Truly, Madly, Deeply is a 1990 British fantasy drama film made for the BBC's Screen Two series, by BBC Films, Lionheart and Winston Pictures. The film, written and directed by Anthony Minghella, stars Juliet Stevenson and Alan Rickman.
Earl of Oxford and Asquith is a title in the Peerage of the United Kingdom. It was created in 1925 for the Liberal politician H. H. Asquith. He was Home Secretary from 1892 to 1895, Chancellor of the Exchequer from 1905 to 1908, Leader of the Liberal Party from 1908 to 1926 and Prime Minister of the United Kingdom from 1908 to 1916. Asquith was made Viscount Asquith, of Morley in the West Riding of the County of York, at the same time, also in the Peerage of the United Kingdom. This title is used as a courtesy title by the heir apparent to the earldom.
Anthony Asquith was a leading English film director. He collaborated successfully with playwright Terence Rattigan on The Winslow Boy (1948) and The Browning Version (1951), among other adaptations. His other notable films include Pygmalion (1938), French Without Tears (1940), The Way to the Stars (1945) and a 1952 adaptation of Oscar Wilde's The Importance of Being Earnest.
Emma Margaret Asquith, Countess of Oxford and Asquith, known as Margot Asquith, was a British socialite, author, and wit. She was married to H. H. Asquith, Prime Minister of the United Kingdom, from 1894 until his death in 1928.
Lady Cynthia Mary Evelyn Asquith was an English writer and socialite, known for her ghost stories and diaries. She also wrote novels and edited a number of anthologies, as well as writing for children and on the British Royal family.
The V.I.P.s is a 1963 British drama film in Metrocolor and Panavision. It was directed by Anthony Asquith, produced by Anatole de Grunwald and distributed by Metro-Goldwyn-Mayer. The film was written by Terence Rattigan, with a music score by Miklós Rózsa.
Rachel Mary Berkeley Portman, OBE is an English composer who is best known for scoring films.
Helen Violet Bonham Carter, Baroness Asquith of Yarnbury,, known until her marriage as Violet Asquith, was a British politician and diarist. She was the daughter of H. H. Asquith, Prime Minister from 1908 to 1916, and she was known as Lady Violet, as a courtesy title, from her father's elevation to the peerage as Earl of Oxford and Asquith in 1925. Later she became active in Liberal politics herself, and was a leading opponent of appeasement. She stood for Parliament and became a life peer.
Irene Worth, CBE was an American stage and screen actress who became one of the leading stars of the British and American theatre. She pronounced her given name with three syllables: "I-REE-nee".
The Importance of Being Earnest (1952) is a British film adaptation of the 1895 play by Oscar Wilde. It was directed by Anthony Asquith, who also adapted the screenplay, and was produced by Anthony Asquith, Teddy Baird, and Earl St. John.
Anthony Harvey was a British filmmaker who began his career as a teenage actor, was a film editor in the 1950s and moved into directing in the mid-1960s. Harvey had fifteen film credits as an editor, and he directed thirteen films. The second film that Harvey directed, The Lion in Winter (1968), earned him a Directors Guild of America Award and a nomination for the Academy Award for Directing. He died in November 2017 at the age of 87. Harvey's career is also notable for his recurring work with a number of leading actors and directors including Terry-Thomas, Peter Sellers, Katharine Hepburn, Peter O'Toole, Richard Attenborough, Liv Ullman, Sam Waterston, Nick Nolte, the Boulting Brothers, Anthony Asquith, Bryan Forbes and Stanley Kubrick.
The Man From Home is a 1922 British drama film directed by George Fitzmaurice, adapted from a play of the same name by Booth Tarkington and Harry Leon Wilson. The story had been filmed before in 1914 by Cecil B. DeMille as The Man From Home. Alfred Hitchcock was credited as a title designer on the 1922 production. The film survives in Netherlands Filmmuseum Amsterdam. It was shown publicly in September 2015, possibly for the first time since the 1920s, during the British Silent Film Festival at Leicester.
Cottage to Let is a 1941 British spy thriller film directed by Anthony Asquith starring Leslie Banks, Alastair Sim and John Mills. Filmed during the Second World War and set in Scotland during the war, its plot concerns Nazi spies trying to kidnap an inventor.
Moscow Nights is a 1935 British drama film directed by Anthony Asquith and starring Laurence Olivier, Penelope Dudley-Ward and Harry Baur. The screenplay concerns a wounded officer who falls in love with his nurse.
Shooting Stars is a 1927 British drama film directed by Anthony Asquith and A. V. Bramble and starring Annette Benson, Brian Aherne and Wally Patch. The screenplay concerns a starlet who plots an escape to Hollywood.
Underground is a 1928 British silent drama film directed by Anthony Asquith and starring Brian Aherne, Elissa Landi, Cyril McLaglen, and Norah Baring. The film examines the lives of ordinary Londoners and the romance between them, set on and around the London Underground.
While the Sun Shines is a 1947 British comedy film directed by Anthony Asquith and starring Barbara White, Ronald Squire, Brenda Bruce, Bonar Colleano, and Michael Allan. It was based on Terence Rattigan's 1943 play of the same name.
Two Living, One Dead is a 1961 British-Swedish existentialist thriller film directed by Anthony Asquith and starring Patrick McGoohan, Virginia McKenna and Bill Travers.
Two Fathers is a 1944 British wartime propaganda short film made by the Crown Film Unit, a division of the Ministry of Information, and directed by Anthony Asquith.
Hans Adalbert Schlettow was a German film actor. Schlettow appeared in around a hundred and sixty films during his career, the majority during the silent era. Among his best-known film roles was Hagen von Tronje in Fritz Lang's film classic Die Nibelungen (1924). In 1929 he starred in the British director Anthony Asquith's film A Cottage on Dartmoor.
