German silent war film directed by Carl Wilhelm and starring Fritz Spira, Eugen Burg, and Reinhold Häussermann. It was based on a play by Bernhard Buchbinder. The film's art direction was by Otto Erdmann and Hans Sohnle.
The Life and Loves of Tschaikovsky or It Was a Lovely Night at the Ball is a 1939 German historical drama film directed by Carl Froelich and starring Zarah Leander, Aribert Wäscher and Hans Stüwe. The film portrays the fictional relationship between the Russian composer Pjotr Iljitsch Tschaikowsky and an aristocratic woman who, unhappily married, falls in love with him and decides to secretly support his work financially. It premiered on 13 August 1939 at the Venice Film Festival.
How Do I Marry the Boss? is a 1927 German silent comedy film directed by Erich Schönfelder and starring Henri De Vries, Robert Garrison, and Dina Gralla. The film's sets were designed by the art director Max Heilbronner.
Marie's Soldier is a 1927 German silent drama film directed by Erich Schönfelder and starring Xenia Desni, Harry Liedtke and Grit Haid. The film's art direction was by Kurt Richter. The film is based on Leo Ascher's 1913 operetta of the same name.
The Carnival Prince is a 1928 German silent film directed by Rudolf Walther-Fein and starring Marianne Winkelstern, Harry Liedtke and Hans Junkermann.
The Game of Love is a 1928 German silent film directed by Victor Janson and starring Harry Liedtke, Hilda Rosch and Kurt Vespermann.
The Beggar Student is a 1927 German silent film directed by Jacob Fleck and Luise Fleck and starring Harry Liedtke, Ida Wüst and Agnes Esterhazy. It is an adaptation of Carl Millöcker's operetta The Beggar Student.
Does a Woman Have to Become a Mother? or Paragraph 144 is a 1924 Austrian-German silent film directed by Georg Jacoby and Hans Otto and starring Harry Liedtke. Originally intended as a pro-abortion film, by the time it was released it was advocating the opposite view.
The Daughter of Mehemed was a 1919 German silent film directed by Alfred Halm and starring Ellen Richter, Emil Jannings and Harry Liedtke.
The Good Reputation is a 1926 French-German silent drama film directed by Pierre Marodon and starring Lotte Neumann, Hans Mierendorff and Germaine Rouer.
The Woman at the Crossroads is a 1919 German silent film directed by Georg Jacoby and starring Pola Negri, Harry Liedtke and Albert Patry. It is now believed to be a lost film.
Martina is a 1949 West German drama film directed by Arthur Maria Rabenalt, and starring Jeanette Schultze, Cornell Borchers, and Siegmar Schneider.
The Woman in Doctor's Garb is a 1920 German silent comedy film directed by Rudolf Biebrach and starring Lotte Neumann and Felix Basch.
Tabitha, Stand Up or Tabitha, Arise! is a 1922 German silent drama film directed by Robert Dinesen and starring Lotte Neumann, Maria Forescu and Guido Herzfeld.
References
- ↑ Grange p.209
