The Importance of Being Earnest, A Trivial Comedy for Serious People is a play by Oscar Wilde. First performed on 14 February 1895 at the St James's Theatre in London, it is a farcical comedy in which the protagonists maintain fictitious personae to escape burdensome social obligations. Working within the social conventions of late Victorian London, the play's major themes are the triviality with which it treats institutions as serious as marriage, and the resulting satire of Victorian ways. Some contemporary reviews praised the play's humour and the culmination of Wilde's artistic career, while others were cautious about its lack of social messages. Its high farce and witty dialogue have helped make The Importance of Being Earnest Wilde's most enduringly popular play.
Sir Ralph David Richardson was an English actor who, with John Gielgud and Laurence Olivier, was one of the trinity of male actors who dominated the British stage for much of the 20th century. He worked in films throughout most of his career, and played more than sixty cinema roles. From an artistic but not theatrical background, Richardson had no thought of a stage career until a production of Hamlet in Brighton inspired him to become an actor. He learned his craft in the 1920s with a touring company and later the Birmingham Repertory Theatre. In 1931 he joined the Old Vic, playing mostly Shakespearean roles. He led the company the following season, succeeding Gielgud, who had taught him much about stage technique. After he left the company, a series of leading roles took him to stardom in the West End and on Broadway.
Sir Arthur John Gielgud, was an English actor and theatre director whose career spanned eight decades. With Ralph Richardson and Laurence Olivier, he was one of the trinity of actors who dominated the British stage for much of the 20th century. A member of the Terry family theatrical dynasty, he gained his first paid acting work as a junior member of his cousin Phyllis Neilson-Terry's company in 1922. After studying at the Royal Academy of Dramatic Art he worked in repertory theatre and in the West End before establishing himself at the Old Vic as an exponent of Shakespeare in 1929–31.
Dame Edith Mary Evans, was an English actress. She was best known for her work on the stage, but also appeared in films at the beginning and towards the end of her career. Between 1964 and 1968, she was nominated for three Academy Awards.
The Theatre Royal Haymarket is a West End theatre on Haymarket in the City of Westminster which dates back to 1720, making it the third-oldest London playhouse still in use. Samuel Foote acquired the lease in 1747, and in 1766 he gained a royal patent to play legitimate drama in the summer months. The original building was a little further north in the same street. It has been at its current location since 1821, when it was redesigned by John Nash. It is a Grade I listed building, with a seating capacity of 888. The freehold of the theatre is owned by the Crown Estate.
William Waller Lewis, known on stage as Lewis Waller, was an English actor and theatre manager, well known on the London stage and in the English provinces.
Sir George Alexander, born George Alexander Gibb Samson, was an English stage actor, theatre producer and theatre manager. After acting on stage as an amateur he turned professional in 1879 and, over the next eleven years, he gained experience with leading producers and actor-managers, including Tom Robertson, Henry Irving and Madge and W. H. Kendal.
Dame Irene Vanbrugh DBE was an English actress. The daughter of a clergyman, Vanbrugh followed her elder sister Violet into the theatrical profession and sustained a career for more than 50 years.
Benjamin Arthur Flemyng, known professionally as Robert Flemyng, was a British actor. The son of a doctor, and originally intended for a medical career, Flemyng learned his stagecraft in provincial repertory theatre. In 1935 he appeared in a leading role in the West End, and the following year had his first major success, in Terence Rattigan's comedy French Without Tears. Between then and the Second World War he appeared in London and New York in a succession of comedies.
Dame Madge Kendal, was an English actress of the Victorian and Edwardian eras, best known for her roles in Shakespeare and English comedies. Together with her husband, W. H. Kendal , she became an important theatre manager.
Sir John Hare, born John Joseph Fairs, was an English actor and theatre manager of the later 19th– and early 20th centuries.
Fred Terry was an English actor and theatrical manager. After establishing his reputation in London and in the provinces for a decade, he joined the company of Sir Herbert Beerbohm Tree where he remained for four years, meeting his future wife, Julia Neilson. With Neilson, he played in London and on tour for 27 further years, becoming famous in sword and cape roles, such as the title role in The Scarlet Pimpernel.
The Importance of Being Earnest is a 1952 British comedy-drama film adaptation of the 1895 play by Oscar Wilde. It was directed by Anthony Asquith, who also adapted the screenplay, and was produced by Anthony Asquith, Teddy Baird, and Earl St. John.
Frank Poole Dyall, professionally known as Franklin Dyall, was an English actor. In his early years he was a member of the companies of the actor-managers George Alexander, Ben Greet, John Martin-Harvey and Johnston Forbes-Robertson. During a 50-year stage career he played a wide range of parts in plays from Shakespeare to modern comedy, grand guignol, swashbuckling costume drama and the works of Ibsen. He broadcast on radio and television and made more than 20 films. He was the father of the actor Valentine Dyall.
Arthur Cecil Blunt, better known as Arthur Cecil, was an English actor, comedian, playwright and theatre manager. He is probably best remembered for playing the role of Box in the long-running production of Cox and Box, by Arthur Sullivan and F. C. Burnand, at the Royal Gallery of Illustration.
Mabel Gwynedd Terry-Lewis was an English actress and a member of the Terry-Gielgud dynasty of actors of the 19th and 20th centuries.
Minnie Gertrude Ellis Jeffreys was an English actress, best known for her comedy roles.
Frederick Kinsey Oman Peile, known professionally as F. Kinsey Peile or Kinsey Peile, was a British actor and playwright. During a forty-year stage career he created roles in plays by Oscar Wilde and Noël Coward, starred in others by Henrik Ibsen and Somerset Maugham, wrote ten plays for the West End and appeared in several films.
Farren Soutar, was an English actor and singer who became known for his performances in Edwardian Musical Comedies in the West End and on Broadway. Later he acted in some serious plays. His mother was Nellie Farren, the famous principal boy in Victorian burlesque.
Cosmo Charles Gordon-Lennox, whose stage name was Cosmo Stuart, was a British actor and playwright of the late-19th and early-20th centuries. He became known as an actor in the 1890s, but by the turn of the century he had begun to concentrate on writing, usually under his real name. He specialised in adapting French comedies for the British stage, but also wrote original works, often as vehicles for his wife, the actress Marie Tempest.
