Anton Lada (September 25, 1890 – August 28, 1944) [1] was a ragtime, jazz and dance musician. [2] He was a drummer. He played with and was the manager of the Louisiana Five. [3] He recorded on Columbia Records and toured. [4] Lada performed for dancing and vaudeville shows and made a series of recordings for Emerson Records, Edison Records, and Columbia Records.
He is credited as co-composer of a number of tunes with Spencer Williams, most successfully the "Arkansas Blues".
After the breakup of his first Louisiana Five, he formed a series of his own bands before launching a new "Original Louisiana Five" band and moving to Hollywood to do film scores. [5]
Lada was born in Prague in the Kingdom of Bohemia and moved with his family to Chicago as a child. [5]
Lada formed various bands and made recordings with them. [6] [7]
He composed "Let Us Be Sweethearts Again" with Ernie Erdman in 1921. [8] He copyrighted "Neglected Blues" with Williams. [9]
Harry L. Alford arranged some of his songs.[ which? ]
Ferdinand Joseph LaMothe, known professionally as Jelly Roll Morton, was an American ragtime and jazz pianist, bandleader, and composer of Louisiana Creole descent. Morton was jazz's first arranger, proving that a genre rooted in improvisation could retain its essential characteristics when notated. His composition "Jelly Roll Blues", published in 1915, was one of the first published jazz compositions. He also claimed to have invented the genre.
The Original Dixieland Jass Band (ODJB) was a Dixieland jazz band that made the first jazz recordings in early 1917. Their "Livery Stable Blues" became the first jazz record ever issued. The group composed and recorded many jazz standards, the most famous being "Tiger Rag". In late 1917, the spelling of the band's name was changed to Original Dixieland Jazz Band.
"Alexander's Ragtime Band" is a Tin Pan Alley song by American composer Irving Berlin released in 1911; it is often inaccurately cited as his first global hit. Despite its title, the song is a march as opposed to a rag and contains little syncopation. The song is a narrative sequel to Berlin's earlier 1910 composition "Alexander and His Clarinet". This earlier composition recounts the reconciliation between an African-American musician named Alexander Adams and his flame Eliza Johnson as well as highlights Alexander's innovative musical style. Berlin's friend Jack Alexander, a cornet-playing African-American bandleader, inspired the title character.
Paul Samuel Whiteman was an American bandleader, composer, orchestral director, and violinist.
Alcide Patrick Nunez, also known as Yellow Nunez and Al Nunez, was an American jazz clarinetist. He was one of the first musicians of New Orleans to make audio recordings.
Isham Edgar Jones was an American bandleader, saxophonist, bassist and songwriter.
"The Saint Louis Blues" is a popular American song composed by W. C. Handy in the blues style and published in September 1914. It was one of the first blues songs to succeed as a pop song and remains a fundamental part of jazz musicians' repertoire. Benny Goodman, Louis Armstrong, Cab Calloway, Bing Crosby, Bessie Smith, Eartha Kitt, Count Basie, Glenn Miller, Guy Lombardo, Peanuts Hucko, and the Boston Pops Orchestra are among the artists who have recorded it. The song has been called "the jazzman's Hamlet". Composer William Grant Still arranged a version of the song in 1916 while working with Handy.
Charles Edgar Schoenbaum A. S. C. was an American cinematographer. His known film credits began in 1917--although he probably had earlier films--and ended with his untimely death from cancer in 1951. He was nominated for an Academy Award in 1949 for his work on Little Women.
"Washboard Blues" is a popular jazz song written by Hoagy Carmichael, Fred B. Callahan and Irving Mills. It was first recorded for Gennett Records in May, 1925 by Hitch's Happy Harmonists with Carmichael on piano. It was subsequently recorded by jazz bands Original Memphis Five (1925) and Red Nichols and his Five Pennies (1926).
The Louisiana Five was an early Dixieland jazz band that was active from 1917 to 1920. It was among the earliest jazz groups to record extensively. The Louisiana Five was led by drummer Anton Lada.
"I've Got My Love to Keep Me Warm" is a popular song copyrighted in 1937 by its composer, Irving Berlin, and first recorded by (i) Ray Noble, Howard Barrie, vocalist; (ii) Red Norvo, Mildred Bailey, vocalist; (iii) and Billie Holiday with her orchestra. The song – sung by Dick Powell and Alice Faye – debuted on film February 12, 1937, in the musical, On the Avenue.
Harry A. Yerkes (1872-1954) was a marimba player, inventor, and recording manager who assembled many recording sessions in the early years of jazz. Many of the sessions organized by Yerkes used his name for the artist credit, including Yerkes' Jazarimba Orchestra and Yerkes' Marimbaphone Band on Columbia Records, which are estimated to have some of the best selling records of 1919 and 1921.
Wendell Phillips Dabney was an influential civil rights organizer, author, and musician as well as a newspaper editor and publisher in Cincinnati, Ohio.
Amy Ashmore Clark was a Canadian-born American songwriter, composer, and businesswoman, "equally popular and successful as a writer of lyrics for other people's music, and a writer music for other people's lyrics", despite being unable to read or write music. She also appeared in musical comedy and vaudeville, worked in music publishing, and at several magazines.
Ford Thompson Dabney was an American ragtime pianist, composer, songwriter, and acclaimed director of bands and orchestras for Broadway musical theater, revues, vaudeville, and early recordings. Additionally, for two years in Washington, from 1910 to 1912, he was proprietor of a theater that featured vaudeville, musical revues, and silent film. Dabney is best known as composer and lyricist of the 1910 song "That's Why They Call Me Shine," which for eleven point three decades, through 2022, has endured as a jazz standard. As of 2020, in the jazz genre, "Shine" has been recorded 646 times Dabney and one of his chief collaborators, James Reese Europe (1880–1919), were transitional figures in the prehistory of jazz that evolved from ragtime and blues — and grew into stride, boogie-woogie, and other next levels in jazz. Their 1914 composition, "Castle Walk" – recorded February 10, 1914, by Europe's Society Orchestra with Dabney at the piano – is one of the earliest recordings of jazz.
McElbert Moore was an American playwright, screenwriter, and lyricist.
George Wayne Fairman (1881–1962) was a lyricist, composer, and music publisher whose work includes popular songs. Several of his songs charted including two that reached #1. Fairman's work includes coon songs, ragtime, songs related to World War I, and a foxtrot.
Leonard Anderson was an American film editor and film director, and he co-owned a film production company. Anderson's short films of African-American musical acts include footage of Anna Mae Winburn with the International Sweethearts of Rhythm, Lucky Millinder and his orchestra, and Henri Woode.
Phyllis Duganne (1899–1976), also known as Phyllis Duganne Given, was a writer in the United States. She wrote stories for newspapers, novels, poems, and plays. Some of her works were adapted to film.