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Auguste-Barthélemy Glaize (1807–1893) was a French Romantic painter of history paintings and genre paintings.
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Auguste-Barthélemy Glaize (1807–1893) was a French Romantic painter of history paintings and genre paintings.
He studied under the painters Achille Devéria and Eugène Devéria and taught Paul-Maurice Duthoit and his son Pierre-Paul-Léon Glaize.
Born in Montpellier, [1] Auguste Glaize was one of the great French Romantic painters of the early 19th century, marking his career with important history paintings and cycles of monumental religious paintings in several churches in Paris and the provinces. He was most well known for painting beautiful mythological or historical scenes, often containing nude females and the humanity he portrayed in his subjects faces. The painting conserved in the church at Quesnoy-sur-Airaines is considered one of his masterworks.
The sometimes anti-establishment themes in his paintings, earned criticism from religious leaders at the time. For example, while praising the beauty and originality of his painting Alfred Des Essarts criticised what he saw as a 'profane' way to treat religious subjects. This was typical of religious criticism of romantic art at the time.
Antoine-Augustin Préault was a French sculptor of the "Romantic" movement. Born in the Marais district of Paris, he was better known during his lifetime as Auguste Préault.
Jean-Antonin Carles was a French sculptor.
Jules-Claude Ziegler (1804-1856) was a French painter, ceramicist and photographer of the French school.
Jean-Jacques-François Le Barbier was a writer, illustrator and painter of French history. By 1780 he was an official painter of the King of France.
Henri Bouchet-Doumenq was a 19th-century French painter who specialized in portraits and landscapes.
Marianne Loir or Marie-Anne Loir was a French painter who specialized in portraits.
Barthélemy Chasse (1659-1720) was an Italian-born French painter.
Pierre Lenoir was a French sculptor.
Paul Jean Flandrin was a French painter. He was the younger brother of the painters Auguste Flandrin and Hippolyte Flandrin.
Henri Guinier was a French portrait and landscape painter.
Jean-Édouard Dargent, known as Yan' Dargent and in his later years Yann Dargent, was born in Saint-Servais on 15 October 1824 and died in Paris on 19 November 1899. He was a French painter and illustrator. Most of his paintings depicted Brittany.
Henry d'Estienne was a French painter and a member of the Académie des Beaux-Arts.
Armand Montjoye, real name Jules Joseph Montjoye, was a 19th-century French painter and playwright.
Paul Dissard (1852–1926) was a French art historian, a specialist of Gallo-Roman culture. An epigrapher and curator at the Museum of Fine Arts of Lyon, he contributed with Auguste Allmer to change a fledgling science by confronting archaeological evidence and providing a reference documentation.
Madame Cavé was a French painter and drawing professor. Born Marie-Élisabeth Blavot and also known as Marie Monchablon in her youth, she married the painter Clément Boulanger and then, after Boulanger's death, Edmond Cavé—whom she also outlived.
The Incredulity of Saint Thomas is a 1543–1547 painting by Francesco Salviati. It was commissioned for the église Notre-Dame-de-Confort in Lyon by Thomas II de Gadagne, a Florentine counselor to Francis I of France. It is now held in the Louvre Museum and measures 275 cm by 234 cm. It is signed FRANCESCO SALVIATO FLO. OPUS (S.B.D.) and the apostle shown in three-quarter-profile is a self-portrait of Salviati.
Louise Astoud-Trolley was a French sculptor and painter.
The Gallic Women: Episode from the Roman Invasion is a painting by Auguste-Barthélemy Glaize, from 1851. It is a very large oil on canvas work, with a height of 424cm and a width of 651cm. It was exhibited at the 1852 Salon and purchased by the French state in 1853.
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