Joseph Louis Wilfrid Pelletier, was a Canadian conductor, pianist, composer, and arts administrator. He was instrumental in establishing the Montreal Symphony Orchestra, serving as the orchestra's first artistic director and conductor from 1935 to 1941. He had a long and fruitful partnership with the Metropolitan Opera in New York City that began with his appointment as a rehearsal accompanist in 1917; ultimately working there as one of the company's conductors in mainly the French opera repertoire from 1929 to 1950. From 1951 to 1966, he was the principal conductor of the Orchestre Symphonique de Québec. He was also a featured conductor for a number of RCA Victor recordings, including an acclaimed reading of Gabriel Fauré's Requiem featuring baritone Mack Harrell and the Montreal Symphony Orchestra and chorus.
André Ristic is a Canadian composer, pianist, accordion player, and music theorist. He has won several awards, including the Jules Léger Prize for New Chamber Music in 2000 for his work Catalogue de bombes occidentales, the Prix Opus for Composer of the Year in 2002, and the Prix Québec-Flandre in 2003.
Isabelle Delorme was a Canadian composer, pianist, and music educator. As a composer, her works are lyrical in nature and follow more traditional ideas of harmony as opposed to the avant-garde music that was in vogue in her day. She was an active recitalist but is best remembered for her impact as a teacher of music theory.
Alfred Joseph Édouard Mignault was a Canadian organist, composer, and music educator. A largely self-taught composer, his compositional output includes both vocal and instrumental works such as songs, works for solo piano, choral works, and works for orchestra. Some his compositions were published by Adélard Joseph Boucher and Archambault Musique. His most well known work is his 1944 Messe brève de requiem.
Joseph Georges-Émile Gaston Allaire was a Canadian musicologist, organist, pianist, composer, and music educator of American birth. His compositional output includes several preludes for organ, an organ work on French carols, some motets and other choral works, a communion service, a prelude and fugue for string orchestra, and a polyphonic mass. He also wrote Suite laurentienne for orchestra from which the Poème and the Menuet were premiered by the Quebec Symphony Orchestra in 1949, and composed the music for the 1953 film The Man on the Beach. His Marche (1964) and Petite Suite (1965) were both written for the Royal Canadian Ordnance Corps Band.
Albertine Caron-Legris (1906–1972) was a Canadian pianist, composer and music educator. Many of her manuscripts and personal papers are held in the collection at the Library and Archives Canada.
Joseph Thomas Hector Gratton was a Canadian composer, arranger, conductor, pianist, and music educator. As a composer his music is written in an essentially folkloric and popular style which avoids harmonic sophistication. His compositional output includes several orchestral works, chamber works, and works for solo piano. He also wrote 4 ballets and a considerable amount of music for radio programs. In 1937 his symphonic poem Légende won the Jean Lallemand Prize which led to the work's premiere performance that year by the Montreal Symphony Orchestra under conductor Wilfrid Pelletier. The work was repeated by the orchestra in concerts the following year under conductor Sir Ernest MacMillan.
Joseph Rodolphe Mathieu was a Canadian composer, pianist, writer on music, and music educator. The Canadian Encyclopedia states, "Considered too avant-garde for his time because of Debussy's influence on his music, Mathieu gained recognition too late to inspire the generation that followed." The pianist Léo-Pol Morin was one of the few important exponents of his work, notably including Mathieu's Chevauchée and Trois Préludes in his concert repertoire. Mathieu's song Un peu d'ombre (1913) was included in a number of recitals given by Marguerite Bériza and Sarah Fischer in Europe.
Pierre Brabant was a Canadian composer and pianist. He appeared in concerts and recitals throughout Canada and performed numerous times on Canadian television and radio. He wrote music for a number of programs for the Canadian Broadcasting Corporation and worked as a composer, arranger, and music director for numerous recordings by a variety of Canadian artists. Starting in 1987 he performed regularly in concerts and recitals as the accompanist for opera singer Joseph Rouleau.
Éric Morin is a Canadian composer. He has been awarded several prizes for his compositions, including the 2003 Jules Léger Prize for New Chamber Music for his D'un Château l'autre and the CBC Radio National Competition for Young Composers which he won twice. His works have been performed by several notable musical ensembles, including the Esprit Orchestra, the National Arts Centre Orchestra, the Quebec Contemporary Music Society, and the Toronto Symphony Orchestra among others. He has been commissioned to write works by the Canada Council for the Arts and the Conseil des arts et des lettres du Québec.
Conservatoire national de musique was a music conservatory in Montreal, Quebec that was actively providing higher education in music during the first eight decades of the 20th century. Founded in 1905 by Alphonse Lavallée-Smith as the Conservatoire national de musique et de l'élocution, the school gained the official right to teach music, diction, elocution, drawing, and painting and to grant diplomas through a 1906 letters patent from Secretary of State Richard William Scott. A few years later it was renamed the Consservatoire national Ltée. By 1912 the conservatoire had granted 250 diplomas. Jean-Noël Charbonneau served as the school's director from 1915-1922 followed by Benoît Poirier from 1923-1925.
Romain-Octave Pelletier I was a Canadian organist, pianist, composer, writer on music, and music educator.
Léo-Pol Morin was a Canadian pianist, music critic, composer, and music educator. He composed under the name James Callihou, with his most well known works being Suite canadienne (1945) and Three Eskimos for piano. He also composed works based on Canadian and Inuit folklore/folk music and harmonized a number of French-Canadian folksongs. Victor Brault notably transcribed his Inuit folklore inspired Chants de sacrifice for choir and 2 pianos.
François Morel was a Canadian composer, pianist, conductor, and music educator. An associate of the Canadian Music Centre, he was made a Knight of the National Order of Quebec in 1994 and was awarded the Prix Denise-Pelletier in 1996. He has had his works premiered by the CBC Symphony Orchestra, the Montreal Symphony Orchestra, and the Philadelphia Orchestra.
Jocelyne Binet was a Canadian composer, pianist, and music educator. She studied in Montreal and Paris, France, and returned to compose and teach music in Canada.
Alan Belkin is a Canadian composer, organist, pianist as well as a pedagogue.
Joseph Jacques Albert Grenier is a Canadian pianist, academic, and university administrator. From 1979–1998 he was director of the Conservatoire de musique du Québec à Montréal (CMM).
Anna-Marie Globenski was a Canadian pianist and teacher who taught at the École de musique Vincent-d'Indy from 1960 to 1963 and Université Laval for 30 years. She was an accompanist for the Conservatoire de musique du Québec à Montréal, appeared on CBC Radio and CBC Television and recorded three pages of music from various composers. Globenski was a member of various juries and various music competitions in Canada and Europe. She established the Fonds Fondation Anna-Marie-Globenski in 2001. In early 2005, Laval's preparatory music school was named after Globenski to celebrate 30 years of her at the institution.
Jeanne Landry was a Canadian composer, pianist and teacher who taught counterpoint and harmony at the Faculty of Music at Université Laval from 1951 to 1983. She began as a solo pianist in 1940 and was named the 1946 winner of the Prix d'Europe grant. Landry gave public recitals, appeared on CBC Radio and was an accompanist for various composers and instrumentalists and singers in concert, radio and television. She retired from teaching in 1983, and devoted her time to composition and writing free-form poems.
Fleurette Beauchamp-Huppé was a Canadian pianist, teacher and soprano. She was the winner of a prize awarded by the Canadian Institute of Music each year from 1930 to 1932 and earned the Prix de Paris in 1933. Beauchamp-Huppé gave recitals, and performed the works of various pianists on CBC Radio and CKAC. She was also a teacher, mainly at the Conservatoire de musique du Québec à Montréal. There were two accompaniment studios inaugurated by the Conservatiore de musique du Québec à Montréal to recognize Beauchamp-Huppé and the conservatory named a student grant after her.
