Andreas Hakenberger (Krzemień (Kremmin), Pomerania, 1574–1627) was a German composer, and worked in Gdańsk beginning in 1608. [1]
Recordings

Johann Ludwig Bach was a German composer and violinist.

Tomás Luis de Victoria was the most famous Spanish composer of the Renaissance. He stands with Giovanni Pierluigi da Palestrina and Orlande de Lassus as among the principal composers of the late Renaissance, and was "admired above all for the intensity of some of his motets and of his Offices for the Dead and for Holy Week". His surviving oeuvre, unlike that of his colleagues, is almost exclusively sacred and polyphonic vocal music, set to Latin texts. As a Catholic priest, as well as an accomplished organist and singer, his career spanned both Spain and Italy. However, he preferred the life of a composer to that of a performer.
Hans Leo Hassler was a German composer and organist of the late Renaissance and early Baroque eras, elder brother of lesser known composer Jakob Hassler. He was born in Nürnberg and died in Frankfurt.
The year 1610 in music involved some significant events.

Sebastian Knüpfer was a German composer, conductor and educator. He was the Thomaskantor, cantor of the Thomanerchor in Leipzig and director of the towns's church music, from 1657 to 1676.
Singet dem Herrn ein neues Lied, BWV 225, is a motet by Johann Sebastian Bach. It was first performed in Leipzig around (probably) 1727. The text of the three-movement motet is in German: after Psalm 149 for its first movement, the third stanza of "Nun lob, mein Seel, den Herren" for the second movement, and after Psalm 150:2 and 6 for its third movement Psalms 150:2,6.
Paul Siefert was a German composer and organist associated with the North German school.
Jacob Regnart was a Flemish Renaissance composer. He spent most of his career in Austria and Bohemia, where he wrote both sacred and secular music.
Michael Altenburg was a German theologian and composer.
Thomas Elsbeth was a German composer.
Manfred Cordes is a German conductor of early music, musicologist and teacher. He is professor at the Hochschule für Künste Bremen and was its rector from 2007 to 2012.
David Pohle was a German composer of the Baroque era. His surname is also spelled Pohl, Pohlen, Pole, Pol or Bohle.
"Herr Christ, der einig Gotts Sohn" is a Lutheran hymn by Elisabeth Cruciger. Printed in 1524 in the Erfurt Enchiridion, together with 18 hymns by Martin Luther, it is one of the oldest Lutheran hymns. The text combines Lutheran teaching with medieval mysticism. It has been the basis of musical settings such as Bach's chorale cantata Herr Christ, der einge Gottessohn, BWV 96.
Bartholomäus Gesius was a German theologian, church musician, composer and hymn writer. He worked at Schloss Muskau and in Frankfurt (Oder) and is known for choral Passions in German and Latin and for the melody and first setting of the Easter hymn "Heut triumphieret Gottes Sohn", which was used in several compositions including a cantata by Dieterich Buxtehude and a chorale prelude by Johann Sebastian Bach, concluding the Easter section of his Orgelbüchlein.
Nachtlied Op. 138, No. 3, is a sacred motet for unaccompanied mixed choir by Max Reger. The German text is a poem by Petrus Herbert, beginning "Die Nacht ist kommen". The piece is in B minor and scored for five voices SATBB. Composed in Meiningen in 1914, it was published in 1916 after Reger's death as the third of Acht geistliche Gesänge.