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Auguste Maquet | |
|---|---|
| Auguste Maquet | |
| Born | 13 September 1813 |
| Died | 8 January 1888 (aged 74) Paris, France |
| Burial place | Père Lachaise Cemetery, Paris |
| Occupation | novelist |
| French and Francophone literature |
|---|
| by category |
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Auguste Maquet (French: [oɡystmakɛ] ; 13 September 1813 – 8 January 1888) was a French author, best known as the chief collaborator of French novelist Alexandre Dumas, père, co-writing such works as The Count of Monte Cristo and The Three Musketeers . [1]
Maquet was born in Paris in 1813. He studied at the Lycée Charlemagne where he became a professor at the age of 18. Trained as a historian, he turned to literature, and became close with such literary figures as Théophile Gautier and Gérard de Nerval. Through Nerval, he became acquainted with the already famous Dumas in 1838. Gérard de Nerval introduced Maquet to Dumas and asked the famous author to rewrite a play of Maquet's and publish it under his own name. [2] Dumas was then given a manuscript by Maquet which Dumas went on to publish under his own name as Le Chevalier d'Harmental . [3]
The two started writing historical romances together, with Maquet outlining the plot and characters in draft form and Dumas adding colourful dialogue and details. [2] At the insistence of and upon payment by the publisher, Maquet's name was left off the title page. [2]
The collaboration with Dumas ended in 1851. Maquet had earlier sued Dumas demanding co-authorship and royalties, but the court found in favour of Dumas. Speaking of the court's decision, Arthur Davison writes: "Dumas without Maquet would have been Dumas: what would Maquet have been without Dumas?" [4] [5] Maquet went on to produce a large solo body of work: historical romances, plays and an opera libretto. In 1861, he became an officer of the Legion of Honour. Maquet died comfortably well-off. He is buried in Père Lachaise Cemetery in Paris.
His brothers Charles and Hector Maquet were the founders of the luxury stationery manufacturer Maison Maquet.
Many devotees of Dumas claim that "Maquet was merely a dogsbody whose capacity for hard work was his greatest talent." [3] Others, such as French Dumas expert Claude Schopp have claimed that Maquet was the real "fourth musketeer," [2] responsible for the plots of The d'Artagnan Romances. [2] Author Bernard Fillaire says "There is a tendency to dismiss [Maquet] as a drudge and that's just wrong...Of course he wasn't a Balzac or a Dickens...but he definitely had talent." [3]
Maquet was portrayed by Belgian actor Benoît Poelvoorde in L'Autre Dumas (The Other Dumas, 2010). [3]
Maquet collaborated with Dumas on eighteen novels and many plays, including:
Alexandre Dumas fils was a French author and playwright, best known for the romantic novel La Dame aux Camélias, published in 1848, which was adapted into Giuseppe Verdi's 1853 opera La traviata, as well as numerous stage and film productions, usually titled Camille in English-language versions.
Alexandre Dumas, also known as Alexandre Dumas père, was a French novelist and playwright.
The Three Musketeers is a French historical adventure novel written in 1844 by French author Alexandre Dumas. It is the first of the author's three d'Artagnan Romances. As with some of his other works, he wrote it in collaboration with ghostwriter Auguste Maquet. It is in the swashbuckler genre, which has heroic, chivalrous swordsmen who fight for justice.
Porthos, Baron du Vallon de Bracieux de Pierrefonds is a fictional character in the novels The Three Musketeers (1844), Twenty Years After (1845), and The Vicomte de Bragelonne (1847–1850) by Alexandre Dumas, père. He and the other two musketeers, Athos and Aramis, are friends of the novel's protagonist, d'Artagnan. Porthos is a highly fictionalized version of the historical musketeer Isaac de Porthau.
Paul Ferrier was a French dramatist, who also provided libretti for several composers, especially Varney and Serpette.
Joseph Méry was a French writer, journalist, novelist, poet, playwright and librettist.

The Club Dumas is a 1993 novel by Arturo Pérez-Reverte. The book is set in a world of antiquarian booksellers, echoing his previous 1990 work The Flanders Panel.
Élie Berthet was a French novelist.
Le Chevalier de Maison-Rouge was written in 1845 by Alexandre Dumas, père. It is related to a series referred to as the Marie Antoinette romances, though technically not part of that series as the characters of Joseph Balsamo and Doctor Gilbert do not appear in the novel, and many of the other series' protagonists have died by the start of this novel. The novel takes place shortly after the end of the series, following the death of Louis XVI. Set in Paris during the Reign of Terror, the novel follows the adventures of a brave young man named Maurice Lindey who unwittingly implicates himself in a Royalist plot to rescue Marie Antoinette from prison. Maurice is devoted to the Republican cause, but his infatuation with a beautiful young woman leads him into the service of the mysterious Knight of Maison-Rouge, the mastermind behind the plot.
Paul Meurice was a French novelist and playwright best known for his friendship with Victor Hugo.
Paul Auguste Tousez, known as Paul Bocage, was a French librettist, novelist and dramatist.
Jules-Édouard Alboize de Pujol was a French historian and playwright. Director of the Théâtre de l'Atelier in Montmartre, Alboize Pujol wrote several dramas and comedies, either alone or in collaboration.
Le Chant des Girondins was the national anthem of the French Second Republic, written for the drama Le Chevalier de Maison-Rouge by the writer Alexandre Dumas with Auguste Maquet. The lines of the refrain were borrowed from "Roland à Roncevaux", a song written in Strasbourg by Claude-Joseph Rouget de Lisle, the author of La Marseillaise. The music is by conductor-composer Alphonse Varney.
The Conspirators is a novel written by Alexandre Dumas and Auguste Maquet, published in 1843. Dumas reworked a preliminary version by Maquet; this was the beginning of their collaboration which was to produce eighteen novels and many plays. The dramatisation of the novel – in five acts, a prologue and ten tableaux – was first performed on 16 July 1849 at the Théâtre-Historique in Paris. It was adapted into an opera, Le chevalier d'Harmental, by André Messager with a libretto by Paul Ferrier, which was first performed on 5 May 1896.
Charles Désiré Dupeuty, was a 19th-century French librettist and playwright.
Auguste Jean François Arnould was a French poet, playwright, historian, novelist and essayist of the first half of the 19th century.
Amedée Urbain Louis Henry Joseph Artus was a 19th-century French conductor and composer, author of more than eight hundred incidental music pieces.
Le chevalier d'Harmental may refer to:
Charles Jean-Baptiste Jacquot, who wrote under the pen name Eugène de Mirecourt, was a French writer and journalist. The main critic of Alexandre Dumas, he contributed novels, short stories and biographies to the French literary life of the second half of the 19th century.
Media related to Auguste Maquet at Wikimedia Commons