Alban Maria Johannes Berg ( // BAIRG, German: [ˈalbaːn ˈbɛʁk] ; 9 February 1885 – 24 December 1935) was an Austrian composer of the Second Viennese School. His compositional style combined Romantic lyricism with the twelve-tone technique. Although he left a relatively small oeuvre, he is remembered as one of the most important composers of the 20th century for his expressive style encompassing "entire worlds of emotion and structure".
Berg was born and lived in Vienna. He began to compose only at the age of fifteen. He studied counterpoint, music theory and harmony with Arnold Schoenberg between 1904 and 1911, and adopted his principles of developing variation and the twelve-tone technique. Berg's major works include the operas Wozzeck (1924) and Lulu (1935, finished posthumously), the chamber pieces Lyric Suite and Chamber Concerto, as well as a Violin Concerto. He also composed a number of songs ( lieder ). He is said to have brought more "human values" to the twelve-tone system, his works seen as more "emotional" than Schoenberg's.His music had a surface glamour that won him admirers when Schoenberg himself had few.
Berg died from sepsis in 1935.
Berg was born in Vienna, the third of four children of Johanna and Konrad Berg. His father ran a successful export business, and the family owned several estates in Vienna and the countryside. The family's financial situation turned to the worse after the death of Konrad Berg in 1900, and it particularly affected young Berg, who had to repeat both his sixth and seventh grade to pass the exams.Berg was more interested in literature than music as a child and did not begin to compose until he was fifteen, when he started to teach himself music. With Marie Scheuchl, a maid in the family estate of Berghof in Carinthia and fifteen years his senior, he fathered a daughter, Albine, born 4 December 1902.
Berg had little formal music education before he became a student of Arnold Schoenberg in October 1904. With Schoenberg, he studied counterpoint, music theory, and harmony. [ citation needed ]By 1906 he was studying music full-time; by 1907 he began composition lessons. His student compositions included five drafts for piano sonatas. He also wrote songs, including his Seven Early Songs (Sieben frühe Lieder), three of which were Berg's first publicly performed work in a concert that featured the music of Schoenberg's pupils in Vienna that year.
The early sonata sketches eventually culminated in Berg's Piano Sonata, Op. 1 (1907–1908); it is one of the most formidable "first" works ever written.Berg studied with Schoenberg for six years until 1911. Among Schoenberg's teaching was the idea that the unity of a musical composition depends upon all its aspects being derived from a single basic idea; this idea was later known as developing variation. Berg passed this on to his students, one of whom, Theodor W. Adorno, stated: "The main principle he conveyed was that of variation: everything was supposed to develop out of something else and yet be intrinsically different". The Piano Sonata is an example—the whole composition is derived from the work's opening quartal gesture and its opening phrase.
Berg was a part of Vienna's cultural elite during the heady fin de siècle period. His circle included the musicians Alexander von Zemlinsky and Franz Schreker, the painter Gustav Klimt, the writer and satirist Karl Kraus, the architect Adolf Loos, and the poet Peter Altenberg.
In 1906 Berg met the singer Helene Nahowski(1885–1976), daughter of a wealthy family (rumoured to be in fact the illegitimate daughter of Emperor Franz Joseph I from his liaison with Anna Nahowski). Despite the outward hostility of her family, the couple married on 3 May 1911.
In 1913 two of Berg's Altenberg Lieder (1912) were premièred in Vienna, conducted by Schoenberg in the infamous Skandalkonzert . Settings of aphoristic poetic utterances, the songs are accompanied by a very large orchestra. The performance caused a riot, and had to be halted. Berg effectively withdrew the work, and it was not performed in full until 1952. The full score remained unpublished until 1966.
From 1915 to 1918 Berg served in the Austro-Hungarian Army. During a period of leave in 1917 he accelerated work on his first opera, Wozzeck . After the end of World War I, he settled again in Vienna, where he taught private pupils. He also helped Schoenberg run his Society for Private Musical Performances, which sought to create the ideal environment for the exploration and appreciation of unfamiliar new music by means of open rehearsals, repeat performances, and the exclusion of professional critics.
Berg had a particular interest in the number 23, using it to structure several works. Various suggestions have been made as to the reason for this interest: that he took it from the biorhythms theory of Wilhelm Fliess, in which a 23-day cycle is considered significant,or because he first suffered an asthma attack on the 23rd of the month.
In 1924 three excerpts from Wozzeck were performed, which brought Berg his first public success. The opera, which Berg completed in 1922, was first performed on 14 December 1925, when Erich Kleiber conducted the first performance in Berlin. Today, Wozzeck is seen as one of the century's most important works. Berg made a start on his second opera, the three-act Lulu , in 1928 but interrupted the work in 1929 for the concert aria Der Wein which he completed that summer. Der Wein presaged Lulu in a number of ways, including vocal style, orchestration, design and text.
Other well-known Berg compositions include the Lyric Suite (1926), which was later shown to employ elaborate cyphers to document a secret love affair; the post-Mahlerian Three Pieces for Orchestra (completed in 1915 but not performed until after Wozzeck); and the Chamber Concerto (Kammerkonzert, 1923–25) for violin, piano, and 13 wind instruments: this latter is written so conscientiously that Pierre Boulez has called it "Berg's strictest composition" and it, too, is permeated by cyphers and posthumously disclosed hidden programs.
Life for the musical world was becoming increasingly difficult in the 1930s both in Vienna and Germany due to the rising tide of antisemitism and the Nazi cultural ideology that denounced modernity. Even to have an association with someone who was Jewish could lead to denunciation, and Berg's "crime" was to have studied with the Jewish composer Arnold Schoenberg. Berg found that opportunities for his work to be performed in Germany were becoming rare, and eventually his music was proscribed and placed on the list of degenerate music.
In 1932 Berg and his wife acquired an isolated lodge, the Waldhaus on the southern shore of the Wörthersee, near Schiefling am See in Carinthia, where he was able to work in seclusion, mainly on Lulu and the Violin Concerto.At the end of 1934, Berg became involved in the political intrigues around finding a replacement for Clemens Krauss as director of the Vienna State Opera.
As more of the performances of his work in Germany were cancelled by the Nazis, who had come to power in early 1933, he needed to ensure the new director would be an advocate for modernist music. Originally, the premiere of Lulu had been planned for the Berlin State Opera, where Erich Kleiber continued to champion his music and had conducted the premiere of Wozzeck in 1925, but now this was looking increasingly uncertain, and Lulu was rejected by the Berlin authorities in the spring of 1934. Kleiber's production of the Lulu symphonic suite on 30 November 1934 in Berlin was also the occasion of his resignation in protest at the extent of conflation of culture with politics. Even in Vienna, the opportunities for the Vienna School of musicians was dwindling.
Berg had interrupted the orchestration of Lulu because of an unexpected (and financially much-needed) commission from the Russian-American violinist Louis Krasner for a Violin Concerto (1935). This profoundly elegiac work, composed at unaccustomed speed and posthumously premiered, has become Berg's best-known and most-beloved composition.[ citation needed ] Like much of his mature work, it employs an idiosyncratic adaptation of Schoenberg's "dodecaphonic" or twelve-tone technique, that enables the composer to produce passages openly evoking tonality, including quotations from historical tonal music, such as a Bach chorale and a Carinthian folk song. The Violin Concerto was dedicated "to the memory of an Angel", Manon Gropius, the deceased daughter of architect Walter Gropius and Alma Mahler.
Berg died aged 50 in Vienna, on Christmas Eve 1935, from blood poisoning apparently caused by a furuncle on his back, induced by an insect sting that occurred in November. [ failed verification ] He was buried at the Hietzing Cemetery in Vienna.
Before he died, Berg had completed the orchestration of only the first two of the three acts of Lulu. The completed acts were successfully premièred in Zürich in 1937. For personal reasons Helene Berg subsequently imposed a ban on any attempt to "complete" the final act, which Berg had in fact completed in short score.An orchestration was therefore commissioned in secret from Friedrich Cerha and premièred in Paris (under Pierre Boulez) only in 1979, soon after Helene Berg's own death.
Berg is remembered as one of the most important composers of the 20th century and the most widely performed opera composer among the Second Viennese School.He is said to have brought more "human values" to the twelve-tone system, his works seen as more "emotional" than Schoenberg's. Critically, he is seen as having preserved the Viennese tradition in his music.
Berg scholar Douglas Jarman writes in the New Grove Dictionary of Music and Musicians that "[as] the 20th century closed, the 'backward-looking' Berg suddenly came as [George] Perle remarked, to look like its most forward-looking composer."
Alban Berg Quartett was a string quartet named after him, active during 1971–2008.
The asteroid 4528 Berg is named after him (1983).
Arnold Schoenberg or Schönberg was an Austrian-born composer, music theorist, teacher, writer, and painter. He is widely considered one of the most influential composers of the 20th century. He was associated with the expressionist movement in German poetry and art, and leader of the Second Viennese School. As a Jewish composer, Schoenberg was targeted by the Nazi Party, which labeled his works as degenerate music and forbade them from being published. He emigrated to the United States in 1933, becoming an American citizen in 1941.
Lulu is an opera in three acts by Alban Berg. Berg adapted the libretto from Frank Wedekind's two Lulu plays, Erdgeist and Die Büchse der Pandora.
Alban Berg's Violin Concerto was written in 1935. It is probably Berg's best-known and most frequently performed instrumental piece, in which the composer sought to reconcile diatonicism and dodecaphony. Berg composed it on a commission from Louis Krasner, and it became the last work that he completed. Krasner performed the solo part in the premiere at the Palau de la Música Catalana, Barcelona on 19 April 1936, after the composer's death.
Wozzeck is the first opera by the Austrian composer Alban Berg. It was composed between 1914 and 1922 and first performed in 1925. The opera is based on the drama Woyzeck, which the German playwright Georg Büchner left incomplete at his death. Berg attended the first production in Vienna of Büchner's play on 5 May 1914, and knew at once that he wanted to base an opera on it. From the fragments of unordered scenes left by Büchner, Berg selected 15 to form a compact structure of three acts with five scenes each. He adapted the libretto himself, retaining "the essential character of the play, with its many short scenes, its abrupt and sometimes brutal language, and its stark, if haunted, realism..."
George Perle was a composer and music theorist.
The Lyric Suite is a six-movement work for string quartet written by Alban Berg between 1925 and 1926 using methods derived from Arnold Schoenberg's twelve-tone technique. Though publicly dedicated to Alexander von Zemlinsky, the work has been shown to possess a "secret dedication" and to outline a "secret programme".
Neoclassicism in music was a twentieth-century trend, particularly current in the interwar period, in which composers sought to return to aesthetic precepts associated with the broadly defined concept of "classicism", namely order, balance, clarity, economy, and emotional restraint. As such, neoclassicism was a reaction against the unrestrained emotionalism and perceived formlessness of late Romanticism, as well as a "call to order" after the experimental ferment of the first two decades of the twentieth century. The neoclassical impulse found its expression in such features as the use of pared-down performing forces, an emphasis on rhythm and on contrapuntal texture, an updated or expanded tonal harmony, and a concentration on absolute music as opposed to Romantic program music.
Egon Joseph Wellesz was an Austrian, later British composer, teacher and musicologist, notable particularly in the field of Byzantine music.
D minor is a minor scale based on D, consisting of the pitches D, E, F, G, A, B♭, and C. Its key signature has one flat. Its relative major is F major and its parallel major is D major.
The term expressionism "was probably first applied to music in 1918, especially to Schoenberg", because like the painter Wassily Kandinsky (1866–1944) he avoided "traditional forms of beauty" to convey powerful feelings in his music. Theodor Adorno interprets the expressionist movement in music as seeking to "eliminate all of traditional music's conventional elements, everything formulaically rigid". This he sees as analogous "to the literary ideal of the 'scream' ". As well Adorno sees expressionist music as seeking "the truthfulness of subjective feeling without illusions, disguises or euphemisms". Adorno also describes it as concerned with the unconscious, and states that "the depiction of fear lies at the centre" of expressionist music, with dissonance predominating, so that the "harmonious, affirmative element of art is banished". Expressionist music would "thus reject the depictive, sensual qualities that had come to be associated with impressionist music. It would endeavor instead to realize its own purely musical nature—in part by disregarding compositional conventions that placed 'outer' restrictions on the expression of 'inner' visions".
Hans Erich Apostel was a German-born Austrian composer of classical music.
Manfred Gurlitt was a German opera composer and conductor. He studied composition with Engelbert Humperdinck and conducting with Karl Muck. He spent most of his career in Japan.
The String Quartet, Op. 3, by Alban Berg was composed in 1910. It was not published until 1920.
Dial Records was an American record company and label that specialized first in bebop jazz and then in contemporary classical music. It was founded in 1946 by Ross Russell. Notable artists who recorded for Dial include Charlie Parker, who signed an exclusive one-year recording contract with Russell on 26 February 1946, as well as Miles Davis, Max Roach, and Milt Jackson. Dial Records initially pressed its music for the Tempo Music Shop of Hollywood, California, but soon relocated to New York City.
The Kammerkonzert für Klavier und Geige mit 13 Bläsern is a piece of chamber music composed by Austrian composer Alban Berg. It was composed between 1923 and 1925. The short score was completed on 9 February 1925; the full score was finished on 23 July 1925. The work was premiered on 19 March 1927.
Fritz Heinrich Klein was an Austrian composer.
A musical line which is the reverse of a previously or simultaneously stated line is said to be its retrograde or cancrizans. An exact retrograde includes both the pitches and rhythms in reverse. An even more exact retrograde reverses the physical contour of the notes themselves, though this is possible only in electronic music. Some composers choose to subject just the pitches of a musical line to retrograde, or just the rhythms. In twelve-tone music, reversal of the pitch classes alone—regardless of the melodic contour created by their registral placement—is regarded as a retrograde.
Rudolf Braun was an Austrian pianist and composer who was born congenitally blind. He was born and died in Vienna.
Thomas Edward Clark was an English conductor and music producer for the BBC. Through his positions in leading new music organizations and his wide-ranging contacts with British and European composers, he had a major impact on making contemporary classical music available to the British public for over 30 years. He was a leading figure in the BBC's Concerts of Contemporary Music between 1926 and 1939, and he played a significant role in the founding and early development of the BBC Symphony Orchestra. He held prominent positions in the International Society for Contemporary Music (ISCM) from its inception in 1922, and was its president from 1947 to 1952.
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