The Barbizon school of painters were part of an art movement towards Realism in art, which arose in the context of the dominant Romantic Movement of the time. The Barbizon school was active roughly from 1830 through 1870. It takes its name from the village of Barbizon, France, near the Forest of Fontainebleau, where many of the artists gathered. Some of the most prominent features of this school are its tonal qualities, color, loose brushwork, and softness of form.
An art movement is a tendency or style in art with a specific common philosophy or goal, followed by a group of artists during a restricted period of time, or, at least, with the heyday of the movement defined within a number of years. Art movements were especially important in modern art, when each consecutive movement was considered as a new avant-garde.
Romanticism was an artistic, literary, musical and intellectual movement that originated in Europe toward the end of the 18th century, and in most areas was at its peak in the approximate period from 1800 to 1850. Romanticism was characterized by its emphasis on emotion and individualism as well as glorification of all the past and nature, preferring the medieval rather than the classical. It was partly a reaction to the Industrial Revolution, the aristocratic social and political norms of the Age of Enlightenment, and the scientific rationalization of nature—all components of modernity. It was embodied most strongly in the visual arts, music, and literature, but had a major impact on historiography, education, the social sciences, and the natural sciences. It had a significant and complex effect on politics, with romantic thinkers influencing liberalism, radicalism, conservatism and nationalism.
Barbizon is a commune (town) in the Seine-et-Marne department in north-central France. It is located near the Fontainebleau Forest.
In 1824 the Salon de Paris exhibited works of John Constable, an English painter. His rural scenes influenced some of the younger artists of the time, moving them to abandon formalism and to draw inspiration directly from nature. Natural scenes became the subjects of their paintings rather than mere backdrops to dramatic events. During the Revolutions of 1848 artists gathered at Barbizon to follow Constable's ideas, making nature the subject of their paintings. The French landscape became a major theme of the Barbizon painters.
John Constable, was an English landscape painter in the naturalistic tradition. Born in Suffolk, he is known principally for his landscape paintings of Dedham Vale, the area surrounding his home – now known as "Constable Country" – which he invested with an intensity of affection. "I should paint my own places best", he wrote to his friend John Fisher in 1821, "painting is but another word for feeling".
The Revolutions of 1848, known in some countries as the Spring of Nations, People's Spring, Springtime of the Peoples, or the Year of Revolution, were a series of political upheavals throughout Europe in 1848. It remains the most widespread revolutionary wave in European history.
The leaders of the Barbizon school were Théodore Rousseau, Jean-François Millet, and Charles-François Daubigny; other members included Jules Dupré, Constant Troyon, Charles Jacque, Narcisse Virgilio Díaz, Pierre Emmanuel Damoye, Charles Olivier de Penne, Henri Harpignies, Paul-Emmanuel Péraire, Gabriel-Hippolyte Lebas, Albert Charpin, Félix Ziem, François-Louis Français, Émile van Marcke, and Alexandre Defaux.
Étienne Pierre Théodore Rousseau was a French painter of the Barbizon school.
Jean-François Millet was a French painter and one of the founders of the Barbizon school in rural France. Millet is noted for his scenes of peasant farmers; he can be categorized as part of the Realism art movement.
Charles-François Daubigny was one of the painters of the Barbizon school, and is considered an important precursor of impressionism.
Millet extended the idea from landscape to figures — peasant figures, scenes of peasant life, and work in the fields. In The Gleaners (1857), for example, Millet portrays three peasant women working at the harvest. Gleaners are poor people who are permitted to gather the remains after the owners of the field complete the main harvest. The owners (portrayed as wealthy) and their laborers are seen in the back of the painting. Millet shifted the focus and the subject matter from the rich and prominent to those at the bottom of the social ladders. To emphasize their anonymity and marginalized position, he hid their faces. The women's bowed bodies represent their everyday hard work.
The Gleaners is an oil painting by Jean-François Millet completed in 1857.
In the spring of 1829, Jean-Baptiste-Camille Corot came to Barbizon to paint in the Forest of Fontainebleau, he had first painted in the forest at Chailly in 1822. He returned to Barbizon in the autumn of 1830 and in the summer of 1831, where he made drawings and oil studies, from which he made a painting intended for the Salon of 1830; "View of the Forest of Fontainebleau'" (now in the National Gallery in Washington) and, for the salon of 1831, another "View of the Forest of Fontainebleau"'. While there he met the members of the Barbizon school; Théodore Rousseau, Paul Huet, Constant Troyon, Jean-François Millet, and the young Charles-François Daubigny.
Jean-Baptiste-Camille Corot was a French landscape and portrait painter as well as a printmaker in etching. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism.
The forest of Fontainebleau is a mixed deciduous forest lying sixty kilometres southeast of Paris, France. It is located primarily in the arrondissement of Fontainebleau in the southwestern part of the department of Seine-et-Marne. Most of it also lies in the canton of Fontainebleau, although parts of it extend into adjoining cantons, and even as far west as the town of Milly-la-Forêt in the neighboring department, Essonne. Several communes lie within the forest, notably the towns of Fontainebleau and Avon. The forest has an area of 250 km2 (97 sq mi).
Paul Huet was a French painter and printmaker born in Paris. He studied under Gros and Guerin. He met the English painter Richard Parkes Bonington in the studio of Gros, where he studied irregularly from 1819 to 1822. Bonington's example influenced Huet to reject neoclassicism and instead paint landscapes based on close observation of nature. The British landscape paintings exhibited in the Salon of 1824 were a revelation to Huet, who said of Constable's work: "It was the first time perhaps that one felt the freshness, that one saw a luxuriant, verdant nature, without blackness, crudity or mannerism." Huet's subsequent work combined emulation of the English style with inspiration derived from Dutch and Flemish old masters such as Rubens, Jacob van Ruisdael, and Meindert Hobbema.
During the late 1860s, the Barbizon painters attracted the attention of a younger generation of French artists studying in Paris. Several of those artists visited Fontainebleau Forest to paint the landscape, including Claude Monet, Pierre-Auguste Renoir, Alfred Sisley and Frédéric Bazille.In the 1870s those artists, among others, developed the art movement called Impressionism and practiced plein air painting.
Fontainebleau is a commune in the metropolitan area of Paris, France. It is located 55.5 kilometres (34.5 mi) south-southeast of the centre of Paris. Fontainebleau is a sub-prefecture of the Seine-et-Marne department, and it is the seat of the arrondissement of Fontainebleau. The commune has the largest land area in the Île-de-France region; it is the only one to cover a larger area than Paris itself.
Oscar-Claude Monet was a French painter, a founder of French Impressionist painting and the most consistent and prolific practitioner of the movement's philosophy of expressing one's perceptions before nature, especially as applied to plein air landscape painting. The term "Impressionism" is derived from the title of his painting Impression, soleil levant, which was exhibited in 1874 in the first of the independent exhibitions mounted by Monet and his associates as an alternative to the Salon de Paris.
Pierre-Auguste Renoir, commonly known as Auguste Renoir, was a French artist who was a leading painter in the development of the Impressionist style. As a celebrator of beauty and especially feminine sensuality, it has been said that "Renoir is the final representative of a tradition which runs directly from Rubens to Watteau." He was the father of actor Pierre Renoir (1885–1952), filmmaker Jean Renoir (1894–1979) and ceramic artist Claude Renoir (1901–1969). He was the grandfather of the filmmaker Claude Renoir (1913–1993), son of Pierre.
Both Théodore Rousseau (1867) and Jean-François Millet (1875) died at Barbizon.
Painters in other countries were also influenced by this art. Beginning in the late nineteenth century, many artists came to Paris from Austria-Hungary to study the new movements. For instance, the Hungarian painter János Thorma studied in Paris as a young man. In 1896 he was one of the founders of the Nagybánya artists' colony in what is now Baia Mare, Romania, which brought impressionism to Hungary. In 2013 the Hungarian National Gallery opens a major retrospective of his work, entitled, ''János Thorma, the Painter of the Hungarian Barbizon, 8 February - 19 May 2013, Hungarian National Gallery
Henri-Joseph Harpignies was a French landscape painter of the Barbizon school.
Narcisse Virgilio Díaz de la Peña was a French painter of the Barbizon school.
The Hague School is a group of artists who lived and worked in The Hague between 1860 and 1890. Their work was heavily influenced by the realist painters of the French Barbizon school. The painters of the Hague school generally made use of relatively somber colors, which is why the Hague School is sometimes called the Gray School.
The Mesdag Collection is an art museum in The Hague, Netherlands.
Hippolyte Camille Delpy was a French painter.
János Thorma was a Hungarian painter. A representative figure of the Nagybánya artists' colony, which started in 1896, in Nagybánya, Austria-Hungary, He moved through different styles, shifted from the naturalism that was the aesthetic of the colony, to historical subjects, to romantic realism and to a Post-Impressionism style. His work is held by the Hungarian National Gallery, the Thorma János Múzeum, regional museums and private collectors.
Alfred Philippe Roll was a French painter.
Jean Alexis Achard (1807–1884) was a French painter.
Eugène Lavieille was a French painter.
Adolphe Étienne Auguste Moreau-Nélaton was a French painter, art collector and art historian. His large collection is today held in its entirety by French national museums.
The Société Libre des Beaux-Arts was an organization formed in 1868 by Belgian artists to react against academicism and to advance Realist painting and artistic freedom. Based in Brussels, the society was active until 1876, by which time the aesthetic values it espoused had infiltrated the official Salon. It played a formative role in establishing avant-gardism in Belgium.
Albert Heinrich Brendel, who was born in Berlin in 1827, studied in the Prussian Academy of Arts under Wilhelm Krause. In 1851 he went to Paris, and studied under Couture and Palizzi; thence to Italy, and home to Berlin in 1853, completing his studies under Carl Steffeck. For the next ten years he lived mainly in Paris, and worked in the summer months at Barbizon school, in the forest of Fontainebleau, which was also the scene of the labours of Jean-François Millet, Théodore Rousseau, Narcisse Virgilio Díaz, Constant Troyon, and other artists; and he continued, till 1869, to visit Barbison in the summer, after he moved in 1865 to Berlin for the winter. In 1868 he was made a member of the Berlin Academy, and in 1875 became Professor at the Weimar Saxon-Grand Ducal Art School. His first works were sea-pieces, but afterwards he devoted himself to animal painting, in which he was very successful. He received medals at various exhibitions at Paris, Berlin, Munich, Vienna, and Nantes. He died in 1895.
Marie a'Becket was an American painter of the Hudson River School.
Nikolai Alexandrovich Kushelev-Bezborodko was a Russian art collector.
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