The Lovers of Pont Saint Jean is a 1947 French comedy drama film directed by Henri Decoin and starring Michel Simon, Gaby Morlay and Nadine Alari. It was entered into the 1947 Cannes Film Festival. It was filmed at the Boulogne Studios in Paris while location shooting took place on the River Rhône. The film's sets were designed by the art director Emile Alex.
André Roanne was a French actor. He began his career playing in short films, and acted in 91 films in total, most notably those of Fernandel. Most of his films were French; he did, however, also appear in German and Italian works, especially co-productions with French companies. He also served occasionally as an assistant director, screenwriter, technician, and film editor.
Entente cordiale is a 1939 French drama film directed by Marcel L'Herbier and starring Gaby Morlay, Victor Francen and Pierre Richard-Willm. The film depicts events between the Fashoda crisis in 1898 and the 1904 signing of the Entente Cordiale creating an alliance between Britain and France and ending their historic rivalry. It was based on the book King Edward VII and His Times by André Maurois. It was made with an eye to its propaganda value, following the Munich Agreement of September 1938 and in anticipation of the outbreak of a Second World War which would test the bonds between Britain and France in a conflict with Nazi Germany.
The Scandal is a 1934 French romantic drama film directed by Marcel L'Herbier and starring Gaby Morlay, Henri Rollan, and Jean Galland. The film is based on a play written by Henry Bataille, which had previously been turned in a 1923 British silent film of the same title.
Miss Bonaparte is a 1942 French historical drama film directed by Maurice Tourneur and starring Edwige Feuillère, Monique Joyce and Raymond Rouleau. It is based on a novel by Gérard Bourgeois and Pierre Chanlain, set during the reign of Napoleon III. The film was made during the German occupation of France.
Departure is a 1931 French drama film directed by Maurice Tourneur and starring Jean Marchat, Simone Cerdan and Gaby Basset. It was based on a novel by Roland Dorgelès. It was shot at the Saint-Maurice Studios in Paris. The film's sets were designed by the art director Jacques Colombier.
The Blue Veil is a 1942 French drama film directed by Jean Stelli and starring Gaby Morlay, Elvire Popesco and André Alerme. The film was remade in 1951.
Sacred Woods is a 1939 French comedy film directed by Léon Mathot and starring Elvire Popesco, Gaby Morlay and Victor Boucher. It was based on a play by Robert de Flers and Gaston Arman de Caillavet which had previously been made into a 1915 Italian film by Carmine Gallone. The film's sets were designed by the art director Robert Gys.
Samson is 1936 French drama film directed by Maurice Tourneur and starring Harry Baur, Gaby Morlay and André Lefaur. It was based on the 1908 play of the same title by Henri Bernstein, which had previously been made into three silent films. The film was shot at the Joinville Studios in Paris, with sets designed by the art director Guy de Gastyne.
The Two Orphans is a 1933 French historical drama film directed by Maurice Tourneur and starring Rosine Deréan, Renée Saint-Cyr and Gabriel Gabrio. The film's sets were designed by the art director Lucien Aguettand. The film was based on the play The Two Orphans which had been turned into several films. Tourneur altered the story slightly by moving it forward from the French Revolution to the Napoleonic Era.
Suzanne Delvé (1892–1986) was a French film actress. While most of her roles were during the silent era, she also appeared in a few sound films such as Maurice Tourneur's Accused, Stand Up! (1930).
The Crew is a 1928 French silent drama film directed by Maurice Tourneur and starring Jean Dax and Camille Bert. The film's sets were designed by the art director Robert-Jules Garnier. It is based on the 1923 novel of the same title by Joseph Kessel, later remade as a 1935 sound film The Crew directed by Anatole Litvak.
Cecile Is Dead is a 1944 French crime film directed by Maurice Tourneur and starring Albert Préjean, Santa Relli and Germaine Kerjean. It is based on the 1942 novel of the same title by Georges Simenon featuring his detective Jules Maigret.
Montmartre is a 1931 French drama film directed by Raymond Bernard and starring Gaby Morlay, Line Noro and Florelle. Two sisters struggle to stay above water in the poverty-stricken suburbs of Paris. It was a remake of a 1925 silent film Montmartre that had also starred Morlay.
Montmartre is a 1925 French silent drama film directed by Charles Burguet and starring Gaby Morlay, Camille Bardou, and Maurice Schutz. It was remade in 1931 as a sound film, Montmartre, with Morlay reprising her role.
Dance Hall is a 1931 French drama film directed by Maurice Tourneur and starring Gaby Morlay, Charles Vanel and Madame Ahnar. The film's sets were designed by the art director Robert Gys.
Mammy is a 1951 French drama film directed by Jean Stelli and starring Gaby Morlay, Pierre Larquey and Françoise Arnoul. It was shot at the Saint-Maurice Studios in Paris. The film's sets were designed by the art director Raymond Druart.
André Gabriello (1896–1975) was a French film actor. A character actor known for his supporting roles, notable appearances included Jean Renoir's Partie de campagne (1936) and Maurice Tourneur's Cecile Is Dead (1944). He was the father of the actress Suzanne Gabriello.
Farandole is a 1945 French comedy film directed by André Zwoboda and starring André Luguet, Lise Delamare, Gaby Morlay. It takes its title from the Farandole, a traditional dance from Provence whose structure the plot follows. It was shot at the Saint-Maurice Studios in Paris. The film's sets were designed by the art director Robert Hubert. It was filmed following the Liberation but released while the Second World War was still being fought.
Sins of Youth is a 1941 French comedy drama film directed by Maurice Tourneur and starring Harry Baur, Lise Delamare and Monique Joyce. It was produced by the German-backed Continental Films. It was shot at the Neuilly Studios in Paris. The film's sets were designed by the art director Guy de Gastyne.
