Bob Welch (musician)

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Bob Welch
Bob Welch and Jimmy Robinson at the Record Plant in Sausilito CA.jpg
Bob Welch (left) and recording engineer Jimmy Robinson at the Record Plant in Sausalito, California
Background information
Birth nameRobert Lawrence Welch Jr.
Born(1945-08-31)August 31, 1945
Hollywood, California
DiedJune 7, 2012(2012-06-07) (aged 66)
Antioch, Tennessee, U.S.
Genres Rock
Occupation(s)Singer-songwriter
InstrumentsVocals, guitar, bass guitar
Years active1970–2011
Labels Capitol, RCA, Curb, Edsel, Rhino, One-Way
Associated actsSeven Souls (1964–1969)
Head West (1970)
Fleetwood Mac (1971–1974)
Paris (1975–1977)
Website www.bobwelch.com

Robert Lawrence Welch Jr. (August 31, 1945 – June 7, 2012) was an American musician who was a member of Fleetwood Mac from 1971 to 1974. He had a successful solo career in the late 1970s. His singles included "Hot Love, Cold World", "Ebony Eyes", "Precious Love", "Hypnotized", and his signature song, "Sentimental Lady".

Contents

Early life

Welch was born in Hollywood, California, into a show business family. His father, Robert L. Welch Sr., was a producer and screenwriter at Paramount Pictures, producing films starring Bob Hope and Bing Crosby. Welch Sr. produced the 25th Annual Academy Awards TV special in 1953 and The Thin Man TV series from 1958–59. Bob's mother, Templeton Fox, was a singer and actress who worked with Orson Welles' Mercury Theatre in Chicago and appeared in TV and movies from 1962 to 1979.

Welch learned clarinet in his childhood, switching to guitar in his early teens. His interests were jazz, rhythm and blues, and rock music. He was accepted into Georgetown University, but instead moved to Paris, planning to attend the Sorbonne. Welch told People in a 1979 interview that, in Paris, "I mostly smoked hash with bearded guys five years older" and spent most of his time "sitting in the Deux Magots café". He returned to Southern California, where he briefly studied French at the University of California, Los Angeles [1] but did not complete a degree.

In 1964, Welch joined the Los Angeles-based vocal group The Seven Souls as a guitarist. [2] The Seven Souls lost a battle of the bands competition, the prize being a contract with Epic Records, to Sly and the Family Stone. The Seven Souls' 1967 single "I'm No Stranger" made no impact at the time of its release, despite subsequent issue in France and Italy. Its B-side, "I Still Love You", has since become a Northern Soul anthem, with original copies selling up to £400. The Seven Souls broke up in 1969.

Welch subsequently returned to Paris and started a trio, Head West, which was not a success. He later told People that his time in Paris (1969-1971) was "living on rice and beans and sleeping on the floor." In 1975, Welch formed the short-lived hard rock power trio Paris with ex-Jethro Tull bassist Glenn Cornick and former Nazz drummer Thom Mooney. Paris released two commercially unsuccessful albums: Paris and Big Towne, 2061 . Tony Sales later replaced Cornick until the group disbanded.

In a 1979 interview with People, Welch said that the two Paris albums were "ill-conceived." The band's lack of success drained Welch's finances, until he had only $8,000 left. [1]

Fleetwood Mac

In 1971, Welch auditioned for Fleetwood Mac at Kiln House, their retreat in England. The band had recently lost one of its front-line members, guitarist Jeremy Spencer, and were looking for a replacement. Judy Wong, a friend and part-time secretary for the band, recommended her high school friend Welch. The band had a few meetings with Welch and decided to hire him, despite not having previously played with him, after listening to some of his songs on tape. [3] Welch was assigned rhythm guitar, backing up lead guitarist Danny Kirwan. Welch eventually lived in the band's communal home, 'Benifold', located in Hampshire.

Using mobile equipment borrowed from The Rolling Stones, the band recorded material for three albums at Benifold: Bare Trees , Penguin and Mystery to Me . [4] The band's first album to feature Christine McVie and Welch, Future Games , was recorded at Advision Studios in London (as is cited on the back of the album jacket). The next album, Bare Trees , was mostly recorded at De Lane Lea Studios in Wembley, London.

In September 1971 the band released Future Games , with the title song written by Welch. This album was different from anything the band had done previously. In 1972, six months after the release of Future Games, the band released Bare Trees, which featured Welch's "Sentimental Lady". This song was a big hit for Welch five years later when he re-recorded it for his solo album French Kiss. Christine McVie also sang on the remake, and was a producer of the song.

Friction: Danny Kirwan

The band was comfortable playing in the studio, but tours started to be problematic. Kirwan developed an alcohol dependency, and by 1972 was becoming alienated from Welch and the rest of the band. [5] Welch had enormous respect for Kirwan's talents as a guitarist, singer and songwriter — he later described Kirwan as "a brilliant musician" [6] — and in the sixteen months he and Kirwan were together in Fleetwood Mac, they had a productive musical partnership. But Mick Fleetwood recalled, "They were very different as people and as musicians". [5] On a personal level there was friction between them, and Welch, an outgoing Californian, found Kirwan to be withdrawn, insecure and difficult to communicate with. [7] He also suspected that Kirwan did not appreciate his musical style. "I think Danny thought I was too clever a player ... too jazzy, too many weird notes. I don't feel he loved my stuff to death." [8]

In 1999 Welch said Kirwan had been "a talented, gifted musician, almost equal to Pete Green in his beautiful guitar playing and faultless string bends," [9] but commented in a later interview: "Danny wasn't a very lighthearted person, to say the least. He probably shouldn't have been drinking as much as he did, even at his young age. He was always very intense about his work, as I was, but he didn't seem to ever be able to distance himself from it and laugh about it." [6]

Before a concert on a US tour in August 1972, a backstage argument between a drunken Kirwan and Welch resulted in Kirwan smashing his guitar, trashing the dressing room and refusing to go on stage. [10] Having reportedly smashed his head bloody on a wall, Kirwan watched the band struggle through the set without him, with Welch trying to cover his guitar parts. [5] Welch remembered, "I was extremely pissed off, and the set seemed to drag on for ever." [8] The band fired Kirwan, and the artistic direction of Fleetwood Mac was left in the hands of Welch and Christine McVie. [11] Fleetwood said later that the pressure had become too much for Kirwan, and he had suffered a breakdown. [12]

Challenges

Over the next three albums Fleetwood Mac released, they constantly changed line-ups around the core of Mick Fleetwood, the McVies and Welch. Kirwan was replaced by Savoy Brown lead singer Dave Walker and Bob Weston on lead guitar. Both Walker and Weston played on Penguin . Released in January 1973, the album reached #49 on the Billboard Top 200 album chart in the United States.

Mystery to Me contained Welch's song "Hypnotized", which earned significant FM radio airplay in the United States. However, as a result of an aborted tour, Mystery to Me only reached #67 in the States. [13]

'Fake Mac' and Relocation

Internal stresses caused by line-up changes, touring, the deterioration of the McVies' marriage (exacerbated by John's alcoholism), and an affair between Weston and Fleetwood's wife, Jenny Boyd, were debilitating to the band. Weston was sacked and the band wanted to cancel an upcoming tour of the US.

The band's manager, Clifford Davis, did not want to cancel the tour, claiming he owned the Fleetwood Mac name. In a letter to the remaining Fleetwood Mac members, Davis detailed his plans of making the band into a new "star-quality, headlining act"—essentially firing the band, but offering them jobs in his new band. Welch, and the other band members, ignored Davis' endeavor. Davis then set up a US tour with a new group of musicians—without Fleetwood Mac's consent—billed as "Fleetwood Mac". None of the new musicians had ever played with any previous incarnation of the band. [14] Davis announced, falsely, that Welch and John McVie had quit Fleetwood Mac, and that Fleetwood and Christine McVie would be joining the 'new' band at a later date. The original members of Fleetwood Mac obtained an injunction preventing the "fake Mac" from touring under their name, while Davis obtained an injunction preventing the original band from touring. The lawsuits resulting from the ultimately aborted tour put Fleetwood Mac out of commission for almost a year.

During this limbo, Welch stayed in Los Angeles and connected with entertainment attorneys. Welch believed the band was being neglected by Warner Bros.—the parent of their label, Reprise Records—and convinced the band to move to Los Angeles. Rock promoter Bill Graham wrote a letter to Warner Bros. to convince them that the "real" Fleetwood Mac were in fact Fleetwood, Welch and the McVies. While this did not end the legal battle, the band was able to record as Fleetwood Mac again.

Instead of getting another manager, Fleetwood Mac decided to manage themselves. After the courts ruled that the "Fleetwood Mac" name belonged to Fleetwood and John McVie, the two band members set up their own band management company, Seedy Management. [15]

Heroes Are Hard to Find and Departure from Fleetwood Mac

In 1974, Welch was the only guitar player in the band. Warner Bros. made a new deal with Fleetwood Mac, releasing the album Heroes Are Hard to Find on Reprise in September 1974. The album became the band's first to reach the Top 40 in the United States, peaking at #34 on the Billboard chart. The subsequent tour would be Welch's last with Fleetwood Mac.

Welch was suffering with personal and professional issues: his marriage was failing, and he felt he'd exhausted his creativity for the band. Later, he explained that he felt estranged from John and Christine McVie, yet close to Fleetwood, with whom he asserted was running the band in 1974. [16]

Welch resigned from Fleetwood Mac in December 1974, and was replaced by Lindsey Buckingham and Stevie Nicks.

Of the Fleetwood Mac albums on which Welch appeared, American album sales totaled 500,000 units shipped between 1971 and 2000 for Future Games; 1 million units of Bare Trees between 1972 and 1988; and 500,000 units of Mystery to Me between 1973 and 1976, when it was certified gold by the Recording Industry Association of America.

Lawsuit

The Buckingham–Nicks version of Fleetwood Mac achieved superstar status with the albums Fleetwood Mac (1975) and Rumours (1977), both reaching #1 in the US. Rumours shipped 40 million units worldwide and remains one of the most successful albums ever released.

By the 1990s, Welch's once-diplomatic relationship with Fleetwood Mac had become acrimonious. In 1994, Welch sued Fleetwood, the McVies, band attorney Michael Shapiro and Warner Bros. Records for breach of contract related to underpayment of royalties. Previously, in 1978, Welch and the band had signed a contract with Warner Bros. agreeing to an equal share of all royalties from their Fleetwood Mac albums. Welch alleged that the members later made new deals with Warner Bros. for higher royalty rates, and neither Fleetwood nor the McVies had informed Welch, thus cheating him out of equal royalties. The lawsuit was settled in 1996. [17]

Hall of Fame controversy and reconciliation

When Fleetwood Mac was inducted into the Rock and Roll Hall of Fame in 1998, original band members Peter Green, Jeremy Spencer, Danny Kirwan, Mick Fleetwood, and John McVie were named to the Hall, as were Christine McVie, Lindsey Buckingham, and Stevie Nicks. Welch, who anchored the band for several years and five albums, was not. Welch felt the recent legal battle with the band soured the committee to include him. "My era was the bridge era," Welch told the Cleveland newspaper the Plain Dealer in 1998. "It was a transition. But it was an important period in the history of the band. Mick Fleetwood dedicated a whole chapter of his biography to my era of the band and credited me with 'saving Fleetwood Mac'. Now they want to write me out of the history of the group. It hurts... Mick and I co-managed the group for years. I'm the one who brought the band to Los Angeles from England, which put them in the position of hooking up with Lindsey and Stevie. I saw the band through a whole period where they barely survived, literally." [18]

In a 2003 online question-and-answer session on the Fleetwood Mac fan site The Penguin, Welch revised his opinion about the exclusion. He had recently visited Fleetwood Mac backstage after a show, and he reconnected with Mick Fleetwood. Welch no longer blamed the band for his exclusion. He instead blamed the Hall's committee and its industry insiders (such as Ahmet Ertegun and Jann Wenner), stating they did not like his style of music. He still maintained that the lawsuit was a factor, as it prevented him from contacting Mick Fleetwood, and they were still estranged at the time of the induction. [18]

Solo career

Mick Fleetwood managed Welch's career into the 1980s. During the height of their respective popularity in the late 1970s, Welch frequently opened for Fleetwood Mac and would sit in as lead vocalist on "Hypnotized".

In September 1977, Welch released his first solo album, French Kiss, a mainstream pop collection featuring contributions from Fleetwood, Buckingham and Christine McVie. The album was certified platinum by the RIAA, peaking at #12 on the Billboard chart in 1978. It yielded three hit singles: a revamped version of "Sentimental Lady" produced by Buckingham and McVie (#8), "Ebony Eyes" (#14; featuring Juice Newton on backing vocals) and "Hot Love, Cold World" (#31).

Welch followed up French Kiss with 1979's Three Hearts, an album that replicated the rock/disco fusion of French Kiss. It peaked at #20 (earning a RIAA gold certification) and spawned the hit "Precious Love" (#19), while the follow-up single "Church" (#73) also charted. From 1980 to 1981, he hosted Hollywood Heartbeat , an early music video program. [19] His subsequent solo albums into the early 1980s (The Other One,Man Overboard,Bob Welch, and Eye Contact) were not successful and his career declined.

In 1999, Welch released an experimental jazz/loop-based album, Bob Welch Looks at Bop . He followed this up in 2003 with His Fleetwood Mac Years and Beyond, which contained new recordings of songs he originally recorded with Fleetwood Mac, as well as some solo hits. In 2006, he released His Fleetwood Mac Years and Beyond 2, which mixed a half-dozen new compositions, along with a similar number of his Mac/solo remakes. He released more CDs with Fuel Records in 2008, 2010, and 2011.

Welch appeared as an avatar named BobWelch Magic in 2008, performing solo acoustic favorites and hits live for 30 minutes, in a show with Von Johin (musician/publisher Mike Lawson) and Cypress Rosewood (musician Tony Gerber) in the virtual world of Second Life, streaming live into the Gibson Island virtual stage from Lawson's studio. [20]

Recovery and second marriage

Welch turned to drugs to cope during his mid-1980s career slump. He partied with Guns N' Roses, who were rehearsing in Welch's garage at the time. He quickly became addicted to cocaine and heroin, and was hospitalized for detox in spring of 1985. Welch reflected on that era as "being a very bad boy, very decadent, very cynical, VERY stoned. It was not a good time." [21]

The day he was released from detox, he was introduced to Wendy Armistead by Taryn Power (Tyrone Power's daughter) and Tony Sales at The Central (now The Viper Room). Welch and Armistead were married in December 1985 and moved to Phoenix, Arizona to maintain Welch's sobriety. Welch abstained from all illegal drugs for the rest of his life. [22]

While in Phoenix, they formed a short-lived group called Avenue M. The group went on tour and recorded one song for a greatest hits compilation. They later moved to Nashville, Tennessee, and remained married until his death.

Death and legacy

Welch had undergone spinal surgery three months prior to his death. Despite the surgery, doctors told him his prognosis for recovery was poor, and he would eventually become an invalid. He was still in considerable pain, despite taking the medication pregabalin (Lyrica) for six weeks.

On June 7, 2012, around 6:00 am, Welch committed suicide by shooting in his Nashville home; his wife Wendy discovered his body. He left a nine-page suicide note and love letter for Wendy. He was 66 years old. [23] [24] [25]

Wendy died on November 28, 2016, from chronic obstructive pulmonary disease (COPD) and heart disease, also aged 66. [26]

Bob and Wendy Welch are buried beside each other in Memphis, Tennessee. [27]

An exhibit chronicling Bob Welch's career opened at The Musicians Hall of Fame at Belmont University in Nashville, Tennessee on August 27, 2018. Despite the lawsuit over a decade earlier, Fleetwood wrote a tribute for the exhibit. His estate has endowed a scholarship to support Belmont School of Music students. [28]

Discography

Albums

Head West albums
DateAlbumAdditional information
1970 Head West Repackaged in 1973 & credited to "Bob Welch with Head West"
Fleetwood Mac albums
Release DateAlbumAdditional information
September 3, 1971 Future Games Debut album with Fleetwood Mac
March 1972 Bare Trees Features the original recording of "Sentimental Lady"
March 1973 Penguin
October 15, 1973 Mystery to Me Features "Hypnotized", written by Welch
September 13, 1974 Heroes Are Hard to Find Welch quit Fleetwood Mac after this album
November 24, 1992 25 Years – The Chain Compilation
Paris albums
Release dateAlbumAdditional information
January 1976 Paris
August 1976 Big Towne, 2061
Solo albums
Release dateAlbumChart
(US) [29]
Additional information
November 1977 French Kiss 12Platinum
February 1979 Three Hearts 20Gold
November 1979 The Other One 105
September 1980 Man Overboard 162
October 1981 Bob Welch 201
June 1983 Eye Contact
December 1991The Best of Bob Welch
1994 Greatest Hits
September 10, 1999 Bob Welch Looks at Bop
July 8, 2003 His Fleetwood Mac Years & Beyond All new digital recordings
August 10, 2004 Live from the Roxy Live recording from 1981 released in 2004
March 28, 2006 His Fleetwood Mac Years and Beyond, Vol. 2
March 18, 2008 Greatest Hits & More Previously released in 2003
December 21, 2011 Sings the Best Songs Ever Written
December 21, 2011Live in Japan

Solo singles

YearTitleChart positions
US
[30]
US
AC

[31]
US
Rock

[32]
CAN AU
1976"Big Towne, 2061"
1977"Sentimental Lady"8103
1978"Ebony Eyes"1472
"Hot Love, Cold World"31
1979"Precious Love"194237
"Church"73
"3 Hearts"
1980"Don't Let Me Fall"
"The Girl Can't Stop"
"Don't Rush The Good Things"
1981"It's What Ya Don't Say"45
"Two To Do"107
1982"Remember"
1983"S.O.S."
"I'll Dance Alone"
2011"Black Dog"

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<i>Heroes Are Hard to Find</i> 1974 studio album by Fleetwood Mac

Heroes Are Hard to Find is the ninth studio album by British-American rock band Fleetwood Mac, released on 13 September 1974. This is the last album with Bob Welch, who left at the end of 1974, and was replaced by Lindsey Buckingham and Stevie Nicks. It was the first Fleetwood Mac studio album properly recorded in the US as well as the first to enter the top 40 of the Billboard 200 album chart. The title track was edited and issued as a single but it failed to chart.

Danny Kirwan British rock musician

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<i>Bare Trees</i> 1972 studio album by Fleetwood Mac

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<i>Future Games</i> 1971 studio album by Fleetwood Mac

Future Games is the fifth studio album by British-American rock band Fleetwood Mac, released on 3 September 1971. It was recorded in the summer of 1971 at Advision Studios in London and was the first album to feature Christine McVie as a full member. This album was also the first of five albums to feature American guitarist Bob Welch. “He was totally different background – R&B, sort of jazzy. He brought his personality,” Mick Fleetwood said of Welch in a 1995 BBC interview. “He was a member of Fleetwood Mac before we’d even played a note.”

Bob Weston (guitarist)

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<i>Penguin</i> (album) 1973 studio album by Fleetwood Mac

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<i>Mystery to Me</i> 1973 studio album by Fleetwood Mac

Mystery to Me is the eighth studio album by British-American rock band Fleetwood Mac, released on 15 October 1973. This was their last album to feature Bob Weston. Most of the songs were penned by guitarist/singer Bob Welch and keyboardist/singer Christine McVie, who were instrumental in gearing the band toward the radio-friendly pop rock that would make them successful a few years later.

Sentimental Lady

"Sentimental Lady" is a song written by Bob Welch. It was originally recorded for Fleetwood Mac's 1972 album Bare Trees, but was re-recorded by Welch on his debut solo album, French Kiss, in 1977. It is a romantic song, originally written for Welch's first wife. Welch recorded it again in 2003 for his album His Fleetwood Mac Years & Beyond.

Hypnotized (Fleetwood Mac song)

"Hypnotized" is a song written by Bob Welch. The song originally featured on Fleetwood Mac's 1973 album Mystery To Me. The track was released on a single as the B-side of "For Your Love", and has been described as "gorgeous and lyrically strong", and referred to as the album's best track.

Dragonfly (Fleetwood Mac song)

"Dragonfly" is a song written by British rock musician Danny Kirwan with lyrics taken from a poem by Welsh poet W. H. Davies. It was originally recorded by Kirwan's band Fleetwood Mac in 1970, and became the first UK single released by the band after the departure of their frontman Peter Green. It was also their first single with Christine McVie as a full member of the group. By the time the song had been released, guitarist Jeremy Spencer had left the band.

Jeremy Spencer

Jeremy Cedric Spencer is a British musician, best known as one of the guitarists in the original line-up of Fleetwood Mac. A member since Fleetwood Mac's inception in July 1967, he remained with the band until his abrupt departure in February 1971, when he joined a religious cult called the "Children of God", now known as "The Family International", with which he is still affiliated. After a pair of solo albums in the 1970s, he continued to tour as a musician, but did not release another album until 2006. Releasing further solo albums in 2012, 2014 and 2016, Spencer has also recorded as part of the folk trio Steetley.

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