Alberto Terrones (Spanish pronunciation: [alˈβeɾtoteˈrones] ; 1894–1957) was an Argentine film and theater actor, with an extensive filmography. [1]
Olga Casares Pearson was an Argentine actress of the 1940s and 1950s considered the Golden Age of Argentine Cinema. She first appeared in film in 1929 but it wasn't until ten years later that her career took off in Argentine cinema.
Luis Bayón Herrera was a Spanish film director and screenwriter who worked in Argentine film of the 1940s and 1950s. He was "one of the most important directors of the golden age of Argentine cinema".
Carlos Schlieper was an Argentine film director and screenwriter of the classic era.
Enrique Cahen Salaberry was a prolific Argentine film director whose career in the Cinema of Argentina as a movie director spanned five decades.
Pierre Bruno Hugo Fontana, otherwise known as Hugo del Carril, was an Argentine film actor, film director and tango singer of the classic era.
Manuel Romeo was an Argentine film director, screenwriter, dramatist and score composer, and one of the influential directors in the cinema of Argentina of the classic era. He directed and wrote over 50 films between 1931 and 1951 even composing the musical scores for several.
Tito Lusiardo was an iconic Argentine film actor and tango singer of the classic era.
Roque Funes was the most prolific Argentine cinematographer in the history of the Cinema of Argentina whose career spanned over 40 years of cinema.
Juan Carlos Thorry, born José Antonio Torrontegui, was an Argentine film actor, tango musician and director.
Arturo Soto Rangel was a Mexican film, television, and stage actor. Soto was best known for appearing in over 250 Mexican films. He appeared in one American movie, The Treasure of the Sierra Madre, which won three Academy Awards and starred Humphrey Bogart, Walter Huston, Tim Holt, Bruce Bennett, and many other successful actors. Soto last appeared on television in 1963, where he starred in Voy de gallo.
Ángel Magaña was an Argentine film actor who appeared in some of Argentina's notable films of the 1930s, 1940s and 1950s.
Max Citelli was an Argentine film actor, active during the Golden Age of Argentine cinema between 1936 and 1959.
Carlos Orellana Martínez was a Mexican actor, film director and screenwriter.
María Esther Buschiazzo (1889–1971) was an Argentine actress.
Hilda Sour was a Chilean actress and singer, who had an extensive career in Argentina and Mexico.
Ralph Pappier was an Argentine production designer, set decorator and film director.
Miguel Gómez Bao was a Spanish-born Argentine actor of the Golden Age of Argentine cinema. He appeared in films, such as Amalia, (1936), Safo, historia de una pasión (1943) and La pequeña señora de Pérez (1944). He also did much work for radio and appeared on Radio El Mundo in the late 1930s.
Alberto Romea was a Spanish actor. Romea appeared in more than fifty films during his career including Lola, the Coalgirl (1952).
Sara Ramona Alicia Masriera del Campillo was a Chilean actress who made her acting career in Argentina. Born in Chile, Barrie moved to Buenos Aires with her family and made her acting debut in the 1933 film, Dancing.
Manuel Dondé was a Mexican film actor. He frequently played villains during his long film career.