Andrea Luchesi

Last updated

Andrea Luca Luchesi (also spelled Lucchesi; 23 May 1741 – 21 March 1801) was an Italian composer. He knew Mozart and Beethoven.

Contents

Biography

Andrea Luchesi was born at Motta di Livenza, near Treviso [1] the eleventh child of Pietro Luchese and Caterina Gottardi. The rather wealthy family descended from groups of noble families who had moved from Lucca to Venice in the 14th century (hence the name Luchese; from 1764/65 Andrea began to use the name Luchesi, which we can find written by his contemporaries also as Lucchesi, Lughesi, Luckesi, Lucchezzy, etc.). He grew up in his native town, receiving musical and general education from his elder brother Matteo, a priest, public tutor and organist.

By 1757 [2] he moved to Venice. The protection of the nobleman Jseppo Morosini enabled him to study with eminent musicians: Gioacchino Cocchi, Padre Paolucci, Giuseppe Saratelli, Domenico Gallo, Ferdinando Bertoni and (the best-known of them) Baldassare Galuppi. His career in Venice developed quickly: examiner of the organists commission in 1761, then organist at San Salvatore (1764), composer of works for "organ or cembalo", instrumental, sacred and theatre music. He composed for official celebrations, the last (1771) being the solemn funeral of the Duke of Montealegre, Spanish ambassador to Venice. As a famous virtuoso he was invited to play organ in and outside Venice, e.g. was in charge of inaugurating the new organ of the basilica of Saint Anthony in Padua. [3]

In the spring of 1765 his opera L'isola della fortuna was performed at the Hoftheater in Vienna.

While on tour in Italy in 1771, Leopold and Wolfgang Mozart met Andrea Luchesi and received one of his concertos for cembalo (Wolfgang was still playing the concerto in 1777, while Leopold and Nannerl often used the concerto for teaching and practising purposes). [4]

At the end of 1771, Luchesi traveled to Bonn on a three-year contract, invited by the Prince Elector Archbishop of Cologne Maximilian Friedrich von Königsegg-Rothenfels, who wished to raise the quality level of his court orchestra. After the death of the previous Kapellmeister (Ludwig van Beethoven senior, i.e. the grandfather of Beethoven), Andrea Luchesi was nominated official court Kapellmeister in 1774.

He acquired the principality's citizenship and in 1775 married Anthonetta Josepha d'Anthoin, daughter of Maximilian Friederich's senior counselor. With the exception of a visit to Venice in 1783-84, he lived in Bonn until his death in 1801, although his role as Kapellmeister ended in 1794, when the French invasion troops suppressed the court.

The young Beethoven was at the court chapel from 1781 to 1792 as assistant organist, cembalo and viola player. Although Beethoven's musical and compositional training was probably influenced by Luchesi's presence, we have no evidence of any formal pupil/teacher relationship between the two. [3] When the court organist Christian Gottlob Neefe temporarily replaced the Kapellmeister as conductor and teacher during his 1783-84 absence, Luchesi assigned the organ service to the very young Beethoven. There is also no evidence of Luchesi's having taught other young Bonn musicians who went on to international renown: Antonin Reicha, Bernhard and Andreas Romberg, and Ferdinand Ries.

He had one daughter, who lived in Bonn till her death, and four sons. According to Neefe the first two sons (Maximilian Friederich, born 11 December 1775, and M. Jakob Ferdinand, born 18 December 1777) were gifted musicians. [5] Luchesi died on 21 March 1801 at the age of 59 in Bonn.

Works

Notes

  1. New Grove, article "Andrea Lucchesi"
  2. New Grove; Henseler presumed between 1753 and 1755 (Andrea Luchesi, der letzte bonner Kapellmeister zur Zeit des jungen Beethovens, page 320)
  3. 1 2 New Grove
  4. G. Prod’homme, Mozart raconté par ceux qui l’ont connu, Paris 1928, page 15. See also: Leopold's letter dated 11 June 1778.
  5. C. G. Neefe, Letter dated 8.4.1787 to the Cramer's Magazine .

Related Research Articles

<span class="mw-page-title-main">Giovanni Paisiello</span> Italian Classical era composer

Giovanni Paisiello was an Italian composer of the Classical era, and was the most popular opera composer of the late 1700s. His operatic style influenced Mozart and Rossini.

<span class="mw-page-title-main">Niccolò Jommelli</span> Italian composer (1714–1774)

Niccolò Jommelli was an Italian composer of the Neapolitan School. Along with other composers mainly in the Holy Roman Empire and France, he was responsible for certain operatic reforms including reducing ornateness of style and the primacy of star singers somewhat.

Antonio Lotti was an Italian composer of the Baroque era.

<span class="mw-page-title-main">Georg Christoph Wagenseil</span> Austrian composer

Georg Christoph Wagenseil was an Austrian composer.

The year 1718 in music involved some significant events.

<span class="mw-page-title-main">Andreas Romberg</span> German violinist and composer

Andreas Jakob Romberg was a German violinist and composer.

<span class="mw-page-title-main">Ferdinando Paer</span> Italian composer

Ferdinando Paer was an Italian composer known for his operas. He was of Austrian descent and used the German spelling Pär in application for printing in Venice, and later in France the spelling Paër.

František Xaver Brixi was a Czech classical composer of the 18th century. His first name is sometimes given by reference works in its Germanic form, Franz.

Josef Reicha (Rejcha) was a Czech cellist, composer and conductor. He was the uncle of composer and music theorist Anton Reicha.

Giovanni Valentini was an Italian Baroque composer, poet and keyboard virtuoso. Overshadowed by his contemporaries, Claudio Monteverdi and Heinrich Schütz, Valentini is practically forgotten today, although he occupied one of the most prestigious musical posts of his time. He is best remembered for his innovative usage of asymmetric meters and the fact that he was Johann Kaspar Kerll's first teacher.

<span class="mw-page-title-main">Georg Benda</span> Czech composer (1722–1795)

Georg Anton Benda was a composer, violinist and Kapellmeister of the classical period from the Kingdom of Bohemia.

<span class="mw-page-title-main">Johann Gottlieb Naumann</span> German composer and conductor (1741–1801)

Johann Gottlieb Naumann was a German composer, conductor, and Kapellmeister.

Giovanni Bertati was an Italian librettist.

<span class="mw-page-title-main">N. Simrock</span> German music publisher

N. Simrock was a German music publisher founded by Nikolaus Simrock which published many 19th-century German classical music composers. It was acquired in 1929 by Anton Benjamin.

<span class="mw-page-title-main">Ludwig van Beethoven the Elder</span> Grandfather of Ludwig van Beethoven

Ludwig or Ludovicusvan Beethoven the Elder was a Flemish professional singer and music director, best known as the grandfather of the composer Ludwig van Beethoven.

Antonio Boroni was an Italian composer.

Joseph Touchemoulin was a French violinist and composer of the classical period who mainly worked in Bonn and Regensburg.

Jörg Halubek is a German conductor, harpsichordist, organist and professor.

References