Screaming Lord Sutch, who had his name legally changed from David Edward Sutch, was an English musician and perennial parliamentary candidate. He was the founder of the Official Monster Raving Loony Party and served as its leader from 1983 to 1999, during which time he stood in numerous parliamentary elections. He holds the record for contesting the most Parliamentary elections, standing in 39 elections from 1963 to 1997. As a singer he variously worked with Keith Moon, Jeff Beck, Jimmy Page, Ritchie Blackmore, Charlie Watts, John Bonham and Nicky Hopkins, and is known for his 1963 novelty hit "Jack the Ripper".
Jalacy J. "Screamin' Jay" Hawkins was an American singer-songwriter, musician, actor, film producer, and boxer. Famed chiefly for his powerful, operatic vocal delivery and wildly theatrical performances of songs such as "I Put a Spell on You", he sometimes used macabre props onstage, making him an early pioneer of shock rock. He received a nomination for the Independent Spirit Award for Best Supporting Male for his performance in the 1989 indie film Mystery Train.
Screamin' Sirens was an American all-female band from Hollywood, California that recorded from 1983 to 1987. The band combined country music, punk rock, rockabilly and a dash of funk to create an eclectic wild party music. Screamin' Sirens predated what is usually referred to as alternative country, but influenced that subgenre's development.
Otis Rush Jr. was an American blues guitarist and singer-songwriter. His distinctive guitar style featured a slow-burning sound and long bent notes. With qualities similar to the styles of other 1950s artists Magic Sam and Buddy Guy, his sound became known as West Side Chicago blues and was an influence on many musicians, including Michael Bloomfield, Peter Green and Eric Clapton.
Kicking and Screaming may refer to:
Audience is a cult British art rock band which existed from 1969 until 1972 and then from 2004 until 2013.
Bruce Charles Sudano is an American singer-songwriter, noted for creating songs for artists such as Michael Jackson, Dolly Parton, Reba McEntire and his late wife, the Grammy Award-winning singer Donna Summer. Sudano is the founder of indie record label, Purple Heart Recording Company.
The View EP is a self-titled EP by The View, released in March 2006. It is the first official release by the band. The EP was pressed by Dundee label Two Thumbs, and was limited to just 2000 copies. It was made available to the public through the band's on-line forums, and sold out within a matter of weeks. Due to the CD having no official distribution, the exact release date of the EP is unknown. In an interview with The Courier on 20 January 2006, Grant Dickson stated that "The View EP will be out sometime near the end of next month". Copies of the EP were first made available through Two Thumbs' forum on 15 March 2006.
Trevor Williams is a bass guitarist, vocalist and lyricist known primarily for his work with Audience, British art rock band which ran from 1969–1972 and from 2004 -2013.
Rebecca Emily Hollcraft is an American singer-songwriter, and guitarist, known professionally as Becca, Becca-chan, and Bec Hollcraft. From 2012 to 2015, she was the lead singer in the rock band Stars in Stereo.
Butts Band was a British and American group formed by ex-Doors members John Densmore and Robby Krieger, active from 1973 to 1975. The band released two albums and, with the exception of Krieger and Densmore, they consisted of different band personnel on each.
Lunch is the fourth album by the British art rock band Audience, released in 1972. It was their last original release following the departure of Keith Gemmell and the band's breaking up for more than 30 years. It peaked at 175 on the Billboard 200 chart.
Keith Gemmell was a British musician. He played saxophone, clarinet, and flute, and was best known for being a member of art rock band Audience from 1969 to 1972 and from 2004 to 2016. He was also a musical arranger and composer, published digital sheet music, wrote articles for the UK publication Music Tech Magazine, and was the author of several books including the best-seller Cubase Tips & Tricks.
The House on the Hill is the third album by the British art rock band Audience, released in 1971. At about the same time, a single, "Indian Summer", reached number 74 on the Billboard Hot 100;. The North American version of the album on Elektra Records added "Indian Summer" as the opening track, along with "It Brings A Tear" which had already appeared on the UK album Friend's Friend's Friend. The Elektra LP dropped the song "Eye To Eye".
Audience is the first album by British art rock band Audience, released in 1969. It was deleted shortly after its release and is now collectable in its original vinyl version. The band was soon afterwards signed by Tony Stratton-Smith to Charisma Records.
Friend's Friend's Friend is the second album by the British art rock band Audience, released in 1970. It was originally intended to be produced by Shel Talmy; however, the band didn't warm to his approach and they opted to produce it themselves.
"All Join Hands" is a song by the British rock band Slade, released in 1984 as the lead single from the band's twelfth studio album Rogues Gallery. The song was written by lead vocalist Noddy Holder and bassist Jim Lea, and produced by John Punter. It reached No. 15 in the UK, remaining in the chart for ten weeks.
Howard Werth is an English singer, guitarist and record producer. He was the founder and frontman of the cult British art rock band Audience from 1967 to 1972, and 2004 to date.
Kickin' and Screamin' is the fourth studio album by American rapper Krizz Kaliko, released on May 15, 2012. It debuted at #43 on the Billboard 200, making it his most successful album.
"Early One Morning" is a blues rock song written by Little Richard. It was originally released on his album The Fabulous Little Richard, and released by Specialty Records as a B-side single to "She Knows How to Rock" in November 1958. The song derives from "Wee Baby Blues" by Big Joe Turner. Turner's version features Ray Charles on piano, and was released as a single on Atlantic Records in 1957.
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