Augusta, Lady Gregory
Lady Gregory pictured on the frontispiece to "Our Irish Theatre: A Chapter of Autobiography" (1913)
Isabella Augusta Persse
15 March 1852
Roxborough, County Galway, Ireland
|Died||22 May 1932 80)(aged|
|Resting place||New Cemetery in Bohermore, County Galway, Ireland|
|Occupation||Dramatist, folklorist, theatre manager|
|Irish Literary Revival|
Sir William Henry Gregory (m. 1880–1892)
|Children||William Robert Gregory|
|Relatives||Sir Hugh Lane (nephew)|
Isabella Augusta, Lady Gregory (néePersse; 15 March 1852 – 22 May 1932)was an Irish dramatist, folklorist and theatre manager. With William Butler Yeats and Edward Martyn, she co-founded the Irish Literary Theatre and the Abbey Theatre, and wrote numerous short works for both companies. Lady Gregory produced a number of books of retellings of stories taken from Irish mythology. Born into a class that identified closely with British rule, she turned against it. Her conversion to cultural nationalism, as evidenced by her writings, was emblematic of many of the political struggles to occur in Ireland during her lifetime.
Lady Gregory is mainly remembered for her work behind the Irish Literary Revival. Her home at Coole Park in County Galway served as an important meeting place for leading Revival figures, and her early work as a member of the board of the Abbey was at least as important as her creative writings for that theatre's development. Lady Gregory's motto was taken from Aristotle: "To think like a wise man, but to express oneself like the common people."
Gregory was born at Roxborough, County Galway, the youngest daughter of the Anglo-Irish gentry family Persse. Her mother, Frances Barry, was related to Viscount Guillamore, and her family home, Roxborough, was a 6,000-acre (24 km²) estate located between Gort and Loughrea, the main house of which was later burnt down during the Irish Civil War. She was educated at home, and her future career was strongly influenced by the family nurse (i.e. nanny), Mary Sheridan, a Catholic and a native Irish speaker, who introduced the young Augusta to the history and legends of the local area.
She married Sir William Henry Gregory, a widower with an estate at Coole Park, near Gort, on 4 March 1880 in St Matthias' Church, Dublin.Sir William, who was 35 years her elder, had just retired from his position as Governor of Ceylon (now Sri Lanka), having previously served several terms as Member of Parliament for County Galway. He was a well-educated man with many literary and artistic interests, and the house at Coole Park housed a large library and extensive art collection, both of which Lady Gregory was eager to explore. He also had a house in London, where the couple spent a considerable amount of time, holding weekly salons frequented by many leading literary and artistic figures of the day, including Robert Browning, Lord Tennyson, John Everett Millais and Henry James. Their only child, Robert Gregory, was born in 1881. He was killed during the First World War while serving as a pilot, an event which inspired W. B. Yeats's poems "An Irish Airman Foresees His Death", "In Memory of Major Robert Gregory" and "Shepherd and Goatherd".
The Gregorys travelled in Ceylon, India, Spain, Italy and Egypt. While in Egypt, Lady Gregory had an affair with the English poet Wilfrid Scawen Blunt, during which she wrote a series of love poems, A Woman's Sonnets.
Her earliest work to appear under her own name was Arabi and His Household (1882), a pamphlet—originally a letter to The Times —in support of Ahmed Orabi Pasha, leader of what has come to be known as the Urabi Revolt, an 1879 Egyptian nationalist revolt against the oppressive regime of the Khedive and the European domination of Egypt. She later said of this booklet, "whatever political indignation or energy was born with me may have run its course in that Egyptian year and worn itself out".Despite this, in 1893 she published A Phantom's Pilgrimage, or Home Ruin, an anti-Nationalist pamphlet against William Ewart Gladstone's proposed second Home Rule Act.
She continued to write prose during the period of her marriage. During the winter of 1883, whilst her husband was in Ceylon, she worked on a series of memoirs of her childhood home, with a view to publishing them under the title An Emigrant's Notebook,but this plan was abandoned. She wrote a series of pamphlets in 1887 called Over the River, in which she appealed for funds for the parish of St. Stephens in Southwark, south London. She also wrote a number of short stories in the years 1890 and 1891, although these also never appeared in print. A number of unpublished poems from this period have also survived. When Sir William Gregory died in March 1892, Lady Gregory went into mourning and returned to Coole Park; there she edited her husband's autobiography, which she published in 1894. She was to write later, "If I had not married I should not have learned the quick enrichment of sentences that one gets in conversation; had I not been widowed I should not have found the detachment of mind, the leisure for observation necessary to give insight into character, to express and interpret it. Loneliness made me rich—'full', as Bacon says.".
A trip to Inisheer in the Aran Islands in 1893 re-awoke for Lady Gregory an interest in the Irish languageand in the folklore of the area in which she lived. She organised Irish lessons at the school at Coole, and began collecting tales from the area around her home, especially from the residents of Gort workhouse. One of the tutors she employed was Norma Borthwick, who would visit Coole numerous times. This activity led to the publication of a number of volumes of folk material, including A Book of Saints and Wonders (1906), The Kiltartan History Book (1909) and The Kiltartan Wonder Book (1910). She also produced a number of collections of "Kiltartanese" versions of Irish myths, including Cuchulain of Muirthemne (1902) and Gods and Fighting Men (1903). ("Kiltartanese" is Lady Gregory's term for English with Gaelic syntax, based on the dialect spoken in Kiltartan.) In his introduction to the former, Yeats wrote "I think this book is the best that has come out of Ireland in my time.". James Joyce was to parody this claim in the Scylla and Charybdis chapter of his novel Ulysses .
Towards the end of 1894, encouraged by the positive reception of the editing of her husband's autobiography, Lady Gregory turned her attention to another editorial project. She decided to prepare selections from Sir William Gregory's grandfather's correspondence for publication as Mr Gregory's Letter-Box 1813–30 (1898). This entailed her researching Irish history of the period; one outcome of this work was a shift in her political position, from the "soft" Unionism of her earlier writing on Home Rule to a definite support of Irish nationalism and Republicanism, and to what she was later to describe as "a dislike and distrust of England".
Edward Martyn was a neighbour of Lady Gregory, and it was during a visit to his home, Tullira Castle, in 1896 that she first met W. B. Yeats.Discussions between the three of them, over the following year or so, led to the founding of the Irish Literary Theatre in 1899. Lady Gregory undertook fundraising, and the first programme consisted of Martyn's The Heather Field and Yeats's The Countess Cathleen .
The Irish Literary Theatre project lasted until 1901,when it collapsed owing to lack of funding. In 1904, Lady Gregory, Martyn, Yeats, John Millington Synge, Æ, Annie Horniman and William and Frank Fay came together to form the Irish National Theatre Society. The first performances staged by the society took place in a building called the Molesworth Hall. When the Hibernian Theatre of Varieties in Lower Abbey Street and an adjacent building in Marlborough Street became available, Horniman and William Fay agreed to their purchase and refitting to meet the needs of the society.
On 11 May 1904, the society formally accepted Horniman's offer of the use of the building. As Horniman was not normally resident in Ireland, the Royal Letters Patent required were paid for by her but granted in the name of Lady Gregory.One of her own plays, Spreading the News , was performed on the opening night, 27 December 1904. At the opening of Synge's The Playboy of the Western World in January 1907, a significant portion of the crowd rioted, causing the remainder of the performances to be acted out in dumbshow. Lady Gregory did not think as highly of the play as Yeats did, but she defended Synge as a matter of principle. Her view of the affair is summed up in a letter to Yeats where she wrote of the riots: "It is the old battle, between those who use a toothbrush and those who don't."
Lady Gregory remained an active director of the theatre until ill-health led to her retirement in 1928. During this time she wrote more than 19 plays, mainly for production at the Abbey.Many of these were written in an attempted transliteration of the Hiberno-English dialect spoken around Coole Park that became widely known as Kiltartanese, from the nearby village of Kiltartan. Her plays had been among the most successful at the Abbey in the earlier years, but their popularity declined. Indeed, the Irish writer Oliver St. John Gogarty once wrote "the perpetual presentation of her plays nearly ruined the Abbey". In addition to her plays, she wrote a two-volume study of the folklore of her native area called Visions and Beliefs in the West of Ireland in 1920. She also played the lead role in three performances of Cathleen Ni Houlihan in 1919.
During her time on the board of the Abbey, Coole Park remained her home; she spent her time in Dublin staying in a number of hotels. For example, at the time of the 1911 national census, she was staying in a hotel at 16 South Frederick Street.In these she dined frugally, often on food she had brought with her from home. She frequently used her hotel rooms to interview would-be Abbey dramatists and to entertain the company after opening nights of new plays. She spent many of her days working on her translations in the National Library of Ireland. She gained a reputation as being a somewhat conservative figure. For example, when Denis Johnston submitted to the Abbey his first play, Shadowdance, it was rejected by Lady Gregory and returned to the author with "The Old Lady says No" written on the title page. Johnston decided to rename the play, and The Old Lady Says 'No!' was eventually staged by the Gate Theatre in 1928.
When she retired from the Abbey board, Lady Gregory returned to live in Galway, although she continued to visit Dublin regularly. The house and demesne at Coole Park had been sold to the Irish Forestry Commission in 1927, with Lady Gregory retaining life tenancy.Her Galway home had long been a focal point for the writers associated with the Irish Literary Revival, and this continued after her retirement. On a tree in what were the grounds of the house, one can still see the carved initials of Synge, Æ, Yeats and his artist brother Jack, George Moore, Seán O'Casey, George Bernard Shaw, Katharine Tynan and Violet Martin. Yeats wrote five poems about, or set in, the house and grounds: "The Wild Swans at Coole", "I walked among the seven woods of Coole", "In the Seven Woods", "Coole Park, 1929" and "Coole Park and Ballylee, 1931".
Lady Gregory, whom Shaw once described as "the greatest living Irishwoman",died at home aged 80 from breast cancer, and is buried in the New Cemetery in Bohermore, County Galway. The entire contents of Coole Park were auctioned three months after her death, and the house was demolished in 1941.
Her plays fell out of favour after her death, and are now rarely performed.Many of the diaries and journals she kept for most of her adult life have been published, providing a rich source of information on Irish literary history during the first three decades of the 20th century.
Her Cuchulain of Muirthemne is still considered a good retelling of the Ulster Cycle tales such as Deidre, Cuchulainn, and the Táin Bó Cúailnge stories. Thomas Kinsella wrote "I emerged with the conviction that Lady Gregory's 'Cuchulian of Muirthemne', though only a paraphrase, gave the best idea of the Ulster stories".However her version omitted some elements of the tale, usually assumed to avoid offending Victorian sensibilities, as well being an attempt as presenting a 'respectable' nation myth for the Irish, though her paraphrase is not considered dishonest. Other critics find the bowdlerisations in her works more offensive, not only the removal of references to sex and bodily functions, but also the loss of Cuchulain's "battle frenzy" ( Ríastrad ); in other areas she censored less than some of her male contemporaries, such as Standish O'Grady.
William Butler Yeats was an Irish poet and one of the foremost figures of 20th-century literature. A pillar of the Irish literary establishment, he helped to found the Abbey Theatre, and in his later years served two terms as a Senator of the Irish Free State. He was a driving force behind the Irish Literary Revival along with Lady Gregory, Edward Martyn and others.
Emer[ˈẽβ̃əɾ], is an Irish name, in modern Irish Eimhear or Éimhear, daughter of Forgall Monach, is the wife of the hero Cú Chulainn in the Ulster Cycle of Irish mythology. Alternative version in Scottish Gaelic is Eimhir.
The Abbey Theatre, also known as the National Theatre of Ireland, in Dublin, Ireland, is one of the country's leading cultural institutions. First opening to the public on 27 December 1904, and despite losing its original building to a fire in 1951, it has remained active to the present day. The Abbey was the first state-subsidized theatre in the English-speaking world; from 1925 onwards it received an annual subsidy from the Irish Free State. Since July 1966, the Abbey has been located at 26 Lower Abbey Street, Dublin 1.
Edmund John Millington Synge was an Irish playwright, poet, prose writer, travel writer and collector of folklore. He was a key figure in the Irish Literary Revival and was one of the co-founders of the Abbey Theatre. He is best known for his play The Playboy of the Western World, which caused riots in Dublin during its opening run at the Abbey Theatre.
Edward Martyn was an Irish playwright and early republican political and cultural activist, as the first president of Sinn Féin from 1905-08.
The Irish Literary Revival was a flowering of Irish literary talent in the late 19th and early 20th century.
Coole Park is a nature reserve of approximately 1,000 acres (4 km2) located a few miles west of Gort, County Galway, Ireland. It is managed by the Irish National Parks & Wildlife Service, part of the Department of Arts, Heritage and the Gaeltacht. The park is in a low–lying karstic limestone area characterised by seasonal lakes, known as turloughs, which are almost unique to Ireland. It has extensive woodlands. There are 6 kilometres of signposted nature trails plus a formal late 18th century walled garden.
The Cuala Press was an Irish private press set up in 1908 by Elizabeth Yeats with support from her brother William Butler Yeats that played an important role in the Celtic Revival of the early 20th century. Originally Dun Emer Press, from 1908 until the late 1940s it functioned as Cuala Press, publicising the works of such writers as Yeats, Lady Gregory, Colum, Synge, Gogarty, etc.
Events from the year 1902 in Ireland.
Anne Butler Yeats was an Irish painter, costume and stage designer.
Cathleen ni Houlihan is a one-act play written by William Butler Yeats and Lady Gregory in 1902. It was first performed on 2 April of that year and first published in the October number of Samhain. Lady Gregory wrote the naturalistic peasant dialogue of the Gillane family, while Yeats wrote Cathleen Ni Houlihan’s dialogue.
"An Irish Airman Foresees His Death" is a poem by Irish poet William Butler Yeats (1865–1939), written in 1918 and first published in the Macmillan edition of The Wild Swans at Coole in 1919. The poem is a soliloquy given by an aviator in the First World War in which the narrator describes the circumstances surrounding his imminent death. The poem is a work that discusses the role of Irish soldiers fighting for the United Kingdom during a time when they were trying to establish independence for Ireland. Wishing to show restraint from publishing political poems during the height of the war, Yeats withheld publication of the poem until after the conflict had ended.
Kiltartan is a barony and civil parish in County Galway, Ireland. The northern portion of this barony was formerly known as Cenél Áeda na hEchtge or O'Shaughnessy's Country, the southern portion was called Coill Ua bhFiachrach and the eastern part was called Oireacht Réamoinn. It was the home of Lady Gregory, Edward Martyn, and a regular residence of W.B. Yeats. The barony takes its name from the Burke stronghold of Kiltartan Castle also known as Castletown or Ballycastle. The castle in turn takes its name from the medieval church of Kiltartan a short distance to the north. The oil Irish name for the church and parish was Cill Athrachta which was corrupted to Cill Tortain. The older anglicised form was Kiltaraght which is closer to the original Irish form.
Sir William Henry Gregory PC (Ire) KCMG was an Anglo-Irish writer and politician, who is now less remembered than his wife Augusta, Lady Gregory, the playwright, co-founder and Director of Dublin's Abbey Theatre, literary hostess and folklorist.
On Baile's Strand is a play written by W. B. Yeats and first printed in In the Seven Woods published by Dun Emer Press in 1903. The play was first performed at the grand opening of the Abbey Theatre on 27 December 1904. The play is based on the Irish folk hero Cuchulain.
Thoor Ballylee Castle is a fortified, 15th century Hiberno-Norman tower house built by the septs de Burgo, or Burke, near the town of Gort in County Galway, Ireland. It is also known as Yeats' Tower because it was once owned and inhabited by the poet William Butler Yeats.
Cuchulain of Muirthemne is a version of the Cú Chulainn legends based on previous oral and written versions, as collected and translated by Lady Augusta Gregory. First published in 1902, it is one of the earliest such collections to appear in English. The book covers the lifespan of the hero, from conception to death, and draws on folklore and oral tradition in addition to the stories of the Ulster Cycle.
Máire Nic Shiubhlaigh | Máire Nic Ṡiúḃlaiġ was an Irish actress and republican activist. She started acting in her teens and appeared in the first Irish-language play performed in Ireland. She was a founder-member of the Abbey Theatre and was leading lady on its opening night in 1904, when she played the title role in W.B. Yeats's Cathleen Ni Houlihan. She later joined the Theatre of Ireland, which she helped to found.
Dolly Robinson was an Irish artist and theatre designer.
The Hag of Beara is a mythic Irish Goddess (a Cailleach or a divine hag, crone, or creator deity; literally "veiled one" associated with the Beara Peninsula in County Cork, Ireland, who was thought to bring winter. She is best known as the narrator of the medieval Irish poem "The Lament of the Hag of Beara", in which she bitterly laments the passing of her youth and her decrepit old age.
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