An animalier ( /ˌænɪməˈlɪər,ˈænɪməlɪər/ , UK also /ˌænɪˈmælieɪ/ ) is an artist, mainly from the 19th century, who specializes in, or is known for, skill in the realistic portrayal of animals. "Animal painter" is the more general term for earlier artists. Although the work may be in any genre or format, the term is most often applied to sculptors and painters.
Animalier as a collective plural noun, or animalier bronzes, is also a term in antiques for small-scale sculptures of animals, of which large numbers were produced, often mass-produced, primarily in 19th-century France and to a lesser extent elsewhere in continental Europe. [1]
Although many earlier examples can be found, animalier sculpture became more popular, and reputable, in early 19th-century Paris with the works of Antoine-Louis Barye (1795–1875), for whom the term was coined, derisively, by critics in 1831, [2] [3] and of Émile-Coriolan Guillemin. By the mid-century, a taste for animal subjects was very widespread among all sections of the middle classes.
The Musée d'Orsay is a museum in Paris, France, on the Left Bank of the Seine. It is housed in the former Gare d'Orsay, a Beaux-Arts railway station built between 1898 and 1900. The museum holds mainly French art dating from 1848 to 1914, including paintings, sculptures, furniture, and photography. It houses the largest collection of Impressionist and post-Impressionist masterpieces in the world, by painters including Berthe Morisot, Claude Monet, Édouard Manet, Degas, Renoir, Cézanne, Seurat, Sisley, Gauguin, and van Gogh. Many of these works were held at the Galerie nationale du Jeu de Paume prior to the museum's opening in 1986. It is one of the largest art museums in Europe.
The Prix de Rome or Grand Prix de Rome was a French scholarship for arts students, initially for painters and sculptors, that was established in 1663 during the reign of Louis XIV of France. Winners were awarded a bursary that allowed them to stay in Rome for three to five years at the expense of the state. The prize was extended to architecture in 1720, music in 1803 and engraving in 1804. The prestigious award was abolished in 1968 by André Malraux, then Minister of Culture, following the May 68 riots that called for cultural change.
Antoine-Louis Barye was a Romantic French sculptor most famous for his work as an animalier, a sculptor of animals. His son and student was the known sculptor Alfred Barye.
Pierre-Jules Mêne was a French sculptor and animalier. He is considered one of the pioneers of animal sculpture in the nineteenth century.
An animal painter is an artist who specialises in the portrayal of animals.
The Musée des beaux-arts de Marseille is one of the main museums in the city of Marseille, in the Provence-Alpes-Côte d'Azur region. It occupies a wing of the Palais Longchamp, and displays a collection of paintings, sculptures and drawings from the 16th to 19th centuries.
Paul-Édouard Delabrièrre was a French animalier sculptor who worked in the mid-to-late 19th century and the early 20th century. He had 70 of his sculptures juried into the prestigious Salon art exhibition held annually in Paris. His monumental work called L'Equitation adorns the facade of the Louvre.
Émile Coriolan Hippolyte Guillemin was a French sculptor of the Belle Époque. He worked in bronze. He studied under his father, the painter Auguste Guillemin, and under Jean-Jules Salmson. He showed work at the Salon of Paris from 1870 to 1899, and in 1897 received an honourable mention there. In 2008 his 1884 bronze sculpture Femme Kabyle d'Algerie and Janissaire du Sultan Mahmoud II (Kabyle woman from Algeria and Janissary of Sultan Mahmound II) sold for $1,202,500 plus auction fees in New York to a private collector through Sotheby's Auction House.
Alfred Barye "Le Fils" or Alf Barye was a French sculptor, of the Belle Époque, pupil of his father the artist Antoine-Louis Barye. In cooperation with Émile-Coriolan Guillemin, Barye did the artwork for "The Arab Warrior Knight on Horseback". Included in Barye's oeuvre were animalier bronzes as well as Oriental subjects. At his father's request, he signed his work as "fils" to differentiate his work from his father's.
Animalier school or animalier art was a late-18th and 19th-century artistic genre and school of artists who focused on depictions of animals. The movement was largely centered in France, with some artists producing related subject matter in England, Italy, Germany, Russia, and North America.
A senator for life was an honorary position in the French Third Republic, similar to that of senator for life in other countries. At one time the French Senate was composed of 300 members, of whom 75 were inamovible ("unremovable").