Bill Dixon

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Bill Dixon
Bill Dixon.jpg
Background information
Birth nameWilliam Robert Dixon
Born(1925-10-05)October 5, 1925
Nantucket, Massachusetts, U.S.
DiedJune 16, 2010(2010-06-16) (aged 84)
North Bennington, Vermont, U.S.
Genres Free jazz
Occupation(s)Composer, visual artist, educator, musician
InstrumentsTrumpet, flugelhorn, piano
Years active1960–2010
Associated acts Archie Shepp, Cecil Taylor

William Robert “Bill” Dixon (October 5, 1925 [1] – June 16, 2010) [2] was an American composer, improviser, visual artist, activist, and educator. Dixon was one of the seminal figures in free jazz and late twentieth-century contemporary music. His was also a prominent voice arguing for artist's rights and insisting, through words and deeds, on the cultural and aesthetic richness of the African American music tradition. [3] He played the trumpet, flugelhorn, and piano, often using electronic delay and reverb. [4]

Contents

Biography

Dixon hailed from Nantucket, Massachusetts, United States. [1] His family moved to Harlem, in New York City, in 1934. [2] He enlisted in the Army in 1944; his unit served in Germany before he was discharged in 1946. His studies in music came relatively late in life, at the Hartnette Conservatory of Music (1946–1951), which he attended on the GI Bill. [5] He studied painting at Boston University and the WPA Arts School and the Art Students League. From 1956 to 1962, he worked at the United Nations, where he founded the UN Jazz Society. [6] [7]

In the 1960s Dixon established himself as a major force in the jazz avant-garde. [2] In 1964, Dixon organized and produced the October Revolution in Jazz, four days of music and discussions at the Cellar Café in Manhattan. [8] The participants included pianist Cecil Taylor and bandleader Sun Ra. It was the first free-jazz festival of its kind. Dixon later co-founded the Jazz Composers Guild, [6] a cooperative organization that sought to create bargaining power with club owners and effect greater media visibility. A key participant in the seminal Judson Dance Theater at Judson Memorial Church in Greenwich Village, New York City, Dixon was one of the first artists to produce concerts mixing free jazz and improvisational dance, spending several years in a close collaboration with dancer Judith Dunn, with whom he formed the Judith Dunn/Bill Dixon Company. [9] He recorded relatively little during this period, though he co-led some releases with Archie Shepp [4] and appeared on Cecil Taylor's Blue Note record Conquistador! in 1966. In 1967, he composed and conducted a score for the United States Information Agency film, The Wealth of a Nation, [10] produced and directed by William Greaves. [11]

Dixon was Professor of Music at Bennington College, Vermont, from 1968 to 1995, where he founded and chaired the college's Black Music Division. [12] From 1970 to 1976, he played "in total isolation from the market places of this music," as he puts it. [13] Solo trumpet recordings from this period were later released by Cadence Jazz Records and were collected on his self-released multi-CD set Odyssey , along with reproductions of his visual artwork and other material.

He was one of four featured musicians in the Canadian documentary Imagine the Sound (along with Cecil Taylor, Archie Shepp, and Paul Bley), 1981.

In the later years of his life, he recorded with Cecil Taylor, Tony Oxley, [6] William Parker, and Rob Mazurek.

Dixon was noted for his extensive use of the pedal register, playing below the trumpet's commonly ascribed range and well into the trombone and tuba registers. He also made extensive use of half-valve techniques and used breath with or without engaging the traditional trumpet embouchure. He largely eschewed mutes, the exception being the Harmon mute, with or without stem.

On June 16, 2010, Bill Dixon died in his sleep at his home in North Bennington, Vermont after suffering from an undisclosed illness. [2] [14]

Discography

As leader

Year recordedTitleLabelPersonnel/Notes
1962 Archie Shepp – Bill Dixon Quartet Savoy
1964 Bill Dixon 7-tette/Archie Shepp and the New York Contemporary 5 Savoy Split LP
1966–67 Intents and Purposes RCA Victor
1970–73Bill Dixon 1982Edizioni FerrariLimited edition LP
1972–75Considerations 2Fore
1970–76 Collection Cadence
1973–76Considerations 1Fore
1980 Bill Dixon in Italy Volume One Soul Note
1980 Bill Dixon in Italy Volume Two Soul Note
1981 November 1981 Soul Note
1985 Thoughts Soul Note Released 1987
1988 Son of Sisyphus Soul Note
1993 Vade Mecum Soul Note
1993 Vade Mecum II Soul Note
1998 Papyrus Volume I Soul Note
1998 Papyrus Volume II Soul Note
1999 Berlin Abbozzi FMP Released 2000. With Matthias Bauer, Klaus Koch, Tony Oxley
1970–2000 Odyssey Archive EditionsIncludes Collection, and tracks from Considerations 1 and Bill Dixon 1982
2007 Bill Dixon with Exploding Star Orchestra Thrill Jockey Released 2008
2007 17 Musicians in Search of a Sound: Darfur AUM Fidelity
2008 Tapestries for Small Orchestra Firehouse 12
2010 Envoi Victo

As sideman or co-leader

As producer or composer

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Yasmina, a Black Woman is a jazz album by Archie Shepp, recorded in 1969 in Paris for BYG Actuel. It features musicians from the Art Ensemble of Chicago. The first track, giving its title to the album, is a long free jazz piece by an 11-piece orchestra; in it, the references to Africa that Shepp had experimented with only a few weeks earlier in Algiers are to be found in the use of African percussion instruments, or the African incantations sung by Shepp himself at the beginning of the track. The other two pieces, a homage to Sonny Rollins written by trombonist Grachan Moncur III and a standard, played by a more traditional quintet and quartet respectively, are more reminiscent of the hard bop genre, although the fiery playing of the musicians, notably Shepp himself, gives them a definite avant-garde edge. It was originally issued on CD by Affinity, mastered from an incredibly noisy vinyl source and later reissued by Charly from the original master tapes.

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Into the Hot is an album released under the auspices of Gil Evans featuring a large ensemble under the direction of John Carisi and the Cecil Taylor Unit. The album was released on the Impulse! label in 1962.

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<i>Archie Shepp – Bill Dixon Quartet</i> 1962 studio album by Archie Shepp

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<i>Bill Dixon 7-tette/Archie Shepp and the New York Contemporary 5</i> 1964 studio album by Bill Dixon/New York Contemporary Five

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Archie Shepp discography.

October Revolution in Jazz Jazz festival in NYC in 1964

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<i>Sunshine</i> (Sunny Murray album) 1969 studio album by Sunny Murray

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<i>Homage to Africa</i> 1970 studio album by Sunny Murray

Homage to Africa is an album by American free jazz drummer Sunny Murray. It was recorded in Paris in August 1969, and released on the BYG Actuel label in 1970. On the album, Murray is joined by saxophonists Roscoe Mitchell, Archie Shepp and Kenneth Terroade, trumpeter Lester Bowie, cornetist Clifford Thornton, trombonist Grachan Moncur III, vocalist Jeanne Lee, pianist Dave Burrell, bassist Alan Silva, and percussionists Malachi Favors, Earl Freeman, and Arthur Jones.

<i>Duets 1992</i> 2019 studio album by Bill Dixon and Cecil Taylor

Duets 1992 is an album by Bill Dixon and Cecil Taylor recorded at La Masterbox studios at L'École Nationale de Musique in Villeurbanne, France on July 2 and 3, 1992, and released as a limited edition double-LP set by Triple Point Records in 2019. It was recorded during a brief tour of France and Italy, and was their first studio reunion since the 1966 session that yielded Conquistador!. Despite this, according to Ben Young's liner notes, Dixon and Taylor did not rehearse or discuss the music before or during the recording session. The pair would reunite in a live setting for 2002's Taylor/Dixon/Oxley.

References

  1. 1 2 Colin Larkin, ed. (1992). The Guinness Who's Who of Jazz (First ed.). Guinness Publishing. p. 122. ISBN   0-85112-580-8.
  2. 1 2 3 4 Ratliff, Ben (June 19, 2010). "Bill Dixon, 84, Voice of Avant-Garde Jazz, Dies". The New York Times.
  3. Dewar, Andrew Raffo (2019). "Without Qualification: Bill Dixon on Black Music and Pedagogy". Jazz & Culture. 2: 101–112. doi:10.5406/jazzculture.2.2019.0101. JSTOR   10.5406/jazzculture.2.2019.0101.
  4. 1 2 "Bill Dixon | Biography & History". AllMusic . Retrieved July 26, 2021.
  5. Young, Ben (1998). Dixonia: A Bio-Discography of Bill Dixon. Westport, Connecticut: Greenwood Press. pp. 4–6. ISBN   0313302758.
  6. 1 2 3 Fordham, John (July 22, 2010). "Free-jazz trumpeter with a hypnotic, slow-moving sound". The Guardian. London. Retrieved June 12, 2011.
  7. Yanow, Scott (2001). The Trumpet Kings: The Players who Shaped the Sound of Jazz Trumpet. San Francisco: Backbeat Books. pp. 131–132. ISBN   9780879306403.
  8. Litweiler, John (1984). The Freedom Principle: Jazz After 1958. Da Capo. p. 138. ISBN   0306803771.
  9. "Judith Dunn collection". Archives.nypl.org. Retrieved July 26, 2021.
  10. "Wealth Comes in Many Forms: William Greaves' USIA Films". Unwritten-record.blogs.archives.gov. July 14, 2015. Retrieved July 26, 2021.
  11. "Bill Dixon Interview". May 15, 1975. hdl:11209/10294.{{cite journal}}: Cite journal requires |journal= (help)
  12. "Remembering Bill Dixon, Bennington Faculty Member, 1968-1995". June 17, 2010. hdl:11209/10144.{{cite journal}}: Cite journal requires |journal= (help)
  13. Neff, Joseph (January 25, 2017). "Graded on a Curve: The Bill Dixon Orchestra, Intents and Purposes, and the Archie Shepp-Bill Dixon Quartet, (s/t)". The Vinyl District: The Storefront.
  14. West, Michael J. (June 16, 2010). "RIP Experimental Jazz Trumpeter Bill Dixon". Washington City Paper . Retrieved July 26, 2021.

Further reading