A lens mount is an interface – mechanical and often also electrical – between a photographic camera body and a lens. It is a feature of camera systems where the body allows interchangeable lenses, most usually the rangefinder camera, single lens reflex type, single lens mirrorless type or any movie camera of 16 mm or higher gauge. Lens mounts are also used to connect optical components in instrumentation that may not involve a camera, such as the modular components used in optical laboratory prototyping which join via C-mount or T-mount elements.
The Canon FD lens mount is a physical standard for connecting a photographic lens to a 35mm single-lens reflex camera body. The standard was developed by Canon of Japan and was introduced in March 1971 with the Canon F-1 camera. It served as the Canon SLR interchangeable lens mounting system until the 1987 introduction of the Canon EOS series cameras, which use the newer EF lens mount. The FD mount lingered through the release of the 1990 Canon T60, the last camera introduced in the FD system, and the end of the Canon New F-1 product cycle in 1992.
The M42 lens mount is a screw thread mounting standard for attaching lenses to 35 mm cameras, primarily single-lens reflex models. It is more accurately known as the M42 × 1 mm standard, which means that it is a metric screw thread of 42 mm diameter and 1 mm thread pitch.
Arri PL is a lens mount developed by Arri for use with both 16 mm and 35 mm movie cameras. The PL stands for "positive lock". It is the successor mount to the Arri bayonet; unlike the bayonet mount, however, it is incompatible with older Arri-mount lenses, due to the larger diameter.
A PV mount is a lens mount developed by Panavision for use with both 16 mm and 35 mm film and digital movie cameras of various sensor sizes. It is one of the mounts offered with Panavision cameras and Panavision-designed lenses. Panavision also modifies ("Panavises") its third party camera and lens equipment in the interest of allowing clients to retain their personal preferences regarding equipment. As they are the only company who can offer this, customers wanting to use Panavision lenses on non-Panavision cameras or vice versa must rent this equipment directly through Panavision.
BNCR is a lens mount developed by Mitchell for use with its reflex 35 mm movie cameras. It was an update of the BNC mount done to accommodate the reflex viewer in the later cameras. BNC mount lenses cannot be used in reflex Mitchell cameras as their shorter back-focus will hit and damage the reflex viewer, which, in various versions, was a pellicle mirror or a rotating mirror. The initials stand for Blimped Newsreel Camera Reflex, which meant that it is a 35 mm camera originally intended for news reporting but included a blimp housing for sound stage shooting plus a reflex viewer to allow the camera operator to view the action through the lens while filming. The reflex option was only added in 1967, while the blimp option - thereby converting an NC into a BNC, - was available at the camera's introduction in 1934, but only a few BNC examples were made before the onset of WW-II, during which manufacture of "production" cameras was suspended.
Arri standard is a lens mount developed by Arri for use with both 16 mm and 35 mm movie cameras. Lenses are distinguished by a tab inside an outer ring. Because of the weak seating strength and ability of the aluminum mount to gradually become poorly seated, the stainless steel Arri bayonet mount superseded the Arri standard mount in 1965, debuting on the 16BL. However, cameras with the bayonet mount are also able to accommodate Arri standard lenses due to both mounts having the same flange focal distance and diameter. Unfortunately, cameras with Arri standard mounts are unable to fit lenses with Arri bayonet mounts, due to the bayonet mount's locking mechanism.
A bayonet mount or bayonet connector is a fastening mechanism consisting of a cylindrical male side with one or more radial pins, and a female receptor with matching L-shaped slot(s) and with spring(s) to keep the two parts locked together. The slots are shaped like a capital letter L with serif ; the pin slides into the vertical arm of the L, rotates across the horizontal arm, then is pushed slightly upwards into the short vertical "serif" by the spring; the connector is no longer free to rotate unless pushed down against the spring until the pin is out of the "serif".
The Leica R bayonet mount is a camera lens mount system introduced by Leitz in 1964. The R mount is the standard method of connecting a lens to the Leica R series of 35 mm single-lens reflex cameras. The mount is descended from those used for the Leicaflex, Leicaflex SL and Leicaflex SL2 SLR cameras, but differs in the cams used to communicate lens aperture information to the camera. 3 cam lenses are compatible with all of the Leica SLR cameras, while R-only lenses have a slightly different mount shape that will not fit on the earlier cameras.
The T-mount is a standard lens mount for cameras and other optical assemblies. The usual T-mount is a screw mount using a male 42×0.75 metric thread on the lens with a flange focal distance of 55 mm and a mating female 42mm thread on a camera adapter or other optical component. This thread form is referred to as T-thread.
This article summarized the comparison of movie cameras.
The Arriflex 35 was the first reflex 35mm production motion picture camera, released by German manufacturer Arri in 1937.
Kinor is the name of a line of movie cameras produced in the USSR. All cameras under the Kinor name were intended for professional use and were equipped with a through-the-lens viewfinder with a mirror shutter, but were otherwise unrelated in their technical design as they were created by a variety of different organizations.
The Konica Hexar RF is a 35 mm rangefinder camera which was sold by Konica. It was introduced to the market on 13 October 1999. and subsequently discontinued some time before the end of 2003. The camera used the "Bayonet Konica KM-mount", a copy of the Leica M-mount, thus sharing interchangeable lenses with those designed for Leica cameras and others compatible with them. The Hexar RF has a combined rangefinder/viewfinder modeled on that of Leica cameras, a similar body shape and size - and so is similar to Leica M-mount cameras in many aspects of operation.
The Arriflex 16SR is a motion picture camera product line created by Arri, introduced in 1975. This 16SR camera series is designed for 16 mm filmmaking in Standard 16 format. 'SR' Stands for Silent Reflex.
The Micro Four Thirds system is a standard released by Olympus Imaging Corporation and Panasonic in 2008, for the design and development of mirrorless interchangeable lens digital cameras, camcorders and lenses. Camera bodies are available from Blackmagic, DJI, JVC, Kodak, Olympus, OM System, Panasonic, Sharp, Logitech Mevo and Xiaomi. MFT lenses are produced by Cosina Voigtländer, Kowa, Kodak, Mitakon, Olympus, Panasonic, Samyang, Sharp, Sigma, SLR Magic, Tamron, Tokina, TTArtisan, Veydra, Xiaomi, Laowa, Yongnuo, Zonlai, Lensbaby, Venus Optics and 7artisans amongst others.
The Ciné-Kodak was the first movie camera for 16 mm, manufactured by the Eastman Kodak Company and introduced in 1923. It was intended for home movie making. Kodak released additional models, including magazine-loading cameras as the Magazine Ciné-Kodak line and a line of 8 mm cameras under the Ciné-Kodak Eight sub-brand. The final 16 mm camera was the Kodak Reflex Special, released in 1961, dropping the Ciné-Kodak brand altogether; Kodak ceased production of 16 mm cameras in 1968, but continued to produce 8 mm and Super 8 film cameras under the Ektasound and Instamatic brands.
The Pentax 6×7 is a SLR medium format system film camera for 120 and 220 film, which produces images on the film that are nominally 6 cm by 7 cm in size, made by Pentax. It originally debuted in 1965 as a prototype dubbed the Pentax 220. Since then, with improvements, it was released in 1969 as the Asahi Pentax 6×7, as well as the Honeywell Pentax 6×7 for the United States import market. In 1990, it received a number of minor engineering updates and cosmetic changes and was renamed as the Pentax 67.
The Arriflex 16ST, also Arriflex 16S, is a 16mm MOS production motion picture camera released in 1952 by ARRI. The camera utilizes a voltage of 8.4 volts DC
The Arriflex 16BL is ARRI's first silent 16mm production motion picture camera, released in 1965. It was replaced by the Arriflex 16SR in 1975.
