Bartholomew the Apostle

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Saint Bartholomew the Apostle
Sts-john-and-bartholomew-with-donor-dosso-dossi.jpg
Saint John and Saint Bartholomew (right) by Dosso Dossi, 1527
Apostle and martyr
Born1st century AD
Cana, Galilee, Roman Empire
Died1st century AD
Albanopolis, Armenia
Venerated inAll Christian denominations which venerate saints
Major shrine Saint Bartholomew Monastery in historical Armenia, Relics at Basilica of San Bartolomeo in Benevento, Italy, Saint Bartholomew-on-the-Tiber Church, Rome, Canterbury Cathedral, the Cathedrals in Frankfurt and Plzeň, and San Bartolomeo Cathedral in Lipari
Feast August 24 (Western Christianity)
June 11 (Eastern Christianity)
Attributes Knife and his flayed skin, Red Martyrdom
Patronage Armenia; bookbinders; butchers; Florentine cheese and salt merchants; Gambatesa, Italy; Catbalogan, Samar; Magalang, Pampanga; Malabon, Metro Manila; Nagcarlan, Laguna; San Leonardo, Nueva Ecija, Philippines; Għargħur, Malta; leather workers; neurological diseases; plasterers; shoemakers; curriers; tanners; trappers; twitching; whiteners ; Los Cerricos (Spain)

Bartholomew (Ancient Greek : Βαρθολομαῖος, romanized: Bartholomaîos; Latin : Bartholomaeus; Coptic : ⲃⲁⲣⲑⲟⲗⲟⲙⲉⲟⲥ; Hebrew : בר-תולמי; Arabic : بَرثُولَماوُس, romanized: Barthulmāwus) was one of the twelve apostles of Jesus according to the New Testament. He has also been identified as Nathanael or Nathaniel, [1] who appears in the Gospel of John when introduced to Jesus by Philip (who would also become an apostle),*(John 1:43–51) although many modern commentators reject the identification of Nathanael with Bartholomew. [2]

Coptic language Latest stage of the Egyptian language

Coptic or Coptic Egyptian, is the latest stage of the Egyptian language, a northern Afro-Asiatic language spoken in Egypt until at least the 17th century as an official language. Egyptian began to be written in the Coptic alphabet, an adaptation of the Greek alphabet with the addition of six or seven signs from Demotic to represent Egyptian sounds the Greek language did not have, in the 2nd century BC.

Hebrew language Semitic language native to Israel

Hebrew is a Northwest Semitic language native to Israel, the modern version of which is spoken by over nine million people worldwide. Historically, it is regarded as the language of the Israelites and their ancestors, although the language was not referred to by the name "Hebrew" in the Tanakh itself. The earliest examples of written Paleo-Hebrew date from the 10th century BCE. Hebrew belongs to the West Semitic branch of the Afroasiatic language family. Hebrew is the only Canaanite language still spoken, and the only truly successful example of a revived dead language.

The romanization of Arabic writes written and spoken Arabic in the Latin script in one of various systematic ways. Romanized Arabic is used for a number of different purposes, among them transcription of names and titles, cataloging Arabic language works, language education when used in lieu of or alongside the Arabic script, and representation of the language in scientific publications by linguists. These formal systems, which often make use of diacritics and non-standard Latin characters and are used in academic settings or for the benefit of non-speakers, contrast with informal means of written communication used by speakers such as the Latin-based Arabic chat alphabet.

Contents

According to the Synaxarium of the Coptic Orthodox Church of Alexandria, Bartholomew's martyrdom is commemorated on the first day of the Coptic calendar (i.e., the first day of the month of Thout), which currently falls on September 11 (corresponding to August 29 in the Julian calendar). Eastern Christianity honours him on June 11 and the Catholic Church honours him on August 24. The Church of England and other Anglican churches also honour him on August 24. [3]

Synaxarium

Synaxarion or Synexarion is the name given in the Eastern Orthodox, Oriental Orthodox and Eastern Catholic Churches to a compilation of hagiographies corresponding roughly to the martyrology of the Roman Church.

Coptic Orthodox Church of Alexandria major transnational Oriental Orthodox church led by the Patriarch of Alexandria on the Holy See of St. Mark

The Coptic Orthodox Church of Alexandria is an Oriental Orthodox Christian church based in Egypt, Africa and the Middle East. The head of the Church and the See of Alexandria is the Patriarch of Alexandria on the Holy See of Saint Mark, who also carries the title of Coptic Pope. The See of Alexandria is titular, and today the Coptic Pope presides from Saint Mark's Coptic Orthodox Cathedral in the Abbassia District in Cairo. The church follows the Alexandrian Rite for its liturgy, prayer and devotional patrimony. With 18–22 million members worldwide, whereof about 15 to 20 million are in Egypt, it is the country's largest Christian church.

Christian martyrs Person killed for their testimony of Jesus

A martyr is a person who is killed because of their testimony of Jesus. In years of the early church, this often occurred through stoning, crucifixion, burning at the stake or other forms of torture and capital punishment. The word "martyr" comes from the Koine word μάρτυς, mártys, which means "witness" or "testimony".

The Armenian Apostolic Church honours Saint Bartholomew along with Saint Thaddeus as its patron saints.

Armenian Apostolic Church National church of Armenia

The Armenian Apostolic Church is the national church of the Armenian people. Part of Oriental Orthodoxy, it is one of the most ancient Christian communities. The Kingdom of Armenia was the first state to adopt Christianity as its official religion under the rule of King Tiridates in the early 4th century. The church originated in the missions of Apostles Bartholomew and Thaddeus in the 1st century, according to tradition.

Bartholomew English for Bar Talmai (Greek : Βαρθολομαῖος, transliterated "Bartholomaios" in Greek) comes from the Aramaic : בר-תולמיbar-Tolmay native to Israel "son of Talmai" or "son of the furrows". [4] Bartholomew is listed among the Twelve Apostles of Jesus in the three synoptic gospels: Matthew, [10:1–4] Mark, [3:13–19] and Luke, [6:12–16] and also appears as one of the witnesses of the Ascension; [Acts 1:4, 12, 13] on each occasion, however, he is named in the company of Philip. He is not mentioned by the name Bartholomew in the Gospel of John, nor are there any early acta , [5] the earliest being written by a pseudepigraphical writer, Pseudo-Abdias, who assumed the identity of Abdias of Babylon and to whom is attributed the Saint-Thierry (Reims, Bibl. mun., ms 142) and Pseudo-Abdias manuscripts. [6] [7]

Greek language Language spoken in Greece, Cyprus and Southern Albania

Greek is an independent branch of the Indo-European family of languages, native to Greece, Cyprus and other parts of the Eastern Mediterranean and the Black Sea. It has the longest documented history of any living Indo-European language, spanning more than 3000 years of written records. Its writing system has been the Greek alphabet for the major part of its history; other systems, such as Linear B and the Cypriot syllabary, were used previously. The alphabet arose from the Phoenician script and was in turn the basis of the Latin, Cyrillic, Armenian, Coptic, Gothic, and many other writing systems.

Talmai is a name in the Bible referring to a number of minor people. Its Aramaic version was connected to the Greek Ptolemy, and later to the Italian Bartolomeo, the English Bartholomew etc.

Jesus The central figure of Christianity

Jesus, also referred to as Jesus of Nazareth and Jesus Christ, was a first-century Jewish preacher and religious leader. He is the central figure of Christianity. Most Christians believe he is the incarnation of God the Son and the awaited Messiah prophesied in the Old Testament.

In art Bartholomew is most commonly depicted with a beard and curly hair at the time of his martyrdom. According to legends he was skinned alive and beheaded so is often depicted holding his flayed skin or the curved flensing knife with which he was skinned. [8]

New Testament references

In the East, where Bartholomew's evangelical labours were expended, he was identified as Nathanael, in works by Abdisho bar Berika (often known as Ebedjesu in the West), the 14th century Nestorian metropolitan of Soba, and Elias, the bishop of Damascus. [9] Nathanael is mentioned only in the Gospel of John. In the Synoptic Gospels, Philip and Bartholomew are always mentioned together, while Nathanael is never mentioned; in John's gospel, on the other hand, Philip and Nathanael are similarly mentioned together. Giuseppe Simone Assemani specifically remarks, "the Chaldeans confound Bartholomew with Nathaniel". [10] Some Biblical scholars reject this identification, however. [11]

Abdisho bar Berika or Ebedjesu, also known as Mar Odisho or St. Odisho in English, was a Syriac writer. He was born in Nusaybin.

Soba (city) human settlement

Soba is the former capital of the medieval Nubian kingdom of Alodia from the sixth century until around 1500. E. A. Wallis Budge identified it with a group of ruins on the Blue Nile 19 kilometres (12 mi) from Khartoum, where there are remains of a Meroitic temple that had been converted into a Christian church. This would place Soba in the modern-day Sudanese state of Al Jazirah.

Giuseppe Simone Assemani Maronite orientalist

Giuseppe Simone Assemani, was born on July 27, 1687 in Hasroun, Lebanon and died on January 13, 1768 in Rome. Assemani was a librarian, Lebanese orientalist and Maronite eparch. For his efforts, and his encyclopedic knowledge, he earned the nickname "The Great Assemani".

Tradition

Eusebius of Caesarea's Ecclesiastical History (5:10) states that after the Ascension, Bartholomew went on a missionary tour to India, where he left behind a copy of the Gospel of Matthew. Other traditions record him as serving as a missionary in Ethiopia, Mesopotamia, Parthia, and Lycaonia. [12] Popular traditions and legends say that Bartholomew preached the Gospel in India, then went to Greater Armenia. [4]

Mission to India

Two ancient testimonies exist about the mission of Saint Bartholomew in India. These are of Eusebius of Caesarea (early 4th century) and of Saint Jerome (late 4th century). Both of these refer to this tradition while speaking of the reported visit of Pantaenus to India in the 2nd century. [13] The studies of Fr A.C. Perumalil SJ and Moraes hold that the Bombay region on the Konkan coast, a region which may have been known as the ancient city Kalyan, was the field of Saint Bartholomew's missionary activities. [13]

In Armenia

Saint Bartholomew Monastery at the site of the Apostle's martyrdom in historical Armenia, now ruinous Saint Bartholomew Monastery general view.png
Saint Bartholomew Monastery at the site of the Apostle's martyrdom in historical Armenia, now ruinous

Along with his fellow apostle Jude "Thaddeus", Bartholomew is reputed to have brought Christianity to Armenia in the 1st century. Thus, both saints are considered the patron saints of the Armenian Apostolic Church.

One tradition has it that Apostle Bartholomew was executed in Albanopolis in Armenia. According to popular hagiography, the apostle was flayed alive and beheaded. According to other accounts he was crucified upside down (head downward) like St. Peter. He is said to have been martyred for having converted Polymius, the king of Armenia, to Christianity. Enraged by the monarch's conversion, and fearing a Roman backlash, king Polymius's brother, prince Astyages, ordered Bartholomew's torture and execution, which Bartholomew endured. However, there are no records of any Armenian King of the Arsacid dynasty of Armenia with the name Polymius. Current scholarship indicates that Bartholomew more likely died in Kalyan in India, where there was an official named Polymius. [14] [15]

The 13th-century Saint Bartholomew Monastery was a prominent Armenian monastery constructed at the site of the martyrdom of Apostle Bartholomew in Vaspurakan, Greater Armenia (now in southeastern Turkey). [16]

Bartholomew's relics

Altar of San Bartolomeo Basilica in Benevento, containing the relics of Bartholomew San bart.jpg
Altar of San Bartolomeo Basilica in Benevento, containing the relics of Bartholomew

The 6th-century writer in Constantinople, Theodorus Lector, averred that in about 507, the Byzantine emperor Anastasius I Dicorus gave the body of Bartholomew to the city of Daras, in Mesopotamia, which he had recently refounded. [17] The existence of relics at Lipari, a small island off the coast of Sicily, in the part of Italy controlled from Constantinople, was explained by Gregory of Tours [18] by his body having miraculously washed up there: a large piece of his skin and many bones that were kept in the Cathedral of St Bartholomew the Apostle, Lipari, were translated to Benevento in 838, where they are still kept now in the Basilica San Bartolomeo. [19] A portion of the relics was given in 983 by Otto II, Holy Roman Emperor, to Rome, where it is conserved at San Bartolomeo all'Isola, which was founded on the temple of Asclepius, an important Roman medical centre. This association with medicine in course of time caused Bartholomew's name to become associated with medicine and hospitals. [20] Some of Bartholomew's alleged skull was transferred to the Frankfurt Cathedral, while an arm was venerated in Canterbury Cathedral.

Miracles

The Martyrdom of Saint Bartholomew by Jusepe de Ribera (1634) Jusepe de Ribera, The Martyrdom of Saint Bartholomew, 1634.jpg
The Martyrdom of Saint Bartholomew by Jusepe de Ribera (1634)

Of the many miracles claimed to have been performed by Bartholomew before and after his death, two very popular ones are known by the townsfolk of the small Italian island of Lipari.

The people of Lipari celebrated his feast day annually. The tradition of the people was to take the solid silver and gold statue from inside the Cathedral of St Bartholomew and carry it through the town. On one occasion, when taking the statue down the hill towards the town, it suddenly became very heavy and had to be set down. When the men carrying the statue regained their strength, they lifted it a second time. After another few seconds, it got even heavier. They set it down and attempted once more to pick it up. They managed to lift it but had to put it down one last time. Within seconds, walls further downhill collapsed. If the statue had been able to be lifted, all the townspeople would have been killed. [3]

During World War II, the Fascist regime looked for ways to finance their activities. The order was given to take the silver statue of Saint Bartholomew and melt it down. The statue was weighed, and it was found to be only a few grams. It was returned to its place in the Cathedral of Lipari. In reality, the statue is made from many kilograms of silver and it is considered a miracle that it was not melted down. [21]

Saint Bartholomew is credited with many other miracles having to do with the weight of objects.

Art and literature

The appearance of the saint is described in detail in the Golden Legend : "His hair is black and crisped, his skin fair, his eyes wide, his nose even and straight, his beard thick and with few grey hairs; he is of medium stature..." [22] Christian tradition has three stories about Bartholomew's death: "One speaks of his being kidnapped, beaten unconscious, and cast into the sea to drown. Another account states that he was crucified upside down, and another says that he was skinned alive and beheaded in Albac or Albanopolis", [23] near Başkale, Turkey

St Bartholomew Manuscript Leaf with the Martyrdom of Saint Bartholomew, from a 'Laudario', by Pacino di Bonaguida c.1340 Florence Manuscript Leaf with the Martyrdom of Saint Bartholomew, from a Laudario by Pacino di Bonaguida.jpg
St Bartholomew Manuscript Leaf with the Martyrdom of Saint Bartholomew, from a ‘Laudario’, by Pacino di Bonaguida c.1340 Florence

St Bartholomew is the most prominent flayed Christian martyr. [24] During the 16th century, images of the flaying of Bartholomew were so popular that it came to signify the saint in works of art. [25] Consequently, Saint Bartholomew is most often represented being skinned alive. [26] Symbols associated with the saint include knives (alluding to the knife used to skin the saint alive) and his skin, which Bartholomew holds or drapes around his body. [27] Similarly, the ancient herald of Bartholomew is known by "flaying knives with silver blades and gold handles, on a red field." [28] As in Michelangelo’s Last Judgement , the saint is often depicted with both the knife and his skin. [26] Representations of Bartholomew with a chained demon are common in Spanish painting. [25]

St Bartholomew is often depicted in lavish medieval manuscripts. [29] Manuscripts, which are literally made from flayed and manipulated skin, hold a strong visual and cognitive association with the saint during the medieval period and can also be seen as depicting book production. [29] Florentine artist Pacino di Bonaguida, depicts his martyrdom in a complex and striking composition in his Laudario of Sant’Agnese, a book of Italian Hymns produced for the Compagnia di Sant’Agnese c. 1340. [30] In the five scene, narrative based image three torturers flay Bartholomew's legs and arms as he is immobilised and chained to a gate. On the right, the saint wears his own flesh tied around his neck while he kneels in prayer before a rock, his severed head fallen to the ground. Another example includes the Flaying of St. Bartholomew in the Luttrell Psalter c.1325-40. Bartholomew is depicted on a surgical table, surrounded by tormentors while he is flayed with golden knives. [31]

Reliquary shutters with the Martyrdoms of St. Francis, St. Claire, St. Bartholomew, and St. Catherine of Alexandria by Guido da Siena Dietisalvi di speme, dittico di s. chiara, 1280 ca.JPG
Reliquary shutters with the Martyrdoms of St. Francis, St. Claire, St. Bartholomew, and St. Catherine of Alexandria by Guido da Siena

Due to the nature of his martyrdom, Bartholomew is the patron saint of tanners, plasterers, tailors, leatherworkers, bookbinders, farmers, housepainters, butchers, and glove makers. [25] In works of art the saint has been depicted being skinned by tanners, as in Guido da Siena's reliquary shutters with the Martyrdoms of St. Francis, St. Claire, St. Bartholomew, and St. Catherine of Alexandria. [32] Popular in Florence and other areas in Tuscany, the saint also came to be associated with salt, oil, and cheese merchants. [33]

Although Bartholomew's death is commonly depicted in artworks of a religious nature, his story has also been used to represent anatomical depictions of the human body devoid of flesh. An example of this can be seen in Marco d'Agrate's St Bartholomew Flayed (1562) where Bartholomew is depicted wrapped in his own skin with every muscle, vein and tendon clearly visible, acting as a clear description of the muscles and structure of the human body. [34]

The Martyrdom of Saint Bartholomew (1634) by Jusepe de Ribera depicts Bartholomew's final moments before being flayed alive. The viewer is meant to empathize with Bartholomew, whose body seemingly bursts through the surface of the canvas, and whose outstretched arms embrace a mystical light that illuminates his flesh. His piercing eyes, open mouth, and petitioning left hand bespeak an intense communion with the divine; yet this same hand draws our attention to the instruments of his torture, symbolically positioned in the shape of a cross. Transfixed by Bartholomew's active faith, the executioner seems to have stopped short in his actions, and his furrowed brow and partially illuminated face suggest a moment of doubt, with the possibility of conversion. [35] The representation of Bartholomew's demise in the National Gallery painting differs significantly from all other depictions by Ribera. By limiting the number of participants to the main protagonists of the story—the saint, his executioner, one of the priests who condemned him, and one of the soldiers who captured him—and presenting them halflength and filling the picture space, the artist rejected an active, movemented composition for one of intense psychological drama. The cusping along all four edges shows that the painting has not been cut down: Ribera intended the composition to be just such a tight, restricted presentation, with the figures cut off and pressed together. [36]

The idea of using the story of Bartholomew being skinned alive to create an artwork depicting an anatomical study of a human is still common amongst contemporary artists with Gunther Von Hagens's The Skin Man (2002) and Damien Hirst's Exquisite Pain (2006). Within Gunther Von Hagens's body of work called 'Body Worlds' a figure reminiscent of Bartholomew holds up his skin. This figure is depicted in actual human tissues (made possible by Hagens's plastination process) to educate the public about the inner workings of the human body and to show the effects of healthy and unhealthy lifestyles. [37] In Exquisite Pain 2006, Damien Hirst depicts St Bartholomew with a high level of anatomical detail with his flayed skin draped over his right arm, a scalpel in one hand and a pair of scissors in the other. The inclusion of scissors was inspired by Tim Burton's film 'Edward Scissorhands' (1990). [38]

Bartholomew plays a part in Francis Bacon's Utopian tale New Atlantis , about a mythical isolated land, Bensalem, populated by a people dedicated to reason and natural philosophy. Some twenty years after the ascension of Christ the people of Bensalem found an ark floating off their shore. The ark contained a letter as well as the books of the Old and New Testaments. The letter was from Bartholomew the Apostle and declared that an angel told him to set the ark and its contents afloat. Thus the scientists of Bensalem received the revelation of the Word of God. [39]

Culture

The festival in August has been a traditional occasion for markets and fairs, such as the Bartholomew Fair which was held in Smithfield, London, from the Middle Ages, [40] and which served as the scene for Ben Jonson's homonymous comedy.

St Bartholomew's Street Fair is held in Crewkerne, Somerset, annually at the start of September. [41] The fair dates back to Saxon times and the major traders' market was recorded in the Domesday Book. St Bartholomew's Street Fair, Crewkerne is reputed to have been granted its charter in the time of Henry III (1207–1272). The earliest surviving court record was made in 1280, which can be found in the British Library. The associated fun fair dates from at least 1861.[ citation needed ]

In Islam

The Qur’anic account of the disciples of Jesus does not include their names, numbers, or any detailed accounts of their lives. Muslim exegesis, however, more-or-less agrees with the New Testament list and says that the disciples included Peter, Philip, Thomas, Bartholomew, Matthew, Andrew, James, Jude, John and Simon the Zealot. [42]

See also

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References

  1. Green, Joel B.; Scot McKnight; I. Howard Marshall (1992). Dictionary of Jesus and the Gospels. The IVP Bible Dictionary Series. InterVarsity Press. p. 180. ISBN   978-0-8308-1777-1.
  2. Smith, D. Moody. Abingdon New Testament Commentaries: John . Nashville: Abingdon Press, 1999. p. 75. ISBN   0687058120
  3. 1 2 "Saint Bartholomew the Apostle skinned alive for spreading his faith". BusinessMirror. Retrieved 2018-11-08.
  4. 1 2 Butler, Alban; Burns, Paul (1998). "St. Bartholomew". Butler's Lives of the Saints: August. A&C Black. ISBN   9780860122579
  5. William Smith and Samuel Cheetham, A Dictionary of Christian Antiquities (1875) noted the "absence of any great amount of early trustworthy tradition."
  6. These Acta were published by Johann Albert Fabricius, Codex Apocryphus Novi Testimenti i. 341ff.
  7. Meredith Parsons Lillich (1 September 2011). The Gothic Stained Glass of Reims Cathedral. Penn State Press. pp. 46–. ISBN   978-0-271-03777-6.
  8. "A Most Violent Martyrdom | Tom Bissell". Lapham’s Quarterly. Retrieved 2018-11-08.
  9. Both noted, Ebedjesu as "Ebedjesu Sobiensis", in Smith and Cheetham, who give their source, Giuseppe Simone Assemani Bibliotheca Orientalis iii.i. pp. 30ff.
  10. Bartholomaeum cum Nathaniel confundunt Chaldaei Assemani, Bibliotheca Orientalis, iii, pt 2, p. 5 (noted by Smith and Cheetham).
  11. John P. Meier, A Marginal Jew Volume 3, Doubleday, 2001. pp. 199–200. ISBN   0-385-46993-4; for the identification see Benedict XVI, Udienza generale 4 October 2006 Archived March 24, 2009, at the Wayback Machine .
  12. Encyclopædia Britannica, Micropædia. vol. 1, p. 924. Chicago: Encyclopædia Britannica, Inc., 1998. ISBN   0-85229-633-9.
  13. 1 2 "Mission of Saint Bartholomew, the Apostle in India". Nasranis.
  14. Fenlon, John Francis. "St. Bartholomew." The Catholic Encyclopedia. Vol. 2. New York: Robert Appleton Company, 1907. 6 May 2010 http://www.newadvent.org/cathen/02313c.htm
  15. Spillman, Francis. The Twelve: Lives and Legends of the Apostles. 2017. https://www.amazon.com/Twelve-Lives-Legends-Apostles/dp/1365640434
  16. "THE CONDITION OF THE ARMENIAN HISTORICAL MONUMENTS IN TURKEY". Research on Armenian Architecture . 2008-10-01. Retrieved 2009-06-01.
  17. https://archive.org/details/b2901007x_0001/page/178
  18. Gregory, De Gloria Martyrum, i.33.
  19. www.netkosmos.com, NetKosmos S.r.l. "Basilica San Bartolomeo apostolo Benevento".
  20. Attwater, Donald and Catherine Rachel John. The Penguin Dictionary of Saints. 3rd edition. New York: Penguin Books, 1993. ISBN   0-14-051312-4.
  21. "Saint Bartholomew the Apostle - Timeline Index". www.timelineindex.com. Retrieved 2018-11-08.
  22. 1229-1298, Jacobus, de Voragine, approximately (2012-04-22). The golden legend : readings on the saints. Ryan, William Granger, 1905-1996,, Duffy, Eamon (2012 ed.). Princeton, New Jersey. pp. xxi, 496. ISBN   9781400842056. OCLC   785831936.
  23. D. A. Teunis. Satan's Secret: Exposing the Master of Deception and the Father of Lies. AuthorHouse, 2003. ISBN   978-1-4107-3580-5. Page 306
  24. Asa Simon Mittman and Christine Sciacca (2017). Flaying in the Pre-modern World: Practice and Representation. Boydell & Brewer. p. 141. ISBN   9781843844525.
  25. 1 2 3 Rosa, Giorgi (2003). Saints in Art. Zuffi, Stefano, 1961-. Los Angeles: J. Paul Getty Museum. p. 51. ISBN   978-0892367177. OCLC   50982363.
  26. 1 2 Thomas Frederick Crane, Marco Lazzarotti, Ed. Tales From Italy: When Christianity Met Italy, M&J, 2014. ISBN   9791195174942. Page 5
  27. Rosa., Giorgi (2003). Saints in art. Zuffi, Stefano, 1961-. Los Angeles: J. Paul Getty Museum. pp. 51–52. ISBN   978-0892367177. OCLC   50982363.
  28. Post, W. Ellwood (Willard) (1975). Saints, signs, and symbols (2nd ed.). London: S.P.C.K. p. 12. ISBN   978-0281028948. OCLC   1994234.
  29. 1 2 Kay, S. (2006-01-01). "Original Skin: Flaying, Reading, and Thinking in the Legend of Saint Bartholomew and Other Works". Journal of Medieval and Early Modern Studies. 36 (1): 35–74. doi:10.1215/10829636-36-1-35. ISSN   1082-9636.
  30. Asa Simon Mittan and Christine Sciacca (2017). Flaying in the Pre-modern World: Practice and Representation. Boydell & Brewer. p. 141. ISBN   9781843844525.
  31. Hartnell, Jack (2017). Flaying in the Pre-modern World: Practice and Representation. Boydell & Brewer. p. 42. ISBN   9781843844525.
  32. Death, torture and the broken body in European art, 1300-1650. Decker, John R.,, Kirkland-Ives, Mitzi. London. ISBN   9781315095103. OCLC   994401230.CS1 maint: others (link)
  33. Guide to art. West, Shearer. London: Bloomsbury. 1996. pp. "Bartholomew". ISBN   9781849720571. OCLC   246967494.CS1 maint: others (link)
  34. "The statue of St Bartholomew in the Milan Duomo". Duomo di Milano. 2018-06-29. Retrieved 2018-10-30.
  35. "The Martyrdom of Saint Bartholomew". National Gallery of Art.
  36. Italian Paintings of the Seventeenth and Eighteenth Centuries. Washington: National Gallery of Art. 1996. p. 410. ISBN   978-0-89468-241-4.
  37. "Philosophy - Körperwelten". Körperwelten. Archived from the original on 2019-06-09. Retrieved 2018-10-30.
  38. Dorkin, Molly (2003), "Sotheby's", Oxford Art Online, Oxford University Press, doi:10.1093/gao/9781884446054.article.t079852
  39. Bacon, Francis (1 December 2000). "New Atlantis" via Project Gutenberg.
  40. Cavendish, Richard. "London’s Last Bartholomew Fair", History Today, Vol.55, Issue 9, 2005
  41. https://www.crewkernefair.co.uk/
  42. Noegel, Scott B.; Wheeler, Brandon M. (2003). Historical Dictionary of Prophets in Islam and Judaism. Lanham, MD: Scarecrow Press (Roman & Littlefield). p. 86. ISBN   978-0810843059. Muslim exegesis identifies the disciples of Jesus as Peter, Andrew, Matthew, Thomas, Philip, John, James, Bartholomew, and Simon

Sources