George Hendrik Breitner was a Dutch painter and photographer. An important figure in Amsterdam Impressionism, he is noted especially for his paintings of street scenes and harbours in a realistic style. He painted en plein air, and became interested in photography as a means of documenting street life and atmospheric effects – rainy weather in particular – as reference materials for his paintings.
Grisaille is a painting executed entirely in shades of grey or of another neutral greyish colour. It is particularly used in large decorative schemes in imitation of sculpture. Many grisailles include a slightly wider colour range, like the Andrea del Sarto fresco illustrated. Paintings executed in brown are referred to as brunaille, and paintings executed in green are called verdaille.
Adriaen Brouwer was a Flemish painter active in Flanders and the Dutch Republic in the first half of the 17th century. Brouwer was an important innovator of genre painting through his vivid depictions of peasants, soldiers and other 'lower class' individuals engaged in drinking, smoking, card or dice playing, fighting, music making etc. in taverns or rural settings. Brouwer contributed to the development of the genre of tronies, i.e. head or facial studies, which investigate varieties of expression. In his final year he produced a few landscapes of a tragic intensity. Brouwer's work had an important influence on the next generation of Flemish and Dutch genre painters.
David Teniers the Younger or David Teniers II was a Flemish Baroque painter, printmaker, draughtsman, miniaturist painter, staffage painter, copyist and art curator. He was an extremely versatile artist known for his prolific output. He was an innovator in a wide range of genres such as history painting, genre painting, landscape painting, portrait and still life. He is now best remembered as the leading Flemish genre painter of his day. Teniers is particularly known for developing the peasant genre, the tavern scene, pictures of collections and scenes with alchemists and physicians.
A pentimento is "the presence or emergence," in a painting, "of earlier images, forms, or strokes that have been changed and painted over." The word is Italian for repentance, from the verb pentirsi, meaning to repent.
George Vincent was an English landscape artist. He is considered to be one of the most talented of the Norwich School of painters, a group of artists who all worked or lived in Norwich during all or part of their working lives from around 1800 to 1880. His work was founded on the style of John Crome, also of the Norwich School, and the Dutch School of landscape painting.
An art auction or fine art auction is the sale of art works, in most cases in an auction house.
Magnolia is a colour named after the flowering plant of the genus Magnolia. As magnolias have flowers of more than one colour, mainly cream or pale purple, magnolia may refer to different colours in different countries.
Jan Miel was a Flemish painter and engraver who was active in Italy. He initially formed part of the circle of Dutch and Flemish genre painters in Rome who are referred to as the 'Bamboccianti' and were known for their scenes depicting the lower classes in Rome. He later developed away from the Bamboccianti style and painted history subjects in a classicising style.
Louis Huth, was a British company director and merchant banker. He was a partner in Frederick Huth & Co, the merchant bank established by his father. Huth and his wife, Helen Huth (1837-1924), were significant patrons of the arts, not only possessing a large number of paintings by some of the greatest British artists of the eighteenth and nineteenth centuries, but also commissioning works from contemporary artists. Their collection included paintings by artists of the Aesthetic and Symbolist movements, such as James McNeill Whistler RA (1834–1903) and G. F. Watts OM RA, by both of whom Helen Huth was portrayed in important paintings. Huth, whose collecting extended to antique porcelain, was also a leading influence on the activities of one of the greatest art collectors and connoisseurs of the late Victorian era and the Edwardian years, George Salting (1835-1909), who ultimately left his outstanding collection of art to the British nation.
The Torment of Saint Anthony is the earliest known painting by Michelangelo, painted as a close copy of the famous engraving by Martin Schongauer when he was only 12 or 13 years old. It is now in the Kimbell Art Museum in Fort Worth, Texas. It shows the common medieval subject, included in the Golden Legend and other sources, of Saint Anthony being assailed in the desert by demons, whose temptations he resisted; the Temptation of St Anthony is the more common name of the subject. But this composition apparently shows a later episode where St Anthony, normally flown about the desert supported by angels, was ambushed in mid-air by devils.
Verdaille is a painting executed entirely or primarily in shades of green. Such a painting is described as having been painted "en verdaille".
Isabella Brant,a portrait drawing, was executed in Antwerp around 1621, by Flemish artist and diplomat, Peter Paul Rubens (1577–1640). Brant (1591–1626) was Rubens' first wife and modelled for some of his portraits until her untimely death in 1626. The portrait is drawn in black and red chalk with white heightening on brown wash paper.
Pieter Casteels III (1684–1749) was a Flemish painter and engraver mainly known for his flower pieces, game pieces and bird scenes. He spent a significant portion of his life in England where he had a varied career as a still life painter, printmaker and textile designer.
The Madonna and Child with Saints Luke and Catherine of Alexandria, also known simply as Holy Conversation, is a painting by the Italian Renaissance master Titian. It is one of his several versions of the canonical image of the Madonna and Child.
Salvator Mundi is a painting by Italian Renaissance artist Leonardo da Vinci dated to c. 1500. Long thought to be a copy of a lost original veiled with overpainting, it was rediscovered, restored, and included in a major Leonardo exhibition at the National Gallery, London, in 2011–12. Although most leading scholars have considered it to be an original work by Leonardo, this attribution has been disputed by other specialists, some of whom posit that he only contributed certain elements.
Portrait of Queen Henrietta Maria, as St Catherine is a painting by Sir Anthony van Dyck.
The Leuchtenberg Gallery was the collection of artworks of the Dukes of Leuchtenberg, on public display in Munich. The collection was widely known in 19th-century Europe, due to being open to the public and having a high-quality illustrated catalogue in different languages, and was considered one of the most important private collections of the time. The collection was a heritage from Napoleonic times through Joséphine de Beauharnais, but with new additions by the subsequent Dukes, especially Eugène de Beauharnais. In 1810, Eugène de Beauharnais bought part of the collection of Giovanni Francesco Arese, including at least one painting by Peter Paul Rubens. By 1841, the collection was largely complete.
The Adoration of the Kings by the Early Netherlandish painter Gerard David is a painting in oil on panel, probably from after 1515, now in the National Gallery in London. The painted surface measures some 60 by 59.2 centimetres, and the panel is about 2 centimetres (0.79 in) larger in both dimensions. The panel comes from a dismantled altarpiece from which one other panel appears to survive, the Lamentation that is also in the National Gallery.
