Antoine Caron

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Antoine Caron
De-Leu-Thomas-1599-Antoine-Caron.jpg
Engraving of Antoine Caron by Thomas De Leu, 1599
Born1521
Beauvais, France
Died1599 (aged 7778)
Paris, France
CitizenshipFrance
Alma mater School of Fontainebleau
OccupationArtist, painter
Spouse(s)Marie Dangobert
ChildrenLouis Caron
Parent(s)Phillipe Caron, Adele (Lamarre) Caron

Antoine Caron (1521–1599) was a French master glassmaker, illustrator, Northern Mannerist painter and a product of the School of Fontainebleau.

Contents

He is one of the few French painters of his time who had a pronounced artistic personality. [1] His work reflects the refined, although highly unstable, atmosphere at the court of the House of Valois during the French Wars of Religion of 1560 to 1598.

Life

Caron was born in Beauvais between 1521 and 1530 to Phillipe and Adele (Lamarre) Caron.

He married Marie Dangobert in 1555. Together, they had one son, Louis, who was born ca. 1570.

Career

He began painting in his teens doing frescos for a number of churches. Between 1540 and 1550 he worked under Primaticcio and Niccolò dell'Abbate at the School of Fontainebleau. In 1561, he was appointed the court painter by Catherine de' Medici and Henry II of France. As court painter he also had the duties of organizing the court pageants. In this way he was involved in organizing the ceremony and royal entry for the coronation of Charles IX in Paris and the wedding of Henry IV of France with Marguerite de Valois. Some of his surviving illustrations are from these pageants.

His drawings of festivities at the court of Charles IX are likely sources for the depiction of the court in the Valois Tapestries. He died in Paris in 1599.

Art

The Lion of Barbarossa by Antoine Caron, circa 1562, thought to depict the lion given to Francis I during the Ottoman embassy to France (1533) The Lion of Barbarossa by Antoine Caron 1562.jpg
The Lion of Barbarossa by Antoine Caron, circa 1562, thought to depict the lion given to Francis I during the Ottoman embassy to France (1533)

Not many of Caron's works survive, but they include historical and allegorical subjects, court ceremonies, astrological scenes, and his massacres, done in the mid-1560s. An example is his only signed and dated painting, Massacres under the Triumvirate (1566) which hangs in the Louvre. Caron used bright colors and incorporated unusual architectural forms. [2] He often placed his human figures almost insignificantly on grand stages, as did his mentor dell'Abbate. His figures tend to be elongated, even in portraits such as Portrait of a Lady (1577).

Many works attributed to him are also attributed to others. As there is minimal documentation of French painting in that era, this is not unusual. Because Caron is relatively well known, his name is likely to be attached to paintings similar to his known works. [3] In some cases, such painting are now ascribed "to the workshop of Antoine Caron", for example, The Submission of Milan to Francis I in 1515 (c. 1570). [4]

Selected works

Notes

  1. "Caron, Antoine Web Museum, Paris". Ibiblio.org. 2002-07-14. Retrieved 2013-04-30.
  2. Yates, Frances A. (1951) "Antoine Caron's Paintings for Triumphal Arches" Journal of the Warburg and Courtauld Institutes 14(1/2): pp. 132–134
  3. "I have already had occasion elsewhere to state my opinion that some of the paintings attributed by M. Ehrmann to Caron may perhaps be by other hands. I still feel it difficult to believe that the Beauvais Massacre with its sharply Flemish architecture can be a product of the French School, and I do not feel convinced that the Semele, the Carrousel with the Elephant, and the Martyrdom of Sir Thomas More are necessarily by his hand. "Blunt, Anthony F. (November 1956) "Review: Antoine Caron Peintre à la Cour des Valois 1521–1599 by Jean Ehrmann" The Burlington Magazine 98(644): p. 418
  4. 1 2 "Antoine Caron, Workshop of National Gallery of Canada". Cybermuse.beaux-arts.ca. Archived from the original on 2007-09-27. Retrieved 2013-04-30.
  5. "Paintings: French Painting: "Massacre under the Triumvirate" Louvre". Louvre.fr. Archived from the original on 2011-05-17. Retrieved 2013-04-30.
  6. Porcheron, Marie-Domitille "La mort romaine représentée. Les 'massacres du Triumvirat' par Antoine Caron" In Hinard, François (comp.) (1987) La Mort, les morts et l'au-delà dans le monde romain : actes du colloque de Caen, 20–22 novembre 1985 Centre de publications de l'Université de Caen, Caen, France, pp. 365–370, ISBN   2-905461-22-5
  7. "Parcours le corps: Ecole de Fontainebleau: Diane chasseresse" Musée du Louvre Archived September 27, 2007, at the Wayback Machine in French
  8. "Navigart" (in French). Retrieved 2019-02-04.
  9. Dionysius the Areopagite Converting the Pagan Philosophers The Getty Research Institute

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