Anthony Davis is an American pianist and composer. He incorporates several styles including jazz, rhythm 'n' blues, gospel, non-Western, African, European classical, Indonesian gamelan, and experimental music. He has played with several groups and is also professor of music at University of California, San Diego.
Julius Arthur Hemphill was a jazz composer and saxophone player. He performed mainly on alto saxophone, less often on soprano and tenor saxophones and flute.
Arthur Murray Blythe was an American jazz alto saxophonist and composer. He was described by critic Chris Kelsey as displaying "one of the most easily recognizable alto sax sounds in jazz, big and round, with a fast, wide vibrato and an aggressive, precise manner of phrasing" and furthermore as straddling the avant garde and traditionalist jazz, often with bands featuring unusual instrumentation.
Oliver Lake is an American jazz saxophonist, flutist, composer, poet, and visual artist. He is known mainly for alto saxophone, but he also performs on soprano and flute. During the 1960s, Lake worked with the Black Artists Group in St. Louis. In 1977, he founded the World Saxophone Quartet with David Murray, Julius Hemphill, and Hamiet Bluiett. He worked in the group Trio 3 with Reggie Workman and Andrew Cyrille. He has appeared on more than 80 albums as a bandleader, co-leader, and side musician. He is the father of drummer Gene Lake. Lake has been a resident of Montclair, New Jersey.
James W. Newton is an American jazz and classical flutist.
Marty Ehrlich is a multi-instrumentalist and is considered one of the leading figures in avant-garde jazz.
J. D. Parran is an American multi-woodwind player, educator, and composer specializing in jazz and free improvisation. He plays the soprano, alto, tenor, baritone, and bass saxophone, as well as the E-flat clarinet, alto clarinet, bass clarinet, contra-alto clarinet, piccolo, alto flute, bamboo flute, Native American flute, bamboo saxophone, and nagaswaram.
Fred Hopkins was an American double bassist who played a major role in the development of the avant-garde jazz movement. He was best known for his association with the trio Air with Henry Threadgill and Steve McCall, and for his numerous performances and extensive recordings with major jazz musicians such as Muhal Richard Abrams, Arthur Blythe, Oliver Lake, and David Murray. He was a member of the AACM, and a frequent participant in the loft jazz scene of the 1970s. He also co-led a number of albums with the composer and cellist Diedre Murray. Gary Giddins wrote that Hopkins' playing "fused audacious power with mercuric reflexes." Howard Reich, writing in the Chicago Tribune, stated that "many connoisseurs considered [Hopkins] the most accomplished jazz bassist of his generation" and praised him for "the extraordinarily fluid technique, sumptuous tone and innovative methods he brought to his instrument."
Dogon A.D. is an album by saxophonist Julius Hemphill. It was recorded in February 1972 in St. Louis, Missouri, and was initially released on LP in limited quantities later that year by Hemphill's own Mbari Records, a label he created for the express purpose of issuing his own music. The album was reissued on LP by the Freedom label in 1977, and was reissued on CD in 2011, with extra liner notes and reproductions of the artwork from both the Mbari and Freedom releases, by International Phonograph. A fourth track from the recording session, titled "Hard Blues," and featuring guest saxophonist Hamiet Bluiett, was originally released on Hemphill's 1975 album Coon Bid'ness, and was included as a bonus track on the 2011 reissue of Dogon A.D., bringing together all the music from the session.
Pheeroan akLaff is an American jazz drummer and percussionist. He began playing in his hometown of Detroit, Michigan and Ann Arbor, with R & B keyboardist Travis Biggs, funk keyboardist Nimrod “The Grinder” Lumpkin, The Ebony Set and The Last Days. He moved to New Haven, Connecticut, and formed a group with saxophonist/flautist/percussionist Dwight Andrews. He debuted with saxophonist Bill Barron in 1975, followed by a tenure in Leo Smith's ‘New Dalta Ahkri’ (1977-1979).
Steve McCall was an American jazz drummer.
Baikida Carroll is an American jazz trumpeter.
Michael Gregory Jackson is an American guitarist and composer working in jazz, R&B, avant-garde, rock, blues, and free jazz. Early in his career, he used his given name, Michael Gregory Jackson. In 1983, when he signed with Island Records, Michael dropped Jackson and recorded under Michael Gregory to prevent mix-ups with the name of pop singer Michael Jackson. In 2013, he returned to using his full name Michael Gregory Jackson.
Coon Bid'ness is an album released by Julius Hemphill in 1975 on Arista featuring performances by Hemphill, Baikida Carroll, Abdul Wadud, Phillip Wilson, Arthur Blythe, Barry Altschul and Daniel Zebulon. The final track, "The Hard Blues," was recorded at the same recording session as Hemphill's debut album Dogon A.D.. After Hemphill's death in 1995, Freedom Records re-released the album as a CD under the name Reflections.
This is a timeline documenting events of Jazz in the year 1977.
In the 1970s in jazz, jazz became increasingly influenced by Latin jazz, combining rhythms from African and Latin American countries, often played on instruments such as conga, timbale, güiro, and claves, with jazz and classical harmonies played on typical jazz instruments. Artists such as Chick Corea, John McLaughlin and Al Di Meola increasingly influenced the genre with jazz fusion, a hybrid form of jazz-rock fusion which was developed by combining jazz improvisation with rock rhythms, electric instruments, and the highly amplified stage sound of rock musicians such as Jimi Hendrix. All Music Guide states that "..until around 1967, the worlds of jazz and rock were nearly completely separate." However, "...as rock became more creative and its musicianship improved, and as some in the jazz world became bored with hard bop and did not want to play strictly avant-garde music, the two different idioms began to trade ideas and occasionally combine forces." On June 16, 1972 the New York Jazz Museum opened in New York City at 125 West 55th Street in a one and one-half story building. It became the most important institution for jazz in the world with a 25,000 item archive, free concerts, exhibits, film programs, etc.
Raw Materials and Residuals is an album by jazz saxophonist Julius Hemphill featuring cellist Abdul Wadud and percussionist Don Moye recorded in 1977 for the Italian Black Saint label.
Flat-Out Jump Suite is an album by jazz saxophonist Julius Hemphill recorded in 1980 for the Italian Black Saint label.
Tomeka Reid is an American composer, improviser, cellist, curator, and teacher.
Oakland Duets is a live album by saxophonist Julius Hemphill and cellist Abdul Wadud. It was recorded at the Oakland Museum in Oakland, California, on November 13 and 14, 1992, and was released by Music & Arts in 1993.
