Alex Chilton

Last updated

Alex Chilton
Big Star at Hyde Park 2 cropped.jpg
Chilton performing with Big Star at Hyde Park, London, 2009
Background information
Birth nameWilliam Alexander Chilton
Born(1950-12-28)December 28, 1950
Memphis, Tennessee, United States
DiedMarch 17, 2010(2010-03-17) (aged 59)
New Orleans, Louisiana, United States [1]
Occupation(s)Musician, singer, songwriter, record producer
InstrumentsVocals, guitar, keyboards
Years active1966–2010 [1]
Labels Ardent, Bar/None, Peabody Records, Big Time, Omnivore (posthumous)
Associated acts The Box Tops, Big Star, Tav Falco's Panther Burns, Terry Manning

William Alexander Chilton (December 28, 1950 – March 17, 2010) was an American singer-songwriter, guitarist, and record producer, best known as the lead singer of the Box Tops and Big Star. [2] Chilton's early commercial success in the 1960s as a teen vocalist for the Box Tops was never repeated in later years with Big Star and in his subsequent indie music solo career on small labels, but he drew an intense following among indie and alternative music musicians. He is frequently cited as a seminal influence by influential rock artists and bands, some of whose testimonials appeared in the 2012 documentary Big Star: Nothing Can Hurt Me .


Early life and career

Chilton grew up in a musical family; his father, Sidney Chilton, was a jazz musician. A local band recruited the teenaged Chilton in 1966 to be their lead singer after learning of the popularity of his vocal performance at a talent show at Memphis' Central High School. This band was Ronnie and the Devilles, which was subsequently renamed the Box Tops. The group recorded with Chips Moman and producer/songwriter Dan Penn at American Sound Studio and Muscle Shoals' FAME Studios.

Chilton was 16 when his first professional recording, the Box Tops' song "The Letter", became a number-one international hit. The Box Tops went on to have several other major chart hits, including "Neon Rainbow" (1967), "Cry Like a Baby" (1968), "Choo Choo Train" (1968), "Sweet Cream Ladies, Forward March" (1969), and "Soul Deep" (1969). Aside from the hits "The Letter", "Neon Rainbow", and "Soul Deep", all written by Wayne Carson, many of the group's songs were written by Penn, Moman, Spooner Oldham, and other top area songwriters, with Chilton occasionally contributing a song. By late 1969, only Chilton and guitarist Gary Talley remained from the original group, and newer additions replaced the members who had departed. The group decided to disband and pursue independent careers in February 1970.

After deciding against enrolling as a student at Memphis State University, Chilton began performing as a solo artist, maintaining a working relationship with Penn for demos. During this period he began learning guitar by studying the styles of guitarists like Stax Records great Steve Cropper. Chilton began recording his own solo material in the fall of 1969 at Ardent Studios with local musicians including producer Terry Manning (who had worked with Chilton as an engineer on the Box Tops' recordings) and drummer Richard Rosebrough, and producing a few local blues-rock acts. His 1969-1970 recordings were released years in the 1980s and 1990s on albums such as Lost Decade (New Rose Records) and 1970 (Ardent Records).

Chilton was considered as a replacement vocalist for Al Kooper in Blood, Sweat & Tears. [3]

1970s career

After a period in New York City, during which Chilton worked on his guitar technique and singing style (some of which was believed to have been influenced by a chance meeting with Roger McGuinn at a friend's apartment in New York where Chilton was impressed with McGuinn's singing and playing), [4] Chilton returned to Memphis in 1971 and co-founded the power pop group Big Star, with Chris Bell, recording at engineer John Fry's Ardent Studios. Chilton and Bell co-wrote "In the Street" for Big Star's first album #1 Record , a track later covered by Cheap Trick and used as the theme song of That '70s Show .

The group's recordings met with little commercial success but established Chilton's reputation as a rock singer and songwriter; later alternative music bands like R.E.M. and the Posies would praise the group as a major influence. During this period he also occasionally recorded with Rosebrough as a group they called the Dolby Fuckers; some of their studio experimentation was included on Big Star's album Radio City , including the recording of "Mod Lang". Rosebrough would occasionally work with Chilton on later recordings, including Big Star's Third album and Chilton's 1975 solo record Bach's Bottom.

Moving back to New York in 1977, Chilton performed as "Alex Chilton and the Cossacks" with a lineup that included Chris Stamey (later of the dB's) and Richard Lloyd of Television at venues like CBGB, releasing an influential solo single, "Bangkok" (with a cover of the Seeds' "Can't Seem to Make You Mine" as the B-side), in 1978. This period learning from the New York CBGB scene marked the beginning of a key change for Chilton's personal musical interests away from multi-layered pop studio recording standards toward an animated punk and traditional pop-influenced performance style often recorded in one take and featuring few overdubs. There he made the acquaintance of the Cramps, a formative psychobilly ensemble. He brought them to Memphis, to where he had moved back in April 1978, [5] where he produced the songs that would appear on their Gravest Hits EP and their Songs the Lord Taught Us LP.

In 1979, Chilton released, in a limited edition of 500 copies, the album Like Flies on Sherbert . Produced by Chilton with Jim Dickinson at Phillips Recording and Ardent Studios, it features his own interpretations of songs by artists as disparate as the Carter Family, Jimmy C. Newman, Ernest Tubb, and KC and the Sunshine Band, along with several originals. While criticized by some as a druggy mess, this album is considered by many to be a lo-fi masterpiece. Sherbert—which included backing work from such notable Memphis musicians as Rosebrough, drummer Ross Johnson, and Chilton's longtime on-again/off-again companion, Lesa Aldridge—has since been reissued several times. Beginning in 1979 Chilton also co-founded, played guitar with, and produced some albums for Tav Falco's Panther Burns, which began as an offbeat rock-and-roll group deconstructing blues, country, and rockabilly music.

1980s career

Chilton spent most of 1980 and 1981 living in Memphis and staying off the road, [5] except for trip to London in May 1980 to play two shows with bassist Matthew Seligman and drummer Morris Windsor of the Soft Boys, and guitarist Knox of the Vibrators. The second show, at the Camden club Dingwalls, was recorded, and was released in 1982 on Aura Records as Live in London. [5] He also continued to work with Tav Falco's Panther Burns on stage and in the studio during this period.

Chilton toured briefly in 1981 as a solo act, backed by a trio of musicians who played at different times with Tav Falco's Panther Burns: guitarist Jim Duckworth, bassist Ron Easley (with whom Chilton would tour and record with extensively in the 1990s and 2000s), and drummer Jim Sclavunos. [6] The group played a string of shows in the fall in Chicago, Washington D.C., Philadelphia, New York, and New Jersey; [5] this would be Chilton's last tour for three years.

Chilton moved to New Orleans in 1982, [5] where he spent much of 1982 and 1983 working outside music, washing dishes at the Louis XVI Restaurant in the French Quarter, working as a janitor at the Uptown nightclub Tupelo's Tavern, and working as a tree-trimmer. [5] He resumed playing with Panther Burns in 1983. His new association with New Orleans jazz musicians (including bassist René Coman) marked a period in which he began playing guitar in a less raucous style and moved toward a cooler, more restrained approach, as heard in Panther Burns's 1984 Sugar Ditch Revisited album, produced by Jim Dickinson. He moved back into playing music full-time in the summer of 1984, when he and Coman began a four-month stretch playing in a cover band called the Scores, working in four-hour shifts at the Bourbon Street tourist bar Papa Joe's, and taking requests from a printed list of songs placed on the customer tables. [5]

After the cover-band job ended, Chilton contacted a booking agent recommended to him by the dBs drummer Will Rigby, and soon had a handful of club gigs lined up in New York, New Jersey, and Boston for the fall of 1984. [5] He stopped playing regular gigs with Panther Burns and formed a trio with the group's bassist, Coman, and drummer Joey Torres to play his out-of-town bookings. At this point, his career was effectively relaunched, and for the next 25 years, Chilton sporadically led a three-piece touring band (augmented by saxophonist Jim Spake in 1989 and 1990), recorded studio and live solo records for several independent record labels, and reunited with versions of his previous bands the Box Tops and Big Star for brief tours and recordings.

At the outset of this period, while in New York in 1985 to play a booking at Danceteria, Chilton was connected through a journalist with Patrick Mathé, founder of the Paris-based record label New Rose. Chilton's business relationship with Mathé would last the rest of his life, and New Rose (and its successor label, Last Call Records) released much of Chilton's solo work from 1985–2004 in Europe, as well as a 1998 Box Tops reunion album. In the U.S., Chilton's solo releases were released by the Big Time, Razor & Tie, Ardent, and Bar/None record labels. In 1985, Chilton began working with Memphis jazz drummer Doug Garrison (who had played music with Chilton's father Sidney in a big band), [5] and his trio continued touring and began to record as well. Six songs were recorded at Ardent Studios for the 1985 EP Feudalist Tarts, three originals joined by songs from the catalogs of Carla Thomas, Slim Harpo, and Willie Tee. In 1986 Chilton followed this with a second EP, No Sex, which contained three more originals, including the extended mood piece, "Wild Kingdom", a song highlighting Coman's jazz-oriented, improvisational bass interplay with Chilton.

During this period in his recordings Chilton began frequently to use a horn section consisting of Memphis veteran jazz performers Fred Ford, Jim Spake, and Nokie Taylor to imbue the soul-oriented pieces among his repertoire with a postmodern, minimalist jazz feel that distinguished his interpretative approach from that of a simple soul revivalist style. Chilton forged a new direction for his solo work, eschewing effects and blending soul, jazz, country, rockabilly, and pop. Coman left Chilton's solo trio at the end of 1986 to pursue other projects, forming (with Garrison) the Iguanas three years later with other New Orleans musicians; both would record occasionally with Chilton after departing.

In 1986, the Bangles released their second LP, Different Light , which contained a cover version of Chilton's Big Star song "September Gurls". Royalties from this version allowed Chilton, who had struggled financially since leaving the Box Tops, to buy his first new car since his Box Top days, and a piece of rural land near Hohenwald, Tennessee, where he planned to build a small house. [5] The following year, his visibility increased in the alternative rock scene when he was the subject of the song "Alex Chilton" by American rock band the Replacements on their album Pleased to Meet Me , on which Chilton was a guest musician playing guitar on the song "Can't Hardly Wait". [7]

With 1987's High Priest, Chilton released his first full-length LP in eight years, for which he served as producer and wrote four new songs. He was given a $21,000 recording budget by his European and U.S. record labels (New Rose and Big Time, respectively) which allowed him to augment his band on various songs with a three-piece horn section, backup singers, piano, keyboards, and rhythm guitar. He was also able to continue the genre-mixing he had started with Like Flies on Sherbert by including soul, blues, gospel, and rock songs on the same record. [5] He ended the album with a cover of "Raunchy", his instrumental salute to Sun Records guitarist Sid Manker, a friend of his father from whom he'd once taken a guitar lesson; this song was also a standard in his early Panther Burns repertoire. High Priest also included other covers like "Nobody's Fool", a song originally written and recorded in 1973 by his old mentor and Box Tops producer Dan Penn. While his solo career was continuing to pick up momentum, Chilton was also singing Box Tops songs during 1987 with a package tour of 1960s artists including Peter Noone, Ronnie Spector, and ? & the Mysterians. [5]

Chilton followed up High Priest with Black List , his third EP in four years (and his first recording since his mid-1980s career relaunch not to get a U.S. release). Black List continued to display his eclecticism, containing covers of Ronny & the Daytonas' "Little GTO", Furry Lewis's "I Will Turn Your Money Green", and Charlie Rich's country-pop arrangement of Frank Sinatra's "Nice and Easy". The EP also included three original songs. Chilton also produced albums by several artists beginning in the 1980s, including the Detroit group the Gories, and continued producing Panther Burns albums well into the 1990s.


Touring and recording as a solo artist from the late 1980s through the 1990s with bassists Mike Maffei, [8] John S. McClure (later to become a professor of divinity at Vanderbilt University), [9] and Ron Easley, and with drummers Doug Garrison and, from 1993 on, Richard Dworkin (who also played for many years with the jazz group the Microscopic Septet), Chilton gained a reputation for his eclectic taste in song covers, guitar work, and laconic stage presence. Writing about a live performance in The New York Times , critic Peter Watrous said of Chilton that "he's a soul and blues guitar connoisseur; he chooses his guitar licks as carefully as he does the blues songs he covers, and during his solos, a listener heard a history of soul and blues guitar." Watrous went on to say of the show that "irony flowed over everything, and it was hard to tell exactly what Mr. Chilton was after, except perhaps a little fun." [8]

Chilton performing in Tourcoing, France in February 2004 Alex Chilton.jpg
Chilton performing in Tourcoing, France in February 2004

In 1990 and 1991, Chilton took time off from touring and recording to live during the warm months in a tent on his land in rural Tennessee [10] and work on clearing trees and framing his planned house, a project he was never to complete. [5] In 1993, Chilton recorded Clichés , an acoustic solo record of jazz and pop standards, in New Orleans' Chez Flames studio with producer Keith Keller. The record was inspired by a short solo acoustic tour of the Netherlands in January, 1992. [11] Chilton's final two studio albums featured his band and continued his pattern of mixing together songs from pop, soul, blues, gospel, R&B, swing, and country music. A Man Called Destruction (1995), like High Priest, featured a mix of covers and originals and an expanded band that included horns, keyboards, and occasional backup singers, and was released in the U.S. on the relaunched Ardent Records label. Chilton took an enlarged edition of his band on Late Night with Conan O'Brien in July 1995 to promote the album, playing the song "Lies". This was Chilton's second appearance on national television in less than a year; in October 1994, he appeared on The Tonight Show with Jay Leno with the reformed Big Star. Chilton's final solo studio record, Loose Shoes and Tight Pussy (1999), featured only his trio, and was named after an old off-color joke made infamous in 1976 by politician Earl Butz. Chilton released one more album as a solo artist, the 2004 CD Live in Anvers, which featured him playing a show in Belgium with a pick-up band of European musicians.

Chilton reformed Big Star in 1993 with a lineup that included two members of the Posies, Jon Auer and Ken Stringfellow. [12] From then on, he added to his schedule concerts and recordings with the new version of Big Star. The final Big Star studio album, entitled In Space , with songs penned by the then-current lineup, was released by Rykodisc on September 27, 2005.

Big Star's October 29, 1994, performance, their only known show to be professionally filmed in its entirety, was released in November 2014 by Omnivore Recordings as Live in Memphis. [13] According to Mojo , the DVD documents how Big Star's 1990s lineup defied expectations and endured for another 16 years: "Chilton's musicality is mesmerising as he drives the band.... Alternating between lead and rhythm, he plays with a mix of laser focus and utter insouciant cool." [14]

In 1996, Chilton regrouped in Memphis with original Box Tops members Danny Smythe, John Evans, Bill Cunningham, and Gary Talley, and the following year they recorded Tear Off!, the group's final record with Chilton. The album, which was recorded primarily at Easley Recording Studios in Memphis, was released in Europe in 1998. Chilton subsequently toured with the original group annually. Chilton had toured Europe in 1991 with a version of the band, and had sung Box Tops material as a featured singer in oldies package tours during the 1980s and 1990s. After Chilton's death, the Box Tops were to reform again in 2015 with guitarist Gary Talley as lead vocalist.

In 1998, the Alex Chilton/Chris Bell song "In the Street" (from the first Big Star album) was chosen as the theme music for the U.S. television series That '70s Show at the suggestion of Chilton's friend and occasional touring partner Ben Vaughn. Vaughn was working for the series at the time, and oversaw a new recording of the song by singer Todd Griffin and a group of Los Angeles studio musicians; in subsequent seasons, a version recorded by the band Cheap Trick would be used.


Chilton toured and recorded less frequently in his final decade, choosing to spend more of his time at home in New Orleans. In 1995, Chilton purchased a 19th-century center-hall cottage in the Tremé neighborhood for $13,000, and he enjoyed working on his house and practicing Scott Joplin rags on his piano (an instrument he later lost in Hurricane Katrina). [15] "Thanks to his low overhead, Chilton subsisted [during the 2000s] on periodic Big Star, Box Tops and solo gigs augmented by modest publishing income…He saw little reason to hustle more than was necessary to make ends meet and travel, a favorite pursuit," wrote New Orleans journalist Keith Spera in a profile published after Chilton's death. [15] Chilton was present at his home in New Orleans during Hurricane Katrina and evacuated by helicopter on September 4, 2005. [16] In 2009, he remarried. Chilton's last studio projects included playing bass on Cristina Black's The Ditty Session, [17] [18] and producing tracks by guitarist and singer "Johnny J." Beninati, a former member of the New Orleans rockabilly group the Blue Vipers. [15] Chilton's final live performance was in New Orleans on January 24, 2010, where he participated in a benefit show for Haitian earthquake victims. [15]

Death and memorial

Chilton was taken to the hospital in New Orleans on Wednesday, March 17, 2010, complaining of health problems, and died the same day of a heart attack. [19] Chilton had experienced at least two episodes of shortness of breath in the week prior to his fatal heart attack, though he did not seek medical attention in part because he did not have health insurance. [20] He was survived by his wife, Laura, a son, Timothee, and a sister, Cecilia. [1] [21]

He had been scheduled to play a concert with Big Star at the South by Southwest music festival in Austin, Texas, on March 20; the show instead took place as a tribute to Chilton, with guests Curt Kirkwood, Chris Stamey, M. Ward, Mike Mills, John Doe, Sondre Lerche, Chuck Prophet, Evan Dando, the Watson Twins, and original member Andy Hummel (who died three months later) joining the other members of Big Star. [22]

Honors and awards

Star honoring Alex Chilton on the outside mural of the Minneapolis nightclub First Avenue Alex Chilton - First Avenue Star.jpg
Star honoring Alex Chilton on the outside mural of the Minneapolis nightclub First Avenue

Alex Chilton was honored with a star on the outside mural of the Minneapolis nightclub First Avenue, [23] recognizing performers that have played sold-out shows or have otherwise demonstrated a major contribution to the culture at the iconic venue. [24] Receiving a star "might be the most prestigious public honor an artist can receive in Minneapolis," according to journalist Steve Marsh. [25]



Singles and EPs

Live albums

Compilation albums

Appeared on

Related Research Articles

Big Star American rock band

Big Star was an American rock band formed in Memphis, Tennessee, in 1971 by Alex Chilton, Chris Bell, Jody Stephens, and Andy Hummel. The group broke up in early 1975, and reorganized with a new lineup 18 years later following a reunion concert at the University of Missouri. In its first era, the band's musical style drew on the Beatles, the Rolling Stones, and the Byrds. Big Star produced a style that foreshadowed the alternative rock of the 1980s and 1990s. Before they broke up, Big Star created a "seminal body of work that never stopped inspiring succeeding generations", in the words of Rolling Stone, as the "quintessential American power pop band", and "one of the most mythic and influential cult acts in all of rock & roll". Big Star's first album—1972's #1 Record—was met by enthusiastic reviews, but ineffective marketing by Stax Records, and limited distribution stunted its commercial success. Frustration took its toll on band relations: Bell left not long after the first record's commercial progress stalled, and Hummel left to finish his college education after a second album, Radio City, was completed in December 1973. Like #1 Record, Radio City received excellent reviews, but label issues again thwarted sales—Columbia Records, which had assumed control of the Stax catalog, likewise effectively vetoed its distribution.

<i>Radio City</i> (album) 1974 studio album by Big Star

Radio City is the second album by the American rock group Big Star. Released in 1974, Radio City was recorded during 1973 at Memphis' Ardent Studios. Though not a commercial success at the time, it is now recognized as a milestone album in the history of power pop music. Critically acclaimed upon its release, the record sold poorly, partly due to a lack of promotion and the distribution problems of the band's struggling record label, Ardent Records. The album included "September Gurls" and "Back of a Car", which remain among the most famous Big Star songs; both the Searchers and the Bangles have covered "September Gurls".

The Box Tops American rock band

The Box Tops is an American rock band, formed in Memphis in 1967. They are best known for the hits "The Letter", "Cry Like a Baby", and "Soul Deep" and are considered a major blue-eyed soul group of the period. They performed a mixture of current soul music songs by artists such as James & Bobby Purify and Clifford Curry; pop tunes such as "A Whiter Shade of Pale" by Keith Reid, Gary Brooker, and Matthew Fisher of Procol Harum; and songs written by their producers, Dan Penn, Spooner Oldham, and Chips Moman. Vocalist Alex Chilton went on to front the power pop band Big Star and to launch a career as a solo artist, during which he occasionally performed songs he had sung with the Box Tops.

Jim Dickinson American musician

James Luther Dickinson was an American record producer, pianist, and singer who fronted, among others, the band Mud Boy and the Neutrons, based in Memphis, Tennessee.

<i>Third/Sister Lovers</i> 1978 studio album by Big Star

Third is the third album by American rock band Big Star. Sessions started at Ardent Studios in September 1974. Though Ardent created promotional, white-label test pressings for the record in 1975, a combination of financial issues, the uncommercial sound of the record, and lack of interest from singer Alex Chilton and drummer Jody Stephens in continuing the project prevented the album from ever being properly finished or released at the time of its recording. It was eventually released in 1978 by PVC Records.

Chris Bell (American musician) American singer

Christopher Branford Bell was an American musician, guitarist, singer, and songwriter. Along with Alex Chilton, he led the power pop band Big Star through its first album #1 Record (1972). He also pursued a solo career throughout the mid-1970s, resulting in the posthumous I Am the Cosmos LP.

Tav Falcos Panther Burns American rock band

Tav Falco's Panther Burns, sometimes shortened to (The) Panther Burns, is a rock band originally from Memphis, Tennessee, United States, led by Tav Falco. They are best known for having been part of a set of bands emerging in the late 1970s and early 1980s who helped nationally popularize the blending of blues, country, and other American traditional music styles with rock music among groups playing in alternative music and punk music venues of the time. The earliest and most renowned of these groups to imbue these styles with expressionist theatricality and primitive spontaneity were The Cramps, largely influenced by rockabilly music. Forming just after them in 1979, Panther Burns drew on obscure country blues music, Antonin Artaud's works like The Theater and Its Double, beat poetry, and Marshall McLuhan's media theories for their early inspiration. Alongside groups like The Cramps and The Gun Club, Panther Burns ranked among the contributing influences and progenitors of the Southern Gothic-tinged roots music revival scene that arose during the last two decades of the 20th century and continued into the early 2000s.

Ardent Studios recording studio

Ardent Studios is a recording studio located in Memphis, Tennessee, United States. Ardent Records/Ardent Music is the in-house label.

Jon Tiven American record producer

Jon Tiven is an American composer, guitarist, record producer, and music journalist. He has produced albums by Wilson Pickett, Frank Black and Don Covay as well as a series of tribute albums paying tribute to the songwriting of Don Covay, Arthur Alexander, Otis Blackwell, Curtis Mayfield, and Van Morrison. He was also the co-founder of the Memphis power pop band Prix, as well as the bands The Yankees and The Jon Tiven Group.

<i>Number 1 Record</i> 1972 studio album by Big Star

#1 Record is the debut album by the American rock band Big Star. It was released in August 1972 by Memphis-based Ardent Records.

The Scruffs

The Scruffs are an American power pop group formed in Memphis, Tennessee in 1974 by writer/guitarist/vocalist Stephen Burns along with guitarist David Branyan, bassist Rick Branyan, and drummer Zeph Paulson. Although their line up has changed many times over the years, The Scruffs, centered around Burns, have continued to release records up through the 2010s.

The Letter (Box Tops song) song by Wayne Carson Thompson, 1967

"The Letter" is a song written by Wayne Carson that was first recorded by the American rock band The Box Tops in 1967. It was sung in a gruff blue-eyed soul style by Alex Chilton. The song was the group's first and biggest record chart hit, reaching number one in the United States and Canada. It was also an international success and reached the top ten in several other countries.

Jody Stephens American drummer

Jody Stephens is an American drummer, who has played in Big Star and Golden Smog. When not on tour with Big Star, he works as CEO of Ardent Studios - the same studio Big Star recorded all of their albums. After the deaths of Chris Bell in 1978, and both Alex Chilton and Andy Hummel in 2010, Stephens is the last surviving original member of Big Star.

John Andrew "Andy" Hummel was an American bassist and singer-songwriter best known as the bass player of Big Star.

American Sound Studio US recording studio (1967-1971) located at 827 Thomas Street in Memphis, Tennessee

American Sound Studio were recording studios located in Memphis, Tennessee which operated from 1964 to 1972. Founded by Chips Moman, the studio at 827 Thomas Street came to be known as American North, and the studio at 2272 Deadrick Street came to be known as American East or the Annex.

<i>Like Flies on Sherbert</i> 1979 studio album by Alex Chilton

Like Flies on Sherbert is the first solo album released by American pop rock musician Alex Chilton. He had previously recorded a collection of songs in 1969 and 1970, ultimately titled 1970, but this was not released until 1996. Released in 1979, Like Flies on Sherbert was recorded at two Memphis studios, Phillips Recording and Ardent Studios, in 1978 and 1979. Chilton had previously been a member of the Box Tops and Big Star.

Cristina Black is an American musician and writer. She regularly contributes to a number of publications in New York and Los Angeles. Her first album, The Ditty Sessions, was released in 2010 and her music has been featured on the TV series Parenthood. She collaborated with Big Star and Box Tops lead singer Alex Chilton, who made his last appearance on Black's EP The Ditty Sessions before his death.

<i>Clichés</i> (album) 1993 studio album by Alex Chilton

Clichés is the fourth solo album released by American pop rock musician Alex Chilton. It was recorded and released in 1993. Chilton recorded the album in New Orleans at Chez Flames, the studio of producer and recording engineer Keith Keller, who also wrote the song "Lies", featured on Chilton's album A Man Called Destruction.

<i>Third</i> (Cait Brennan album) 2017 studio album by Cait Brennan

Third is the second studio album by Cait Brennan, released by Omnivore on April 21, 2017. The follow-up to 2016's critically lauded Debutante, Third was recorded at Ardent Studios in Memphis, in the same studio and using many of the same instruments Big Star used during its Ardent heyday in the early 1970s.

Thomas Forbes "Tommy" Hoehn Jr. was an American singer, songwriter, keyboard player, and guitarist. Along with Jon Tiven, he led the Memphis power pop group Prix before embarking on a solo career. He also provided backing vocals on Big Star's third album, Third/Sister Lovers, and collaborated with Big Star members Alex Chilton and Chris Bell as well as Memphis power pop group The Scruffs.


  1. 1 2 3 "Archived copy". Archived from the original on March 22, 2010. Retrieved March 18, 2010.CS1 maint: archived copy as title (link)
  2. "Alex Chilton, Influential Rock Singer, Dies at 59" The New York Times , March 19, 2010; page B17.
  3. Jovanovic, Rob. Big Star: The Story of Rock's Forgotten Band. London: Fourth Estate, 2004. ISBN   0-00-714908-5
  4. Holly George-Warren (March 20, 2014). "A Man Called Destruction: The Life and Music of Alex Chilton, From Box Tops ..." Retrieved April 28, 2016.
  5. 1 2 3 4 5 6 7 8 9 10 11 12 13 George-Warren, Holly (March 2014). A Man Called Destruction: The Life and Music of Alex Chilton, from Box Tops to Big Star to Backdoor Man. Viking. ISBN   978-0-670-02563-3.
  6. McLean, Greg (December 1981). "Alex Chilton, Maxwell's, Hoboken, JN". New York Rocker. New York, NY.
  7. Milano, Brett. "Pleased to Meet Him: An Interview with Paul Westerberg". Archived from the original on May 15, 2010. Retrieved March 29, 2010.
  8. 1 2 Watrous, Peter (May 30, 1988). "Alex Chilton's Ironic Guitar". The New York Times. New York, NY. Retrieved November 15, 2015.
  9. Gettelman, Parry (October 26, 1990). "Alex Chilton Is True To His Fans At Blue Note". Orlando Sentinel. Orlando, Florida. Retrieved November 15, 2015.
  10. Roberts, Michael (March 19, 2010). "Alex Chilton, R.I.P.: The lost Westword interview". Westword. Denver, Colorado. Retrieved November 15, 2015.
  11. Spera, Keith (May 1, 1995). "Alex Chilton Lets Them Scream". OffBeat Magazine. OffBeat Magazine. Retrieved October 6, 2016.
  12. "Alex Chilton, Big Star Frontman, Dead At 59". MTV News. Retrieved March 9, 2018.
  13. "Live in Memphis". Omnivore: Release. Omnivore Recordings. 2014. Archived from the original on November 12, 2014.
  14. "Live in Memphis". Mojo Magazine. December 2014. Archived from the original on November 12, 2014.
  15. 1 2 3 4 Spera, Keith (April 24, 2012). "Chapter 7: Alex Chilton Undercover". Groove Interrupted: Loss, Renewal, and the Music of New Orleans . Picador. ISBN   978-0-312-55225-1.
  16. "Alex Chilton's life in New Orleans was a mystery, and that's how the Big Star singer wanted it". The Times-Picayune . April 6, 2010.
  17. "Alex Chilton Tracks Unearthed for New Cristina Black Album". Retrieved February 28, 2013.
  18. "Alex Chilton and Cristina Black: The Ditty Sessions". TwentyFourBit. Retrieved February 28, 2013.
  19. "Alex Chilton dead at 59; led Big Star, Box Tops, inspired countless bands". Chicago Tribune . March 18, 2010.
  20. Linkins, Jason (April 9, 2010). "Alex Chilton Was Uninsured at the Time of His Death". Huffington Post.
  21. "Archived copy". Archived from the original on October 29, 2013. Retrieved August 10, 2013.CS1 maint: archived copy as title (link)
  22. "Musicians pay tribute to Alex Chilton at SXSW". Reuters. Retrieved January 18, 2015.
  23. "The Stars". First Avenue & 7th Street Entry. Retrieved May 10, 2020.
  24. Bream, Jon (May 3, 2019). "10 things you'll learn about First Avenue in new Minnesota History Center show". Star Tribune . Minneapolis-St. Paul, Minnesota. Retrieved May 10, 2020.
  25. Marsh, Steve (May 13, 2019). "First Avenue's Star Wall". Mpls.St.Paul Magazine. Minneapolis-St. Paul, Minnesota. Retrieved May 10, 2020.
  26. Palmer, Robert (November 28, 1991), "Medium Cool: Imagination — A Chet Baker Tribute", Rolling Stone (618)
  27. Live at the Knitting Factory: Downtown Does the Beatles at AllMusic

Further reading