| Bitter Sweet | |
|---|---|
| Theatrical release poster | |
| Directed by | Herbert Wilcox |
| Screenplay by | Lydia Hayward Monckton Hoffe Herbert Wilcox |
| Based on | Bitter Sweet 1929 operetta by Noël Coward |
| Produced by | Herbert Wilcox |
| Starring | Anna Neagle Fernand Gravey Esme Percy Clifford Heatherley Ivy St. Helier |
| Cinematography | Freddie Young |
| Edited by | Michael Hankinson |
| Music by | Roy Robertson |
Production company | |
| Distributed by | United Artists |
Release date |
|
Running time | 93 minutes |
| Country | United Kingdom |
| Language | English |
| Box office | £500,000 [1] |
Bitter Sweet is a British musical romance film directed by Herbert Wilcox and released by United Artists in 1933. [2] It was the first film adaptation of Noël Coward's 1929 operetta Bitter Sweet . It starred Anna Neagle and Fernand Gravey, with Ivy St. Helier reviving her stage role as Manon. It was made at British and Dominion's Elstree Studios and was part of a boom in operetta films during the 1930s.
It tells the story of Sarah Linden's romance. Sarah, now a gray-haired old woman, tells her story to a girl who is on the eve of marrying an obnoxious man when she is really in love with a musician. [3]
The operetta was remade in 1940 as a film of the same name with Jeanette MacDonald and Nelson Eddy; however, it was less faithful to the original story than the less censored 1933 version. [4]
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According to Wilcox the film made no profits. He later wrote "it must have been my fault, for surely a better musical play has never been written... perhaps, however, the story is rather too sad for a film." [5]
The Daily Film Renter wrote: "Magnificently staged talkie version of Noel Coward's famous operetta, which comes to screen with wealth of picturesque detail, abundance of haunting melodies, and fragrant charm that is irresistible. ... Ivy St. Helier shares acting honours with Anna Neagle by a brilliantly sketched portrait of disillusioned cabaret singer, while star, in characterisation that ranges from girlhood to grey hairs, does remarkably well. Clifford Heatherley gives strong support. Tempo on slow side, but this is moot point in view of superb entertainment qualities of production as whole." [6]
Kine Weekly wrote: "A literal thematic translation of Noel Coward's tremendously popular play, which displays little inspiration in its treatment, but, nevertheless, has bouquet and fragrance and is rich in feminine appeal. ... Anna Neagle is entrusted with the leading role, and although its responsibilities weigh rather heavily on ber young shoulders, she succeeds in investing it with unsophisticated charm. The support is adequate and the general tone of the production has polish." [7]