| An Epiphanic Vomiting of Blood | ||||
|---|---|---|---|---|
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| Studio album by | ||||
| Released | December 15, 2007 | |||
| Recorded | 2006 – 2007 | |||
| Studio | De Bejaarde, Drachten, NL | |||
| Genre | Drone metal, dark ambient, industrial black metal, art metal [1] | |||
| Length | 38:01 | |||
| Label | Burning World Crucial Blast (re-issue) | |||
| Gnaw Their Tongues chronology | ||||
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| Maurice de Jong chronology | ||||
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An Epiphanic Vomiting of Blood is the third full-length studio album by Gnaw Their Tongues, released on December 15, 2007 by Burning World and Señor Hernandez Records. [2] [3] It was re-issued in 2008 by Crucial Blast and became Gnaw Their Tongues' first album to be released on compact disc in the United States. This allowed for wider distribution and marked the first time the project garnered critical interest, with comparisons being favorably drawn to the music of Napalm Death and Carcass.
The music for An Epiphanic Vomiting of Blood was recorded at composer Maurice de Jong's personal studio in Drachten, named De Bejaarde. De Jong was approached by Burning World Records, who offered to press his music to vinyl for a limited run of five hundred copies. The US-based label Crucial Blast adopted the album in early 2008, offering the music a wider distribution. [3]
| Review scores | |
|---|---|
| Source | Rating |
| Allmusic | |
| Exclaim! | Favorable [5] |
An Epiphanic Vomiting of Blood garnered favorable reviews from music critics, primarily for its ability to conjure a bleak and oppressive atmosphere. Music journalist Ned Raggett gave the album three and a half out of five stars saying, "often, things seem to be fully careening out of control -- no bad thing, but it makes songs hard to hum -- but then there'll be some sort of Wagnerian surge, as on "Sawn Asunder and Left for the Beasts" or "And There Will Be More of Your Children Dead Tomorrow" that turns it all into a massive tension release." [4] Albert Pollard of Aural Innovations lauded Gnaw Their Tongues' sound, saying "their music is bore of the Devil, it is dark and droning orchestral doom, horrific and bloody, it rolls like a horror film and sounds like one." [6] Max Deneau of Exclaim! noted the number of diverse instruments employed in the compositions and compared the music to that of the Italian progressive rock band Goblin. [5]
All music is composed by Maurice de Jong.
| No. | Title | Length |
|---|---|---|
| 1. | "My Body Is Not a Vessel, Nor a Temple. It's a Repulsive Pile of Sickness" | 7:30 |
| 2. | "Teeth That Leer Like Open Graves" | 6:54 |
| 3. | "Sawn Asunder and Left for the Beasts" | 5:40 |
| No. | Title | Length |
|---|---|---|
| 1. | "An Epiphanic Vomiting of Blood" | 6:19 |
| 2. | "The Sewer Rats of Calcutta" | 4:10 |
| 3. | "And There Will Be More of Your Children Dead Tomorrow" | 7:28 |
| No. | Title | Length |
|---|---|---|
| 7. | "The Urge to Participate in Butchery" | 8:29 |
Adapted from the An Epiphanic Vomiting of Blood liner notes. [7]
| Region | Date | Label | Format | Catalog |
|---|---|---|---|---|
| Netherlands | 2007 | Burning World/Señor Hernandez | LP | BWR001 |
| United States | 2008 | Crucial Blast | CD | CBR 69 |
Gnaw Their Tongues is an experimental musical project started by Dutch multi-instrumentalist and composer Maurice de Jong, otherwise known as Mories. It was founded in 2004 and produced a debut album in 2006 titled Spit at Me and Wreak Havoc on My Flesh. The output of Gnaw Their Tongues is extensive, with over seventy releases being attributed to its name. The name of the project is taken from passage 16:10-11 from the Book of Revelation: "The fifth angel, who poured out his vial upon the seat of the beast; and his kingdom was full of darkness; and they gnawed their tongues for pain, And blasphemed the God of heaven because of their pains and their sores, and repented not of their deeds."
Maurice de Jong, known by his moniker Mories, is a Dutch composer and musician. He is best recognized for his multiple music projects, namely Gnaw Their Tongues, Seirom, Aderlating, Cloak of Altering and De Magia Veterum. His compositions are informed by ambient music, black metal, drone music, electronic music and the avant-garde. His interests lie in invoking a disquieting and nightmarish atmosphere with his music, which often utilizes distortion and dissonance. Lauded as a most prolific composer, de Jong has recorded an upwards of three albums per year since 2007.

Abyss of Longing Throats is the eighth studio album by Gnaw Their Tongues, released on August 7, 2015 by Crucial Blast.

Collected Atrocities 2005–2008 is a compilation album by Gnaw Their Tongues, released on February 3, 2015 by Crucial Blast. The album comprises three EPs that had previously been issued on CD with several compilation and unreleased tracks.

Manifestation is the fourth full-length studio album by Cloak of Altering, released on December 4, 2015 by Crucial Blast.

Spit at Me and Wreak Havoc on My Flesh is the debut full-length studio album of Gnaw Their Tongues, independently released in January 2006.

Horse Drawn Hearse is an EP by Gnaw Their Tongues, independently released in February 2006. It would appear in its entirety on the compilation Collected Atrocities 2005–2008, released in 2015.

Deathdrone 3 is a compilation album by Gnaw Their Tongues, independently released in 2007. The album comprises remixed recordings made during 2005 and 2006 that weren't compatible with the music of Spit at Me and Wreak Havoc on My Flesh and Horse Drawn Hearse. The compositions "Nihilism; Tied Up and Burning", "Anhedonia" and "Destroying Is Creating" later appeared on Gnaw Their Tongues' second full-length album Reeking Pained and Shuddering.

Issei Sagawa is an EP by Gnaw Their Tongues, independently released on August 24, 2007. The album takes its name from Issei Sagawa, a Japanese man who murdered and cannibalized a Dutch woman named Renée Hartevelt in 1981. The music draws more from industrial music than previous work by Gnaw Their Tongues.

...Spasming and Howling, Bowels Loosening and Bladders Emptying, Vomiting Helplessly... is a compilation album by Gnaw Their Tongues, independently released in August 2007. Intended as an entry point into the project's music until that point, the album comprises three previously released and three previously unreleased compositions.

Reeking Pained and Shuddering is the second full-length studio album by Gnaw Their Tongues, released on September 8, 2007, by Paradigms Recordings.

My Womb Is Barren is an EP by Gnaw Their Tongues that was released on July 24, 2008 by At War With False Noise.

For All Slaves a Song of False Hope is an EP by Gnaw Their Tongues, released in September 2008 by Burning World. The title of the track "Aderlating" would serve as the name of de Jong's band. The album would appear in its entirety on the compilation Collected Atrocities 2005–2008, released in 2015.

All the Dread Magnificence of Perversity is the fourth full-length studio album by Gnaw Their Tongues, released on May 10, 2009 by Burning World and Crucial Blast.

Dimlit Hate Cellar is an EP by Gnaw Their Tongues, independently released on January 4, 2010. The album compiles some of Gnaw Their Tongues' earliest recordings.

The Blotched and the Unwanted is a compilation album by Gnaw Their Tongues, released on March 3, 2010 by Hell Lies in Others. The album comprises previously unreleased compositions recorded between 2006 and 2010.

L'arrivée de la terne mort triomphante is the fifth full-length studio album by Gnaw Their Tongues, released on September 7, 2010 by Burning World, Crucial Blast and Candlelight Records. The album showcased a change in musical direction, with more emphasis on orchestration and lighter moods. The album also marked the last time Maurice de Jong recorded a Gnaw Their Tongues album using his old studio and computer setup. It received high marks from music critics, with PopMatters ranking it as one of the greatest heavy metal albums of the year.

Per Flagellum Sanguemque, Tenebras Veneramus is the sixth full-length studio album by Gnaw Their Tongues, released on November 8, 2011 by Crucial Blast. The album saw a return to the more direct and aggressive sound of Gnaw Their Tongues' earlier work, which contrasts the more polished and lighter toned L'arrivée de la terne mort triomphante released the previous year.

Eschatological Scatology is the seventh full-length studio album by Gnaw Their Tongues, independently released on June 6, 2012.

Sulfur is an EP by Dutch experimental music group Gnaw Their Tongues, independently released on February 20, 2013. The music centers around the theme of World War I and the album artwork is a photograph depicting three Canadian soldiers wounded by mustard gas.
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