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On stage, circa 2005
|Birth name||Clarence Henry Reid|
|Born||February 14, 1939|
Cochran, Georgia, U.S.
|Died||January 17, 2016 76) (aged|
Lauderdale Lakes, Florida, U.S.
|Genres||Parody, punk rock, rhythm and blues, soul, funk, hip hop, comedy|
|Occupation(s)||Vocalist, songwriter, producer, comedian, rapper|
|Labels||TK Records, Alternative Tentacles|
|Associated acts||Willie Clarke|
Clarence Henry Reid (February 14, 1939 – January 17, 2016) was an American musician, songwriter and producer, also known by the stage name and alternate persona Blowfly.
Reid was born in Cochran, Georgia, in 1939. and moved to West Palm Beach, Florida in his adolescence.His stage name was given to him by his grandmother who he would visit in Georgia occasionally. During this time, Reid would make explicit parodies of the country music that was popular on the airwaves in Cochran then, prompting his grandmother to brand him a "blowfly".
"In hillbilly, you'll find some of the best lyrics and morals. I used to listen to Homer and Jethro, and they would rap most of the time, only they didn't call it rap then. They used to call it soul talkin'. As a form of revenge, I would take songs like "The Twist," and I would change it from (sings) "Come on baby, let's do the twist" to "Come on baby, and suck my d-!" My grandma would say that's terrible, you're a poor excuse for a human being. you're no more than a blowfly."
During the 1960s and 1970s he wrote for and produced artists including Betty Wright, Sam & Dave, Gwen McCrae, Jimmy "Bo" Horne, Bobby Byrd, and KC & the Sunshine Band. During this period he was also a recording artist, cutting many of his own songs, including "Nobody But You Babe" and his first XXX record, "Oddballs" which was reworked into "Rapp Dirty" several years later.
Reid wrote sexually explicit versions of hit songs for fun but only performed them for his friends at parties or in the studio. In 1971, he along with a band of studio musicians, recorded a whole album of these songs under the name Blowfly. The album, The Weird World of Blowfly, features Reid dressed as a low-rent supervillain on its cover. He created this alter ego to protect his career as a songwriter,[ clarification needed ] and continued to perform in bizarre costumes as his Blowfly character and record sexually explicit albums throughout the 1970s and 1980s. Reid claimed to be one of the first artists to perform in a mask, and transitioned from a "tuxedo like Dracula" or a "buttless" Clint Eastwood inspired outfit, to the spandex suits that he is now known for in response to public demand. The albums were widely popular as "party records". The explicit version of his song "Rapp Dirty" (a.k.a. "Blowfly's Rapp") helped the album Blowfly's Party reach No. 26 on Billboard Magazine's black albums chart and No. 82 on the Billboard Top 200 in 1980.[ citation needed ]
–Review of Running Water in Christgau's Record Guide: Rock Albums of the Seventies (1981)
Blowfly's profane style earned Reid legal trouble. He was sued by songwriter Stanley Adams, who was ASCAP president at the time, for spoofing "What a Diff'rence a Day Makes" as "What a Difference a Lay Makes". Reid's own compositions have been sampled by dozens of hip hop, R&B, and electronic artists (such as Beyonce, Wu Tang Clan, DJ Quik, DMX, Method Man & Redman, Main Source, DJ Shadow, Eazy-E, RJD2, Jurassic 5, Big Daddy Kane, Mary J. Blige, Brand Nubian, and the Avalanches) but Reid received almost no money from sampling due to signing away most of his royalties.
Blowfly's Zodiac Blowfly LP (also released on CD in 1996 on Weird World Records) includes the songs "If Eating You Is Wrong, I Don't Want To Be Right", "The First Time Ever You Sucked My Dick", and "Ain't No Head Like My Woman's Head", as well as a version of "Clean Up Woman", which he co-wrote. Another album of this period is The Weird World of Blowfly .
In 2003, Blowfly sold the rights to his entire catalog after years of debt. The catalog was said to be worth millions of unpaid royalties.[ citation needed ]
After 17 years of sporadic touring and occasional re-recording of his classic raps, Blowfly signed with Jello Biafra's independent record label Alternative Tentacles in 2005. Fahrenheit 69, the first album under the new contract, featured appearances from Slug of Atmosphere, King Coleman, Gravy Train, and Afroman.
Blowfly's Punk Rock Party , a 2006 album release from Alternative Tentacles, features several punk rock classics given the Blowfly treatment—including a rewrite of the Dead Kennedys song "Holiday in Cambodia" recast as "R. Kelly in Cambodia", which features Biafra (the song's composer and original singer) playing a trial judge. The album also includes "I Wanna Be Fellated", "Gotta Keep Her Penetrated", "I Wanna Fuck Your Dog" and "Should I Fuck This Big Fat Ho?". Blowfly completed his first tour of Australia in March 2007, and toured Germany with Die Ärzte in 2008. He performed at the 2010 Big Day Out music festival, held in Australia and New Zealand.
The Weird World of Blowfly , directed by Jonathan Furmanski, premiered at South by Southwest in 2010and received a wider release in September 2011.
On January 12, 2016, Blowfly drummer "Uncle" Tom Bowker announced in a statement on the Blowfly Facebook page that Reid was suffering from terminal liver cancer and had been admitted to a hospice facility in Florida. According to Bowker, the singer would release his final LP – entitled 77 Rusty Trombones – in February 2016.Reid died on January 17, 2016, from cancer and multiple organ failure at the hospice facility in Lauderdale Lakes, Florida, aged 76.
Reid's daughter is former WNBA player Tracy Reid.
Clarence Anicholas Clemons Jr., also known as The Big Man, was an American musician and actor. From 1972 until his death in 2011, he was the saxophonist for Bruce Springsteen's E Street Band.
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"Clean Up Woman" is a song by Betty Wright from her second studio album, I Love the Way You Love (1972). Written and produced by Clarence Reid and Willie Clarke, it was released in November 1971 in the U.S. as a 7" single with "I'll Love You Forever" on the B-side. The single reached number six on the U.S. Billboard Hot 100 chart, spending fourteen weeks on the chart. It also reached number two on the U.S. Black Singles chart. It peaked at No.4 on the Cash Box Top 100 singles chart during the weeks ending January 29, 1972 and February 5, 1972.
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The Weird World of Blow Fly is the debut album by Clarence Reid as his alter ego Blowfly. It was released on the Weird World Records label, a subsidiary of T.K. Records. The album features sexually explicit spoofs of soul and R&B hits, mostly from the 1960s and 1970s.
Blowfly's Party is the 1980 album by Clarence Reid as his alter ego Blowfly. It was released on the Weird World Records label, a subsidiary of T.K. Records. This album featured a reworked version of the classic "Rap Dirty" and also managed to chart in the US pop albums chart at No. 82 and on the Black Albums chart at No. 26.
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