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 | This disambiguation page lists articles associated with the title Aeschylus. If an internal link led you here, you may wish to change the link to point directly to the intended article. |
Several people or things bear the name Aeschylus:
| | This disambiguation page lists articles associated with the title Aeschylus. If an internal link led you here, you may wish to change the link to point directly to the intended article. |
Aeschylus was an ancient Greek tragedian. He is often described as the father of tragedy. Academics' knowledge of the genre begins with his work, and understanding of earlier tragedies is largely based on inferences made from reading his surviving plays. According to Aristotle, he expanded the number of characters in the theatre and allowed conflict among them. Before this, characters interacted only with the chorus.
Euripides was a tragedian of classical Athens. Along with Aeschylus and Sophocles, he is one of the three ancient Greek tragedians for whom any plays have survived in full. Some ancient scholars attributed ninety-five plays to him, but the Suda says it was ninety-two at most. Of these, eighteen or nineteen have survived more or less complete. There are many fragments of most of his other plays. More of his plays have survived intact than those of Aeschylus and Sophocles together, partly because his popularity grew as theirs declined—he became, in the Hellenistic Age, a cornerstone of ancient literary education, along with Homer, Demosthenes, and Menander.
In Greek mythology, Prometheus, is a Titan god of fire. Prometheus is a culture hero and trickster figure who is credited with the creation of humanity from clay, and who defies the gods by stealing fire and giving it to humanity as civilization. Prometheus is known for his intelligence and for being a champion of humankind, and is also seen as the author of the human arts and sciences generally. He is sometimes presented as the father of Deucalion, the hero of the flood story.
Sophocles is one of three ancient Greek tragedians whose plays have survived. His first plays were written later than, or contemporary with, those of Aeschylus; and earlier than, or contemporary with, those of Euripides. Sophocles wrote over 120 plays, but only seven have survived in a complete form: Ajax, Antigone, Women of Trachis, Oedipus Rex, Electra, Philoctetes and Oedipus at Colonus. For almost fifty years, Sophocles was the most celebrated playwright in the dramatic competitions of the city-state of Athens which took place during the religious festivals of the Lenaea and the Dionysia. He competed in thirty competitions, won twenty-four, and was never judged lower than second place. Aeschylus won thirteen competitions, and was sometimes defeated by Sophocles; Euripides won four.
The 5th century BC started the first day of 500 BC and ended the last day of 401 BC.
This article concerns the period 459 BC – 450 BC.
Year 458 BC was a year of the pre-Julian Roman calendar. At the time, it was known as the Year of the Consulship of Rutilus and Carvetus. The denomination 458 BC for this year has been used since the early medieval period, when the Anno Domini calendar era became the prevalent method in Europe for naming years.
Eleusis is a town and municipality in West Attica Regional unit in Greece. It is situated about 18 kilometres northwest from the centre of Athens and is part of its metropolitan area. It is located in the Thriasian Plain, at the northernmost end of the Saronic Gulf. North of Eleusis are Mandra and Magoula, while Aspropyrgos is to the northeast.
The Areopagus is a prominent rock outcropping located northwest of the Acropolis in Athens, Greece. Its English name is the Late Latin composite form of the Greek name Areios Pagos, translated "Hill of Ares". In classical times, it was the location of a court, also often called the Areopagus, that tried cases of deliberate homicide, wounding and religious matters, as well as cases involving arson or olive trees. Ares was supposed to have been tried by the gods on the Areopagus for the murder of Poseidon's son Halirrhothius.
Prometheus Bound is an Ancient Greek tragedy. In antiquity, it was attributed to Aeschylus, but now is considered by some scholars to be the work of another hand, and perhaps one as late as c. 430 BC. Despite these doubts about its authorship, the play's designation as Aeschylean has remained conventional. The tragedy is based on the myth of Prometheus, a Titan who defies the gods and gives fire to mankind, acts for which he is subjected to perpetual punishment.
Athens is one of the oldest named cities in the world, having been continuously inhabited for perhaps 5,000 years. Situated in southern Europe, Athens became the leading city of Ancient Greece in the first millennium BC, and its cultural achievements during the 5th century BC laid the foundations of Western civilization.
The Dionysia was a large festival in ancient Athens in honor of the god Dionysus, the central events of which were the theatrical performances of dramatic tragedies and, from 487 BC, comedies. It was the second-most important festival after the Panathenaia. The Dionysia actually consisted of two related festivals, the Rural Dionysia and the City Dionysia, which took place in different parts of the year. They were also an essential part of the Dionysian Mysteries.
Achaeus of Eretria was a Greek playwright author of tragedies and satyr plays, variously said to have written 24, 30, or 44 plays, of which 19 titles are known: Adrastus, Aethon, Alcmeon, Alphesiboea, Athla, Azanes, Cycnus, Eumenides, Hephaestus, Iris, Linus, Moirai (Fates), Momus, Oedipus, Omphale, Philoctetes, Phrixus, Pirithous, and Theseus. Achaeus of Eretria was regarded in antiquity as being the 2nd greatest writer of satyr plays, after Aeschylus.
The Frogs is a comedy written by the Ancient Greek playwright Aristophanes. It was performed at the Lenaia, one of the Festivals of Dionysus in Athens, in 405 BC, and received first place.
Ancient Greek drama was a theatrical culture that flourished in ancient Greece from 600 BC. The city-state of Athens, which became a significant cultural, political, and military power during this period, was its centre, where the theatre was institutionalised as part of a festival called the Dionysia, which honoured the god Dionysus. Tragedy, comedy, and the satyr play were the three dramatic genres to emerge there. Athens exported the festival to its numerous colonies.
Myrmidon or Myrmidons may refer to:
Greek tragedy is a form of theatre from Ancient Greece and Anatolia. It reached its most significant form in Athens in the 5th century BC, the works of which are sometimes called Attic tragedy. Greek tragedy is widely believed to be an extension of the ancient rites carried out in honor of Dionysus, and it heavily influenced the theatre of Ancient Rome and the Renaissance. Tragic plots were most often based upon myths from the oral traditions of archaic epics. In tragic theatre, however, these narratives were presented by actors. The most acclaimed Greek tragedians are Aeschylus, Sophocles, and Euripides. These tragedians often explored many themes around human nature, mainly as a way of connecting with the audience but also as way of bringing the audience into the play.
The Theatre of Dionysus is an ancient theatre in Athens on the south slope of the Akropolis hill, built as part of the sanctuary of Dionysos Eleuthereus. The first orchestra terrace was constructed on the site around the mid- to late-sixth century BC, where it hosted the City Dionysia. The theatre reached its fullest extent in the fourth century BC under the epistates of Lycurgus when it would have had a capacity of up to 17,000, and was in continuous use down to the Roman period. The theatre then fell into decay in the Byzantine era and was not identified, excavated and restored to its current condition until the nineteenth century.
Ameinias is an ancient Greek name which may refer to the following:
Polyphrasmon was a Greek tragic playwright. He won the City Dionysia for tragedy in or about 471 BC, and came in third place in 467 BC for a tragic trilogy based on the story of Lycurgus (Lykourgeia); the names of the individual plays in the trilogy are not known, and Aeschylus took first prize in the competition that year. No fragments of Polyphrasmon's plays have survived.