Anna Maria Lenngren, née Malmstedt was one of the most famous poets in Swedish history. Her father and brother were also poets.
Alfhild Teresia Agrell was a Swedish writer and playwright. She is known for her works about sexual equality in opposition to the contemporary sexual double standard, and as such a participator in the famous Sedlighetsdebatten.
The Royal Dramatic Training Academy, was the acting school of Sweden's national stage, the Royal Dramatic Theatre, and for many years (1787–1964) seen as the foremost theatre school and drama education for Swedish stage actors. It was established in 1787 by the theatre and art loving King Gustav III and was for many years under the protection of the Swedish royal family.
Caroline Frederikke Müller née Halle also known as Caroline Walther, was a Danish and later naturalized Swedish opera singer (mezzo-soprano). She was also active as an instructor at the Royal Dramatic Training Academy. She was a member of the Royal Swedish Academy of Music and a Hovsångare.
Maria Kristina Franck was a Swedish actress and drama teacher. She was a member of the pioneer generation of the Royal Dramatic Theatre, and belonged to the first stars of the theater. She has been referred to as her country's first native dramatic tragedienne. She was the principal of the Royal Dramatic Training Academy from 1819 to 1823. During her last years on stage, she was known under her name as married, Ruckman.
Sara Fredrica Torsslow née Strömstedt was a Swedish stage actress. She was one of the most famed actresses in Sweden during the first half of the 19th century, and an elite member of the Royal Dramatic Theatre.
Ebba Charlotta Elise Hwasser née Jakobsson was a Swedish stage actress. She was an elite actor and has been referred to as the leading lady of the Royal Dramatic Theatre in the mid 19th-century.
Antoinette Thérèse Elfforss was a Swedish stage actress and theatre director. She was the managing director of the travelling Elfforss Theater Company between 1869 and 1888.
Marie Jeanette Wässelius was a Swedish opera singer. She is referred to as the leading prima donna of the Royal Swedish Opera in the early 19th-century. She was a Hovsångare (1815) as well as an associé of the Royal Swedish Academy of Music (1817). She is also known as Mamsell Wässelia or only Wässelia.
Sofia Franziska Stading was a Swedish opera singer of German origin. She is referred to as one of the more notable opera singers in Sweden during the Gustavian era. She was a Hovsångare and member of the Royal Swedish Academy of Music from 1788.
Signe Amanda Georgina Hebbe was a Swedish operatic soprano and instructor.
Carolina Östberg was a Swedish opera singer and singing teacher. She was nationally and internationally famous and belonged to the elite members of the Royal Swedish Opera
Hedvig Charlotta Konstantina Willman née Harling was a Swedish stage actor, opera singer and drama teacher. She was co-principal of Dramatens elevskola in 1877-86.
Caroline Lewenhaupt (1754–1826) was a Swedish courtier, poet and amateur actress.
Hedvig Carolina Sophie Cysch née Wiberg (1847–1917) was a Swedish mezzo-soprano singer and stage actress, frequently performing the leading roles in operettas, both in Stockholm and Gothenburg. In particular, she is remembered for performing the title role in Sköna Helena, the Swedish version of Offenbach's La belle Hélène.
Emma Meissner, née Ekström was a Swedish soprano and actress.
Thekla Catharina Charlotta Hofer née Falck (1852–1938) was a Swedish operatic soprano and later voice teacher. She made her début at the Royal Swedish Opera in 1879 as Rosina in The Barber of Seville. In addition to performing in various theatres in Sweden, she was a highly applauded guest in Weimar, St Petersburg and Riga. In the mid-1990s, she retired from the stage to teach with pupils including Signe Rappe and Karin Branzell.
Vendela Linnea Andersson-Sörensen (1860–1926) was a Swedish operatic soprano. After training under the opera singer Isidor Dannström, in 1880 she made her début at Stockholm's Nya teatern as Adele in Daniel Auber's Svarte dominon. She performed leading soprano roles at the Royal Swedish Opera where she was engaged from 1882 to 1887. After her marriage in early 1888, she gave concerts and appeared in opera as a guest performer.
Margit Ingeborg Rosengren (1901–1952) was a leading Swedish operetta singer in the first half of the 20th century. After studying voice and drama, she was invited by the theatre magnate Albert Ranft to perform at Stockholm's Oscarsteatern. She made her début there in 1920 as the page Pueblo in the operetta Don César de Bazan. She subsequently performed in the Vasa and Odeon theatres and as a guest at the Royal Swedish Opera until her retirement in 1941. She also took part in revues and had a few film roles.
