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Bharathan | |
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Born | |
Died | 30 July 1998 51) Chennai, Tamil Nadu, India | (aged
Occupations |
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Years active | 1973–1998 |
Spouse | K. P. A. C. Lalitha |
Children | 2 (incl. Sidharth) |
Relatives | P. N. Menon (uncle) |
Bharathan (14 November 1946 – 30 July 1998) was an Indian film maker, artist, and art director. Bharathan is noted for being the founder of a new school of film making in Malayalam cinema, along with Padmarajan and K. G. George, in the 1980s, which created films that were widely received while also being critically acclaimed. A train of directors, and screenwriters followed this school onto the 1990s including Sibi Malayil, Kamal, Lohithadas and Jayaraj.
He was born at Enkakkad near Wadakkancherry, in present-day Thrissur district of Kerala, India.
After completing his diploma from the College of Fine Arts, Thrissur, Bharathan entered films as an art director through the Malayalam film Gandharavakshetram (1972), directed by A. Vincent, which also happened to be one of the first films where actor Thilakan played a noticeable role. He was inspired by his uncle P. N. Menon, an established director. After working as an art director and assistant director in a few films, he made his directorial debut in 1975 with Prayanam , which was based on Padmarajan's script. It also marked the rise of two early proponents of middle-stream Malayalam cinema. [1]
Bharathan directed over 40 films in Malayalam and Tamil. Starting his career in 1975 with Prayanam, Bharathan rode to fame with his off-beat Thakara, a film about a dumb-witted central character who falls in love with the village beauty. Some of his other memorable films include Rathinirvedam , Chamaram, Paalangal, Amaram , and Vaishali . [2]
His association with Padmarajan led to films including Rathi Nirvedam and Thakara. Rathi Nirvedam was a treatment of teenage sexual angst. In Thakara, he deals with the life and longings of an intellectually disabled youth and his association with society.
In the early 1980s, he made several notable movies like Chamaram , Marmaram , Paalangal, Ormakkayi , Kattathe Kilikkoodu , Kathodu Kathoram , and many more. They did well in theatres and set the trend for meaningful mainstream cinema. Other noted directors followed suit. It was the romantic era of Malayalam cinema.
Not all of Bharathan's films skirted with bold themes and controversy. In Oru Minnaaminunginte Nurunguvettam (1987), he tells the poignant story of a childless couple in their post-retirement life. It deals with the isolation and loneliness that come with old age. The film was a departure from Bharathan's usual style and proved to be a major commercial hit while garnering critical acclaim, too.
His Vaisali (1988) is widely regarded as a modern-day masterpiece in Malayalam cinema. Scripted by the iconic Malayalam novelist M. T. Vasudevan Nair, it was an adaptation of a sub-story told in the epic Mahabharata. Another movie born from their association was Thazhvaram . The subject was revenge, a theme quite uncharacteristic of Bharathan movies. The style was inspired by classic Westerns with a brooding, reticent central character and expansive shots of barren landscape. Another movie was Amaram, which was written by A. K. Lohithadas and starred Mammootty, which was a milestone movie of the Malayalam movie of the 1990s.
Even though he was not known to cater to the star-centric system, Bharathan was instrumental in bringing together the two screen icons of Tamil cinema Sivaji Ganesan and Kamal Haasan in the Tamil film Thevar Magan, written by Kamal Haasan, which won critical acclaim and became an Industry Hit in Tamil cinema. Sivaji gave an uncharacteristically restrained yet brilliant performance. The movie won several National Awards and was remade into many regional languages (most notably Virasat in Hindi).
His more experimental films include Aaravam, more an arthouse than a commercial venture, and Nidra, about the plight of a woman who is in love with a mentally deranged man. His film Nidra was remade by his son, film director Sidharth Bharathan. Rathinirvedam, originally directed by Bharathan, which was a noted film, was also remade by another famous director, T. K. Rajeev Kumar, with Swetha Menon in the lead.
Apart from film direction, he also wrote lyrics and tuned songs for his films. (e.g., lyrics for "Thaaram Valkannadi Nokki" in Keli and "Tharum Thalirum Mizhipootti" in Chilambu or title song for Kathodu Kathoram). He collaborated with writer P. R. Nathan in Keli.
This section possibly contains original research .(November 2021) |
Bharathan's films were known for their realistic portrayal of rural life in Kerala. Melodrama and escapism, often integral parts of mainstream cinema in India, were usually absent in his films. He also managed to steer clear of the "star-centric" culture prevalent in Indian cinema throughout his career. His later films did involve major movie stars, but usually without compromising on plot or narrative. Bharathan, along with Padmarajan and K. G. George, were largely responsible for introducing a counterculture of meaningful mainstream cinema, which often tread the middle path between arthouse and commercial cinema. This movement was often called the "middle of the road cinema." Bharathan's films were known for their visually appealing shot compositions. His background as a painter enabled him to create frames that were often credited for their visual beauty. Natural props and nature itself often became important characters in his films (like the railway track in Palangal or the sea in Amaram ). Bharathan is one of the few Indian directors known to use an elaborate storyboard system for filming. He also often designed the posters for his films.
Several of his early films were known for their bold portrayal of sexual themes. His films often defied social conventions and norms about man-woman relationships. Rathinirvedam was the sexual-coming-of-age story of the relationship between a teenager and an older woman, while Chamaram dealt with the tumultuous affair between a student and his college lecturer. In Kattathe Kilikkoodu , an elderly, married professor falls for his student. Kaathodu Kaathoram was about the social ostracism of a woman who has an adulterous relationship.
The latter half of Bharathan's career saw a distinct change in filmmaking style characterised by a wider canvas, more attention to detail, and a more distinct focus on narrative style (e.g., Vaishali , Amaram , Thaazhvaaram , and Thevar Magan ). Some critics argue that this quest for technical excellence was at the expense of the quality of thematic content. Films like Vaishali and Amaram (where he collaborated with acclaimed cinematographer Madhu Ambat) set a new benchmark for cinematographic excellence in Malayalam and Indian Cinema. Thaazhvaaram was stylistically inspired by classic Hollywood Westerns, though the theme and backdrop were distinctly original.
His last few films (Manjeeradhwani, Devaraagam , and Churam) were received moderately by critics.
Bharatan died at a private hospital in Chennai on 30 July 1998 at the age of 52 following prolonged illness. His last film was Churam, which released a year before his death. His mortal remains were brought back to his ancestral home at Wadakkancherry and cremated with full state honours.
Bharathan was married to theatre and film actress K. P. A. C. Lalitha with whom he associated in a lot of films before and after marriage. [3] They had two children - Sreekutty, a former child actress, and Sidharth Bharathan, a film actor and director.
Film | Year | Director | Writer | Art-director | Composer | Editor | Notes | Ref. |
---|---|---|---|---|---|---|---|---|
1972 | Chembarathi | Yes | ||||||
1972 | Gandharvakshethram | Yes | ||||||
1973 | Chenda | Yes | ||||||
1973 | Dharmayudham | Yes | ||||||
1973 | Ponnaapuram Kotta | Yes | ||||||
1973 | Enippadikal | Yes | ||||||
1973 | Maadhavikkutty | Yes | ||||||
1974 | Rajahamsam | Yes | ||||||
1974 | Chakravaakam | Yes | ||||||
1974 | Neelakkannukal | Yes | ||||||
1974 | Mucheettukalikkaarante Makal | Yes | ||||||
1975 | Prayanam | Yes | Yes | |||||
1976 | Surveykkallu | Yes | ||||||
1976 | Ponni | Yes | ||||||
1976 | Yudhakaandam | Yes | ||||||
1977 | Guruvayur Kesavan | Yes | Yes | |||||
1978 | Rathinirvedam | Yes | ||||||
1978 | Aniyara | Yes | ||||||
1978 | Njaan Njaan Maathram | Yes | ||||||
1978 | Aaravam | Yes | Yes | Yes | ||||
1979 | Thakara | Yes | Yes | |||||
1980 | Lorry | Yes | ||||||
1980 | Savithiri | Yes | Yes | Tamil film | ||||
1980 | Chamaram | Yes | Yes | |||||
1981 | Nidra | Yes | Yes | Yes | ||||
1981 | Palangal | Yes | Yes | |||||
1981 | Parankimala | Yes | Yes | |||||
1981 | Chatta | Yes | Yes | Yes | ||||
1981 | Parvathy | Yes | Yes | |||||
1982 | Marmaram | Yes | Yes | |||||
1982 | Ormakkayi | Yes | Yes | |||||
1983 | Eenam | Yes | Yes | |||||
1983 | Sandhya Mayangum Neram | Yes | ||||||
1983 | Kattathe Kilikkoodu | Yes | Yes | |||||
1984 | Ente Upasana | Yes | ||||||
1985 | Kathodu Kathoram | Yes | Yes | |||||
1984 | Ithiripoove Chuvannapoove | Yes | Yes | |||||
1985 | Ozhivukaalam | Yes | ||||||
1985 | Oonjalaadum Uravugal | Yes | Tamil film | |||||
1986 | Chilambu | Yes | ||||||
1986 | Pranamam | Yes | Also lyricist | |||||
1987 | Oru Minnaminunginte Nurunguvettam | Yes | Yes | Yes | ||||
1987 | Neela Kurinji Poothappol | Yes | ||||||
1988 | Vaisali | Yes | Yes | |||||
1989 | Oru Sayahnathinte Swapnam | Yes | Yes | Yes | ||||
1990 | Thazhvaram | Yes | Yes | Yes | ||||
1990 | Malootty | Yes | Yes | |||||
1991 | Amaram | Yes | ||||||
1991 | Keli | Yes | Yes | Yes | ||||
1992 | Aavarampoo | Yes | Yes | Tamil film | ||||
1992 | Thevar Magan | Yes | Tamil film | |||||
1993 | Venkalam | Yes | ||||||
1993 | Chamayam | Yes | ||||||
1993 | Padheyam | Yes | ||||||
1996 | Devaraagam | Yes | Yes | |||||
1997 | Churam | Yes | Yes | |||||
1998 | Manjeeradhwani | Yes | Yes |
No. | Year | Category | Film(s) |
---|---|---|---|
1 | 1975 | Best Art Director | Prayanam |
2 | 1979 | Best Art Director | Thakara |
3 | 1980 | Best Art Director | Chamaram |
4 | 1980 | Second Best Film | Chamaram |
5 | 1981 | Best Art Director | Chatta |
6 | 1982 | Best Film | Marmaram |
7 | 1982 | Second Best Film | Ormakkayi |
8 | 1982 | Best Director | Marmaram , Ormakkayi |
9 | 1982 | Best Art Director | Ormakkayi |
10 | 1984 | Best Art Director | Ithiri Poove Chuvannapoove |
11 | 1987 | Best Popular Film | Oru Minnaminunginte Nurunguvettam |
12 | 1992 | Best Popular Film | Venkalam |
Parthasarathy Srinivasan, known professionally as Kamal Haasan, is an Indian actor, film director, film producer, screenwriter, choreographer, playback singer, lyricist, television presenter, social activist and politician who works in Tamil cinema. Besides Tamil films, he has also appeared in some Malayalam, Telugu, Hindi, Kannada and Bengali films. Considered as one of the finest actors in Indian cinema, Haasan is also known for introducing many new film technologies and film making techniques to the Indian film industry. He has won numerous accolades, including four National Film Awards, nine Tamil Nadu State Film Awards, four Nandi Awards, one Rashtrapati Award, two Filmfare Awards and eighteen Filmfare Awards South. He was awarded the Kalaimamani Award in 1984, the Padma Shri in 1990, the Padma Bhushan in 2014 and the Ordre des Arts et des Lettres (Chevalier) in 2016.
Padmarajan Padmanabhan Pillai, better known as P. Padmarajan was an Indian film maker, screenwriter and author who was known for his works in Malayalam literature and Malayalam cinema. He was the founder of a new school of film making in Malayalam cinema, along with Bharathan and K. G. George, in the 1980s.
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Thevar Magan is a 1992 Indian Tamil-language drama film directed by Bharathan, and written and produced by Kamal Haasan. It stars Sivaji Ganesan, Haasan, Revathi, Gautami and Nassar; with Kallapart Natarajan, Kaka Radhakrishnan, Sangili Murugan and Vadivelu in supporting roles. The film's story involves a respected village chieftain's son who wants to open a business but his father wants him to help the villagers.
Asha Kelunni, better known by her stage name Revathi, is an Indian actress and director, known for her works predominantly in Tamil and Malayalam cinema - in addition to Telugu, Hindi and Kannada films. She was one of the most successful leading actresses of South Indian cinema and has won several accolades, including three National Film Awards, and seven Filmfare Awards South. She has also won the Kerala State Film Award for her performance in Bhoothakaalam (2022).
Rashin Rahman is an Indian actor. He has worked in around 200 films, primarily in Malayalam cinema, in addition to Tamil, Hindi and Telugu cinema, and has won several awards. In Tamil and Telugu cinema, he is also known by the screen names Raghuman and Raghu.
Babu Antony is an Indian-American actor and martial artist, who works primarily in Malayalam cinema. He has also acted in several Tamil, Telugu, Kannada, Sinhalese, Hindi and English films. He started his career doing antagonistic roles and progressed to supporting and leading roles as well. Babu owns a mixed martial art academy in Houston.
Suparna Anand is an Indian actress from New Delhi. She has appeared in Malayalam and Hindi films. She is known for her portrayal of the titular Vaisali in the movie Vaisali, directed by Bharathan and written by M. T. Vasudevan Nair, as well as for her performance as Bhama in Njan Gandharvan, written and directed by P. Padmarajan.
Amaram (transl. Stern) is a 1991 Indian Malayalam drama film directed by Bharathan and written by A. K. Lohithadas. It stars Mammootty, Maathu, K. P. A. C. Lalitha, Ashokan, Murali, Chitra, and Kuthiravattam Pappu in the main roles. The film's score is composed by Johnson while the songs are by Raveendran.
Maheshwari Amma, better known by her stage name K. P. A. C. Lalitha, was an Indian film and stage actress who worked primarily in the Malayalam film industry. She started her acting career with Kerala People's Arts Club, a theatre collective in Kayamkulam, Kerala. In a career spanning five decades, she starred in over 550 films.
Mechery Louis Ouseppachan, known mononymously as Ouseppachan, is an Indian film composer and singer who primarily works in Malayalam films. He is a recipient of National Film Award, Filmfare Award and Kerala State Film Awards for his numerous film soundtrack albums and background scores.
K. Ramachandra Babu was an Indian cinematographer of over 125 films, out of which most are Malayalam films. He also worked for films in Tamil, Telugu, Hindi, Arabic and English languages. He served as the cinematographer for several documentaries and advertisement films as well. He was the founder of the Indian Society of Cinematographers (ISC).
Pratap Pothen was an Indian actor and filmmaker who acted in about 100 films and directed 12 films. He appeared in Malayalam, Tamil and Telugu as well as Hindi films. He also worked as a scriptwriter and producer for films.
Thakara is a 1979 Indian Malayalam-language drama film directed by Bharathan and written by Padmarajan. It stars Prathap Pothan, Surekha, Nedumudi Venu and K. G. Menon in pivotal roles. The film was a breakthrough in the career of Bharathan and Venu. It was remade in Tamil as Aavarampoo (1992).
Rathinirvedam is a 1978 Indian Malayalam-language erotic drama film directed by Bharathan and written by P. Padmarajan based on his own novel of the same name. In the film, Pappu, a teenager, is awaiting his pre-degree results to join an engineering course. He gets attracted to his neighbour Rathi, who is a middle-aged woman, and falls hopelessly in love.
Chamaram is a 1980 Malayalam film written by John Paul Puthusery and directed by Bharathan, starring Nedumudi Venu, Zarina Wahab, Prathap Pothan and Ratheesh. The story is about the tumultuous affair between a student and his college lecturer, an uncommon type of love story in Indian Cinema. This film has the evergreen song "Nadha Nee Varum Kalocha Kelkkuvan", sung by S. Janaki. Chamaram considered one of the landmark movies in Malayalam film history. The film broke all conventional concepts and moral equations in love. The film become a trend in 1980s campus as well as youth. Chamaram is one of the evergreen campus movies in Malayalam cinema. C.M.S. College was the location of Chamaram.
Prayanam is a 1975 Indian Malayalam-language feature film written by Padmarajan and directed by Bharathan. It was the debut of both Padmarajan and Bharathan. The writer-director duo is often credited for revolutionising Malayalam cinema with their expressive and innovative works.
Lathika is an Indian playback singer whose voice held sway over the music charts in the late 1980s-early 1990s in the Malayalam film industry. She has lent her voice mainly for Malayalam and Tamil film songs for over 300 films. Some of her hit songs of that time are ‘Kathodu Kathoram…' and ‘Devadoothar Padi…'(Kathodu Kathoram), ‘Poo Venam Pooppada Venam...', and ‘Tharum Thalirum...' (Chilambu).
Nidra is a 2012 Indian Malayalam-language romantic thriller film directed by Sidharth Bharathan in his directorial debut. A remake of the 1981 film of the same name directed by Sidharth's father Bharathan, it stars Sidharth alongside Rima Kallingal and Jishnu in the main roles. Sidharth co-wrote the adapted screenplay with noted author Santhosh Echikkanam. The songs were composed by Jassie Gift and the background score was by Prashant Pillai. The cinematography was handled by Sameer Thahir.
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