Antoine Le Moiturier (1425–1495) was a French sculptor. He was born in Avignon into a family of sculptors. His uncle was the itinerant French master Jacques Morel.
Following from the work of Jean de la Huerta beginning in 1443, Le Moiturier completed a group of sculptures of Pleurants known as the Mourners of Dijon. Completed in 1470, these sculptures are in the architectural frieze on the tombs of Duke John the Fearless and Margaret of Bavaria. They reside at the Palace of the Dukes of Burgundy in Dijon. [1] The job had originally been assigned to the workshop of Claus Sluter, but went to Le Moiturier and De la Huerta. [2]
In 1461, le Moiturier was hired by Canon Jacques Oboli to create an altarpiece for St Pierre, Avignon. Oboli died before the work could be completed, and in 1463 the church commissioned an altarpiece depicting the Last Judgement. le Moiturier completed this two years later. This stellar work included statues of Jesus, Saint Peter and Paul, and several angels. Today, only two sculptures remain of the more than sixteen that were originally in the sculpture. [3]
Le Moiturier is believed to have made the pleurants on the tomb of Philippe Pot (1477–83). [4]
Claus Sluter was a Dutch sculptor, living in the Duchy of Burgundy from about 1380. He was the most important northern European sculptor of his age and is considered a pioneer of the "northern realism" of the Early Netherlandish painting that came into full flower with the work of Jan van Eyck and others in the next generation.
Philip II the Bold was Duke of Burgundy and jure uxoris Count of Flanders, Artois and Burgundy. He was the fourth and youngest son of King John II of France and Bonne of Luxembourg.
Dijon is a city that serves as the prefecture of the Côte-d'Or department and of the Bourgogne-Franche-Comté region in eastern France. As of 2017 the commune had a population of 156,920.
François Rude was a French sculptor, best known for the Departure of the Volunteers, also known as La Marseillaise on the Arc de Triomphe in Paris. (1835–36). His work often expressed patriotic themes, as well as the transition from neo-classicism to romanticism.
The Musée du Petit Palais is a museum and art gallery in Avignon, southern France. It opened in 1976 and has an exceptional collection of "primitives" and early Renaissance paintings from Italy, which reunites those of the collection of Giampietro Campana deposed by the Musée du Louvre as well as paintings of the Avignon school deposed by the Musée Calvet. It is housed in a 14th-century building at the north side of the square overlooked by the Palais des Papes. The building, built in the early 14th century as the residence of the bishops of Avignon, was made a UNESCO World Heritage Site as part of the historic center of Avignon in 1995.
Juste or Giusti is the name conventionally applied to a family of Italian sculptors.
The Chartreuse de Champmol, formally the Chartreuse de la Sainte-Trinité de Champmol, was a Carthusian monastery on the outskirts of Dijon, which is now in France, but in the 15th century was the capital of the Duchy of Burgundy. The monastery was founded in 1383 by Duke Philip the Bold to provide a dynastic burial place for the Valois Dukes of Burgundy, and operated until it was dissolved in 1791, during the French Revolution.
The Palace of the Dukes and Estates of Burgundy or Palais des ducs et des États de Bourgogne is a remarkably well-preserved architectural assemblage in Dijon. The oldest part is the 14th and 15th century Gothic ducal palace and seat of the Dukes of Burgundy, made up of a logis still visible on place de la Liberation, the ducal kitchens on cour de Bar, the tour de Philippe le Bon, a "guette" overlooking the whole city, and tour de Bar. Most of what can be seen today, however, was built in the 17th and especially the 18th centuries, in a classical style, when the palace was a royal residence building and housed the estates of Burgundy. Finally, the 19th façade of the musée on place de la Sainte-Chapelle was added on the site of the palace's Sainte-Chapelle, demolished in 1802. The Palace houses the city's town hall and the musée des Beaux-Arts.
The Musée des Beaux-Arts de Dijon is a museum of fine arts opened in 1787, in Dijon, France. It is one of the main and oldest museums of France. It is located in the historic city centre of Dijon and housed in the former ducal palace which was the headquarters of the Burgundy State in the 15th century. When the duchy was assimilated to the Kingdom of France, the palace became the house of the King. In the 17th century, it became the Palace of the Dukes of Burgundy following a project by Jules Hardouin-Mansart.
Claus or Claux de Werve was a sculptor active at the Burgundian court under Philip the Bold between 1395 and 1439. He was probably born in the Dutch city of Haarlem around 1380.
Jean de Marville was a sculptor who worked at the end of the fourteenth century. He is known for his work on the Carthusian monastery of Champmol for Philip the Bold, Duke of Burgundy at a time when the Burgundy became a major cultural centre of Europe.
The Maître de Chaource was an unidentified sculptor who worked in the late 15th and early 16th century, in the French town of Chaource. While many works are attributed anonymously to him or his atelier, some scholars have identified Jacques Bachot as the artist. There is certainly circumstantial evidence which points to Bachot; he was a contemporary of the Maître de Chaource and often worked in the same locations and works by Bachot such as that in the church of Saint-Laurent in Joinville, of which fragments are held in the Joinville Town Hall, show great similarities to the work of the Maître de Chaource.
Jacques Morel was a French sculptor.
The Mourners of Dijon are tomb sculptures made in Burgundy during the late fourteenth and early fifteenth centuries. They are part of a new iconographical tradition led by Claus Sluter that continued until the end of the fifteenth century. In this tradition, free-standing sculptures depict mourners who stand next to a bier or platform that holds a body in state. The figures are cloaked in robes which mostly hide their faces.
Jean de la Huerta was a Spanish sculptor of Aragonese origin. Most of his work was produced in the duchy of Burgundy.
Conrad Meit or Conrat Meit was a German-born Late Gothic and Renaissance sculptor, who spent most of his career in the Low Countries.
Pleurants or weepers are anonymous sculpted figures representing mourners, used to decorate elaborate tomb monuments, mostly in the late Middle Ages in Western Europe. Typically they are relatively small, and a group were placed around the sides of a raised tomb monument, perhaps interspersed with armorial decoration, or carrying shields with this. They may be in relief or free-standing. In English usage the term "weepers" is sometimes extended to cover the small figures of the deceased's children often seen kneeling underneath the tomb effigy in Tudor tomb monuments.
The tomb of Philippe Pot is a funerary monument, now on display in the Louvre, Paris. It was commissioned by the military leader and diplomat Philippe Pot around the year 1480, to be used for his burial at the chapel of Saint-Jean-Baptiste in Cîteaux Abbey, Dijon, France. His effigy shows him recumbent on a slab, his hands raised in prayer, and wearing armour and a heraldic tunic. The eight mourners are dressed in black hoods, and act as pallbearers carrying him towards his grave. Pot commissioned the tomb when he was around 52 years old, 13 years before his death in 1493. The detailed inscriptions written on the sides of the slab emphasise his achievements and social standing.
The Tomb of Philip the Bold is a funerary monument commissioned in 1378 by the Duke of Burgundy Philip the Bold for his burial at the Chartreuse de Champmol, the Carthusian monastery he built on the outskirts of Dijon, in today's France. The construction was overseen by Jean de Marville, who designed the tomb and oversaw the building of the charterhouse. Marville worked on the tomb from 1384, but progressed slowly until his death in 1389. That year Claus Sluter took over design of Champmol, including the tomb. Philip died in 1404 with his funerary monument still incomplete. After Sluter's death c. 1405/06, his nephew Claus de Werve was hired to complete the project, which he finished in 1410.
The Cadaver Tomb of René of Chalon is a late Gothic period cadaver monument (transi) in the church of Saint-Étienne at Bar-le-Duc, in northeastern France. It consists of an altarpiece and a limestone statue of a putrefied and skinless corpse which stands upright and extends his left hand outwards. Completed sometime between 1544 and 1557, the majority of its construction is attributed to the French sculptor Ligier Richier. Other elements, including the coat of arms and funeral drapery, were added in the 16th and 18th centuries respectively.