Blockbuster (entertainment)

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Queue for Gone with the Wind in Pensacola, Florida (1947) Crowds line up to see "Gone with the Wind" in Pensacola, Florida (1947).jpg
Queue for Gone with the Wind in Pensacola, Florida (1947)

A blockbuster is a work of entertainment—typically used to describe a feature film produced by a major film studio, but also other media—that is highly popular and financially successful. The term has also come to refer to any large-budget production intended for "blockbuster" status, aimed at mass markets with associated merchandising, sometimes on a scale that meant the financial fortunes of a film studio or a distributor could depend on it.



The term began to appear in the American press in the early 1940s, [1] referring to the blockbuster bombs, aerial munitions capable of destroying a whole block of buildings. [2] Its first known use in reference to films was in May 1943, when advertisements in Variety and Motion Picture Herald described the RKO film, Bombardier , as "The block-buster of all action-thrill-service shows!" Another trade advertisement in 1944 boasted that the war documentary, With the Marines at Tarawa , "hits the heart like a two ton blockbuster."

Several theories have been put forward for the origin of the term in a film context. One explanation pertains to the practice of "block booking" whereby a studio would sell a package of films to theaters, rather than permitting them to select which films they wanted to exhibit. However, this practice was outlawed in 1948 before the term became common parlance; while pre-1948 high-grossing big-budget spectacles may be retroactively labelled "blockbusters," this is not how they were known at the time. Another explanation is that trade publications would often advertise the popularity of a film by including illustrations showing long queues often extending around the block, but in reality the term was never used in this way. The term was actually first coined by publicists who drew on readers' familiarity with the blockbuster bombs, drawing an analogy with the bomb's huge impact. The trade press subsequently appropriated the term as short-hand for a film's commercial potential. Throughout 1943 and 1944 the term was applied to films such as Bataan , No Time for Love and Brazil . [3]


Golden Age era

The term fell out of usage in the aftermath of World War II but was revived in 1948 by Variety in an article about big budget films. By the early 1950s the term had become standardised within the film industry and the trade press to denote a film that was large in spectacle, scale and cost, that would go on to achieve a high gross. In December 1950 the Daily Mirror predicted that Samson and Delilah would be "a box office block buster", and in November 1951 Variety described Quo Vadis as "a b.o. blockbuster [...] right up there with Birth of a Nation and Gone With the Wind for boxoffice performance [...] a super-spectacle in all its meaning". [3]

According to Stephen Prince, Akira Kurosawa's 1954 film Seven Samurai had a "racing, powerful narrative engine, breathtaking pacing, and sense-assaulting visual style" (what he calls a "kinesthetic cinema" approach to "action filmmaking and exciting visual design") that was "the clearest precursor" and became "the model for" the "visceral" Hollywood blockbuster "brand of moviemaking" that emerged in the 1970s. According to Prince, Kurosawa became "a mentor figure" to a generation of emerging American filmmakers who went on to develop the Hollywood blockbuster format in the 1970s, such as Steven Spielberg, George Lucas, Martin Scorsese and Francis Ford Coppola. [4]

Blockbuster era


In 1975, the usage of "blockbuster" for films coalesced around Steven Spielberg's Jaws . It was perceived as a new cultural phenomenon: fast-paced, exciting entertainment, inspiring interest and conversation beyond the theatre (which would later be called "buzz"), and repeated viewings. [5] The film is regarded as the first film of the "blockbuster era", and founded the blockbuster film genre. [6] Two years later, Star Wars expanded on the success of Jaws, setting box office records and enjoying a theatrical run that lasted more than a year. [7] After the success of Jaws and Star Wars, many Hollywood producers attempted to create similar "event" films with wide commercial appeal, and film companies began green-lighting increasingly large-budget films, and relying extensively on massive advertising blitzes leading up to their theatrical release. These two films were the prototypes for the "summer blockbuster" trend, [8] in which major film studios and distributors planned their annual marketing strategy around a big release by July 4. [9]


The next fifteen years saw a number of high-quality blockbusters released including the likes of Alien (1979) and its sequel, Aliens (1986), the first three Indiana Jones films (1981, 1984 and 1989), E.T. the Extra-Terrestrial (1982), Ghostbusters (1984), Beverly Hills Cop (1984), the Back to the Future trilogy (1985, 1989 and 1990), Top Gun (1986), Die Hard (1988), Batman (1989) and its sequel Batman Returns (1992), and The Hunt for Red October (1990). [10]

21st century

Some examples of summer blockbusters from the 2000s include Pirates of the Caribbean: The Curse of the Black Pearl (2003), The Da Vinci Code (2006), and Transformers (2007)—all of which founded successful franchises—and The Day After Tomorrow (2004) and Pixar's Up (2009). The superhero genre saw renewed interest with X-Men (2000), Spider-Man (2002), Batman Begins (2005) and its sequel The Dark Knight (2008) all proving to be very popular. [11]

Blockbusters in the 2010s include Inception (2010), Ted (2012), Despicable Me (2010), The Conjuring (2013), Edge of Tomorrow (2014) and Wonder Woman (2017). Snowpiercer (2014) proved to be the rare example of a blockbuster that did not perform well in the North American market. Several established franchises continued to spawn successful entries with Harry Potter and the Deathly Hallows – Part 2 (2011), X-Men: Days of Future Past (2014), Spider-Man: Homecoming (2017), Mission: Impossible – Fallout (2018) and Pixar's Toy Story 3 (2010) and Incredibles 2 (2018) among the highlights. Several older franchises were successfully resurrected by Mad Max: Fury Road (2015), Jurassic World (2015), Man of Steel (2013), Dawn of the Planet of the Apes (2014) and its sequel War for the Planet of the Apes (2017). The most successful franchise of the decade was arguably Disney's Marvel Cinematic Universe, particularly The Avengers series. [12]


Eventually, the focus on creating blockbusters grew so intense that a backlash occurred, with some critics and film-makers decrying the prevalence of a "blockbuster mentality", [13] lamenting the death of the author-driven, "more artistic" small-scale films of the New Hollywood era (despite criticism of the praise the latter set of films received). [14] [15] This view is taken, for example, by film journalist Peter Biskind, who wrote that all studios wanted was another Jaws, and as production costs rose, they were less willing to take risks, and therefore based blockbusters on the "lowest common denominators" of the mass market. [16] In his 2006 book The Long Tail, Chris Anderson talks about blockbuster films, stating that a society that is hit-driven, and makes way and room for only those films that are expected to be a hit, is in fact a limited society. [17] In 1998, writer David Foster Wallace posited that films are subject to an inverse cost and quality law. [18]

See also

Related Research Articles

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Akira Kurosawa was a Japanese filmmaker and painter who directed thirty films in a career spanning over five decades. He is widely regarded as one of the most important and influential filmmakers in the history of cinema. Kurosawa displayed a bold, dynamic style, strongly influenced by Western cinema yet distinct from it; he was involved with all aspects of film production.

<span class="mw-page-title-main">Steven Spielberg</span> American filmmaker (born 1946)

Steven Allan Spielberg is an American film director, writer and producer. A major figure of the New Hollywood era and pioneer of the modern blockbuster, he is the most commercially successful director of all time. He is the recipient of various accolades, including three Academy Awards, two BAFTA Awards, and four Directors Guild of America Awards, as well as the AFI Life Achievement Award in 1995, the Kennedy Center Honor in 2006, the Cecil B. DeMille Award in 2009 and the Presidential Medal of Freedom in 2015. Seven of his films have been inducted into the National Film Registry by the Library of Congress as "culturally, historically or aesthetically significant".

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Seven Samurai is a 1954 Japanese epic samurai drama film co-written, edited, and directed by Akira Kurosawa. The story takes place in 1586 during the Sengoku period of Japanese history. It follows the story of a village of desperate farmers who seek to hire rōnin to combat bandits who will return after the harvest to steal their crops.

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<i>Jaws</i> (film) 1975 American thriller film by Steven Spielberg

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