Burt Bacharach

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Burt Bacharach
Burt Bacharach 2000.jpg
Bacharach in 2000
Background information
Birth nameBurt Freeman Bacharach
Born (1928-05-12) May 12, 1928 (age 91)
Kansas City, Missouri, U.S.
Genres
Occupation(s)Songwriter, pianist, singer, conductor
Instruments
  • Vocals
  • piano
  • keyboards
Years active1950–present
Labels
Associated acts
Website bacharachonline.com

Burt Freeman Bacharach ( /ˈbækəræk/ BAK-ə-rak; born May 12, 1928) is an American composer, songwriter, record producer, pianist, and singer who has composed hundreds of pop songs from the late 1950s through the 1980s, many in collaboration with lyricist Hal David. A six-time Grammy Award winner and three-time Academy Award winner, Bacharach's songs have been recorded by more than 1,000 different artists. [4] As of 2014, he had written 73 US and 52 UK Top 40 hits. [5] He is considered one of the most important composers of 20th-century popular music. [6]

Hal David American lyricist

Harold Lane David was an American lyricist. He grew up in Brooklyn, New York City. He was best known for his collaborations with composer Burt Bacharach and his association with Dionne Warwick.

Grammy Award Accolade by the National Academy of Recording Arts and Sciences of the United States

A Grammy Award, or Grammy, is an award presented by The Recording Academy to recognize achievements in the music industry. The trophy depicts a gilded gramophone. The annual presentation ceremony features performances by prominent artists, and the presentation of those awards that have a more popular interest. The Grammys are the second of the Big Three major music awards held annually.

Contents

His music is characterized by unusual chord progressions, influenced by his background in jazz harmony, and uncommon selections of instruments for small orchestras. Most of Bacharach & David's hits were written specifically for and performed by Dionne Warwick, but earlier associations (from 1957 to 1963) saw the composing duo work with Marty Robbins, Perry Como, Gene McDaniels, and Jerry Butler. Following the initial success of these collaborations, Bacharach went on to write hits for Gene Pitney, Cilla Black, Dusty Springfield, Jackie DeShannon, Bobbie Gentry, Tom Jones, Herb Alpert, B. J. Thomas, the Carpenters, among numerous other artists. He arranged, conducted, and produced much of his recorded output.

Jazz harmony Harmonic theories used in jazz

Jazz harmony is the theory and practice of how chords are used in jazz music. Jazz bears certain similarities to other practices in the tradition of Western harmony, such as many chord progressions, and the incorporation of the major and minor scales as a basis for chordal construction. In jazz, chords are often arranged vertically in major or minor thirds, although stacked fourths are also quite common. Also, jazz music tends to favor certain harmonic progressions and includes the addition of tensions, intervals such as 9ths, 11ths, and 13ths to chords. Additionally, scales unique to style are used as the basis of many harmonic elements found in jazz. Jazz harmony is notable for the use of seventh chords as the basic harmonic unit more often than triads, as in classical music. In the words of Robert Rawlins and Nor Eddine Bahha, "7th chords provide the building blocks of jazz harmony."

Dionne Warwick American singer, actress and TV show host

Marie Dionne Warwick is a six-time Grammy Award–winning singer, actress, television host, and former United Nations Global Ambassador for the Food and Agriculture Organization and United States Ambassador of Health.

Marty Robbins American singer, songwriter and racing driver

Martin David Robinson, known professionally as Marty Robbins, was an American singer, songwriter, actor, multi-instrumentalist, and racing driver. One of the most popular and successful country and western singers of all time for most of his near four-decade career, Robbins often topped the country music charts, and several of his songs also had crossover success as pop hits.

Songs that he co-wrote which have topped the Billboard Hot 100 include "This Guy's in Love with You" (1968), "Raindrops Keep Fallin' on My Head" (1969), "(They Long to Be) Close to You" (1970), "Arthur's Theme (Best That You Can Do)" (1981), and "That's What Friends Are For" (1986).

The Billboard Hot 100 is the music industry standard record chart in the United States for songs, published weekly by Billboard magazine. Chart rankings are based on sales, radio play, and online streaming in the United States.

This Guys in Love with You 1968 single by Herb Alpert

"This Guy's in Love with You" is a song written by Burt Bacharach and Hal David, and recorded by Herb Alpert. Although known primarily for his trumpet playing as the leader of the Tijuana Brass, Alpert sang lead vocals on this solo recording, arranged by Bacharach. An earlier recording of the song was by British singer Danny Williams titled "That Guy's in Love", which appears on his 1968 self-titled album.

Raindrops Keep Fallin on My Head song written by Hal David and Burt Bacharach for the 1969 film Butch Cassidy and the Sundance Kid

"Raindrops Keep Fallin' on My Head" is a song written by Hal David and Burt Bacharach for the 1969 film Butch Cassidy and the Sundance Kid. It won an Academy Award for Best Original Song. David and Bacharach also won Best Original Score. The song was recorded by B. J. Thomas in seven takes, after Bacharach expressed dissatisfaction with the first six. In the film version of the song, Thomas had been recovering from laryngitis, which made his voice sound hoarser than in the 7-inch release. The film version featured a separate vaudeville-style instrumental break in double time while Paul Newman performed bicycle stunts.

A significant figure in easy listening, [2] Bacharach is described by writer William Farina as "a composer whose venerable name can be linked with just about every other prominent musical artist of his era." In later years, his songs were newly appropriated for the soundtracks of major feature films, by which time "tributes, compilations, and revivals were to be found everywhere". [7] He has been noted for his influence on later musical movements such as chamber pop [8] and Shibuya-kei. [9] [3] In 2015, Rolling Stone ranked Bacharach and David at number 32 for their list of the 100 Greatest Songwriters of All Time. [10] In 2012, the duo received the Library of Congress Gershwin Prize for Popular Song, the first time the honor has been given to a songwriting team. [11]

Easy listening is a popular music genre and radio format that was most popular during the 1950s to 1970s. It is related to middle-of-the-road (MOR) music and encompasses instrumental recordings of standards, hit songs and popular non-rock vocals. It mostly concentrates on music that pre-dates the rock n' roll era, mostly concentrating on music from the 1940s and before. It was differentiated from the mostly instrumental beautiful music format by its variety of styles, including a percentage of vocals, arrangements and tempos to fit various day parts during the broadcast day.

William Farina

William Edward Farina is an American essayist and writer of popular non-fiction.

Chamber pop is a style of rock music characterized by an emphasis on melody and texture, the intricate use of strings, horns, piano, and vocal harmonies, and other components drawn from the orchestral and lounge pop of the 1960s. Artists such as Burt Bacharach and the Beach Boys' Brian Wilson informed the genre's initial foundation.

Early life and education

Bacharach was born in Kansas City, Missouri, and grew up in the Kew Gardens [12] [13] section of New York City, graduating from Forest Hills High School in 1946. He is the son of Irma M. (née Freeman) and Mark Bertram "Bert" Bacharach, a well-known syndicated newspaper columnist. [14] [15] His mother was an amateur painter and songwriter who was responsible for making Bacharach learn piano during his childhood. [4] His family was Jewish, but he says that they did not practice or give much attention to their religion. "But the kids I knew were Catholic", he adds. "I was Jewish but I didn't want anybody to know about it." [16]

Kansas City, Missouri City in western Missouri

Kansas City is the largest city in the U.S. state of Missouri. According to the U.S. Census Bureau, the city had an estimated population of 491,918 in 2018, making it the 38th most-populous city in the United States. It is the central city of the Kansas City metropolitan area, which straddles the Kansas–Missouri state line. Kansas City was founded in the 1830s as a Missouri River port at its confluence with the Kansas River coming in from the west. On June 1, 1850, the town of Kansas was incorporated; shortly after came the establishment of the Kansas Territory. Confusion between the two ensued and the name Kansas City was assigned to distinguish them soon after.

Missouri State of the United States of America

Missouri is a state in the Midwestern United States. With over six million residents, it is the 18th-most populous state of the Union. The largest urban areas are St. Louis, Kansas City, Springfield, and Columbia; the capital is Jefferson City. The state is the 21st-most extensive in area. Missouri is bordered by eight states : Iowa to the north, Illinois, Kentucky, and Tennessee to the east, Arkansas to the south, and Oklahoma, Kansas, and Nebraska to the west. In the South are the Ozarks, a forested highland, providing timber, minerals, and recreation. The Missouri River, after which the state is named, flows through the center of the state into the Mississippi River, which makes up Missouri's eastern border.

Kew Gardens, Queens Neighborhood of Queens in New York City

Kew Gardens is a neighborhood in the central area of the New York City borough of Queens. Kew Gardens, shaped roughly like a triangle, is bounded to the north by Union Turnpike and the Jackie Robinson Parkway, to the east by the Van Wyck Expressway and 131st Street, to the south by Hillside Avenue, and to the west by Park Lane, Abingdon Road, and 118th Street. Forest Park and the neighborhood of Forest Hills are to the west, Flushing Meadows–Corona Park north, Richmond Hill south, Briarwood southeast, and Kew Gardens Hills east.

Bacharach showed a keen interest in jazz as a teenager, disliking his classical piano lessons, and often used a fake ID to gain admission into 52nd Street nightclubs. [4] He got to hear bebop musicians such as Dizzy Gillespie and Count Basie, whose style would later influence his songwriting. [17]

Identity document forgery fake IDs and their production

Identity document forgery is the process by which identity documents issued by governing bodies are copied and/or modified by persons not authorized to create such documents or engage in such modifications, for the purpose of deceiving those who would view the documents about the identity or status of the bearer. The term also encompasses the activity of acquiring identity documents from governing bodies by falsifying the required supporting documentation in order to create the desired identity.

52nd Street (Manhattan) West-east street in Manhattan, New York

52nd Street is a 1.9-mile (3.1 km) long one-way street traveling west to east across Midtown Manhattan, New York City. A short section of it was known as the city's center of jazz performance from the 1930s to the 1950s.

Bebop style of jazz

Bebop or bop is a style of jazz developed in the early to mid-1940s in the United States, which features songs characterized by a fast tempo, complex chord progressions with rapid chord changes and numerous changes of key, instrumental virtuosity, and improvisation based on a combination of harmonic structure, the use of scales and occasional references to the melody.

Bacharach studied music (Bachelor of Music, 1948) at Montreal's McGill University, under Helmut Blume, at the Mannes School of Music, and at the Music Academy of the West in Montecito, California. During this period he studied a range of music, including jazz harmony, which has since been important to songs which are generally considered pop music. His composition teachers included Darius Milhaud, Henry Cowell, [18] and Bohuslav Martinů. Bacharach cites Milhaud as his biggest influence, under whose guidance he wrote a "Sonatina for Violin, Oboe and Piano." [17]

Beginning work as musician

Following his tour of duty in the United States Army,[ when? ] Bacharach spent the next three years as a pianist and conductor for popular singer Vic Damone. Damone recalls: "Burt was clearly bound to go out on his own. He was an exceptionally talented, classically trained pianist, with very clear ideas on the musicality of songs, how they should be played, and what they should sound like. I appreciated his musical gifts." [19] He later worked in similar capacity for various other singers, including Polly Bergen, Steve Lawrence, the Ames Brothers and Paula Stewart (who became his first wife). When he was unable to find better jobs, Bacharach worked at resorts in the Catskill Mountains of New York, where he accompanied singers such as Joel Grey. [20]

Bacharach with Marlene Dietrich in Jerusalem, 1960 Marlene Dietrich and Burt Bacharach visit Jerusalem during a 1960 concert tour of Israel - Photo by Fritz Shlezingel.png
Bacharach with Marlene Dietrich in Jerusalem, 1960

In 1956, at the age of 28, Bacharach's productivity increased when composer Peter Matz recommended him to Marlene Dietrich, who needed an arranger and conductor for her nightclub shows. [21] He then became part-time music director for Dietrich, the actress and singer who had been an international screen star in the 1930s. [22] They toured worldwide off and on until the early 1960s; when they were not touring, he wrote songs. [23] As a result of his collaboration with Dietrich, he gained his first major recognition as a conductor and arranger. [24] [25]

In her autobiography, Dietrich wrote that Bacharach loved touring in Russia and Poland because the violinists were "extraordinary", and musicians were greatly appreciated by the public. He liked Edinburgh and Paris, along with the Scandinavian countries, and "he also felt at home in Israel", she wrote, where music was similarly "much revered". [26] [27] Their working relationship ceased by the early 1960s, after about five years with Dietrich, with Bacharach telling her that he wanted to devote his full-time to songwriting. She thought of her time with him as "seventh heaven ... As a man, he embodied everything a woman could wish for. ... How many such men are there? For me he was the only one." [26]

Songwriting career

1950s and 1960s

In 1957, Bacharach and lyricist Hal David met while at the Brill Building in New York City, and began their writing partnership. [28] They received a career breakthrough when their song "The Story of My Life" was recorded by Marty Robbins, becoming a number 1 hit on the U.S. Country Chart [29] in 1957. [18]

Bacharach with Stevie Wonder in the 1970s Burt Bacharach - jam session.jpg
Bacharach with Stevie Wonder in the 1970s

Soon afterwards, "Magic Moments" was recorded by Perry Como for RCA Records, and reached number 4 U.S. These two songs were back-to-back No. 1 singles in the UK, giving Bacharach and David the honor of being the first songwriters to have written consecutive No. 1 UK singles.

Bacharach and David formed a writing partnership in 1963. Bacharach's career received a boost when singer Jerry Butler asked to record "Make it Easy on Yourself," and wanted him to direct the recording sessions. It became the first time he managed the entire recording process for one of his own songs. [30]

In the early and mid-1960s, Bacharach wrote well over a hundred songs with David. In 1961 Bacharach discovered singer Dionne Warwick while she was a session accompanist. That year the two, along with Dionne's sister Dee Dee Warwick, released a single "Move It on the Backbeat" under the name Burt and the Backbeats. [31] The lyrics for this Bacharach composition were provided by Hal David's brother Mack David. [32] Dionne made her professional recording debut the following year with her first hit, "Don't Make Me Over". [33]

Bacharach and David then wrote more songs to make use of Warwick's singing talents, which led to one of the most successful teams in popular music history. [34] Over the next 20 years, Warwick's recordings of his songs sold over 12 million copies, [35] :23 with 38 singles making the charts and 22 in the Top 40. Among the hits were "Walk on By", "Anyone Who Had a Heart", "Alfie", "I Say a Little Prayer", "I'll Never Fall in Love Again", and "Do You Know the Way to San Jose?" She would eventually have more hits during her career than any other female vocalist except Aretha Franklin. [33]

Bacharach released his first solo album in 1965 on the Kapp Records label. "Hit Maker! Burt Bacharach Plays His Hits" was largely ignored in the US but rose to #3 on the UK album charts, where his version of "Trains and Boats and Planes" had become a top 5 single. In 1967, Bacharach signed as an artist with A&M Records, recording a mix of new material and re-arrangements of his best-known songs. He recorded for A&M until 1978.

Although Bacharach's compositions are typically more complex than the average pop song, he has expressed surprise in the fact that many jazz musicians have sought inspiration from his works, saying "I've sometimes felt that my songs are restrictive for a jazz artist. I was excited when [Stan] Getz did a whole album of my music" (What The World Needs Now: Stan Getz Plays The Burt Bacharach Songbook, Verve, 1968). [17]

His songs were adapted by a few jazz artists of the time, such as Stan Getz, Cal Tjader, Grant Green, and Wes Montgomery. The Bacharach/David composition "My Little Red Book", originally recorded by Manfred Mann for the film What's New Pussycat? , has become a rock standard. [36]

Bacharach composed and arranged the soundtrack of the 1967 film Casino Royale, which included "The Look of Love", performed by Dusty Springfield, and the title song, an instrumental Top 40 single for Herb Alpert and the Tijuana Brass. The resulting soundtrack album is widely considered to be one of the finest engineered vinyl recordings of all time, and is much sought after by audiophile collectors. [37]

Bacharach and David also collaborated with Broadway producer David Merrick on the 1968 musical Promises, Promises , which yielded two hits, including the title tune and "I'll Never Fall in Love Again." Bacharach and David wrote the song when the producer realized the play urgently needed another before its opening the next evening. Bacharach, who had just been released from the hospital after contracting pneumonia, was still sick, but worked with David's lyrics to write the song which was performed for the show's opening. It was later recorded by Dionne Warwick and was on the charts for several weeks. [35] :28

The year 1969 marked, perhaps, the most successful Bacharach-David collaboration, the Oscar-winning "Raindrops Keep Falling on My Head", written for and prominently featured in the acclaimed film Butch Cassidy and the Sundance Kid . The two were awarded a Grammy for Best Cast album of the year for "Promises, Promises" and the score was also nominated for a Tony award.

Other Oscar nominations for Best Song in the latter half of the 1960s were for "The Look Of Love", "What's New Pussycat" and "Alfie".

1970s and 1980s

He swings. He jumps. He socks imaginary tennis balls from his conductor's podium. He's a hurricane that knows where it's heading.

Rex Reed , American film critic [38]

Throughout the late 1960s and early 1970s, Bacharach continued to write and produce for artists, compose for stage, TV, and film, and release his own albums. He enjoyed a great deal of visibility in the public spotlight, appearing frequently on TV and performing live in concert. He starred in two televised musical extravaganzas: "An Evening with Burt Bacharach" and "Another Evening with Burt Bacharach," both broadcast nationally on NBC. [35] :24 Newsweek magazine gave him a lengthy cover story entitled "The Music Man 1970." [39] [ importance? ]

In 1971, Barbra Streisand appeared on "The Burt Bacharach Special," (aka "Singer Presents Burt Bacharach") where they discussed their careers and favorite songs and performed songs together. [40] [41] The other guests on the television special were dancer Rudolph Nureyev and singer Tom Jones.

In 1973, Bacharach and David wrote the score for Lost Horizon, a musical version of the 1937 film. The remake was a critical and commercial disaster and a flurry of lawsuits resulted between the composer and the lyricist, as well as from Warwick. She reportedly felt abandoned when Bacharach and David refused to work together further.

Bacharach tried several solo projects, including the 1977 album Futures, but the projects failed to yield hits. He and David reunited briefly in 1975 to write and produce other records.


By the early 1980s, Bacharach's marriage to Angie Dickinson had ended, but a new partnership with lyricist Carole Bayer Sager proved rewarding, both commercially and personally. The two married and collaborated on several major hits during the decade, including "Arthur's Theme (Best That You Can Do)" (Christopher Cross), co-written with Cross and Peter Allen; [42] "Heartlight" (Neil Diamond); [43] "Making Love" (Roberta Flack); "On My Own" (Patti LaBelle with Michael McDonald.)

Another of their hits, "That's What Friends Are For" in 1985, reunited Bacharach and Warwick. When asked about their coming together again, she explained:

We realized we were more than just friends. We were family. Time has a way of giving people the opportunity to grow and understand ... Working with Burt is not a bit different from how it used to be. He expects me to deliver and I can. He knows what I'm going to do before I do it, and the same with me. That's how intertwined we've been. [44]

Other artists continued to revive Bacharach's earlier hits in the 1980s and 1990s. Examples included Luther Vandross' recording of "A House is Not a Home"; Naked Eyes' 1983 pop hit version of "(There's) Always Something There to Remind Me", and Ronnie Milsap's 1982 country version of "Any Day Now". Bacharach continued a concert career, appearing at auditoriums throughout the world, often with large orchestras. He occasionally joined Warwick for sold-out concerts in Las Vegas, Los Angeles, and New York, where they performed at the Rainbow Room in 1996. [45]

1990s and beyond

Bacharach performing in 2013 Burt Bacharach 2013 (9219552969).jpg
Bacharach performing in 2013

In 1998, Bacharach co-wrote and recorded a Grammy-winning album with Elvis Costello, Painted from Memory , on which the compositions began to take on the sound of his earlier work. The duo later reunited for Costello's 2018 album, Look Now, working on several tracks together. [46]

In 2003, he teamed with singer Ronald Isley to release the album Here I Am, which revisited a number of his 1960s compositions in Isley's signature R&B style. Bacharach's 2005 solo album At This Time was a departure from past works in that Bacharach penned his own lyrics, some of which dealt with political themes. Guest stars on the album included Elvis Costello, Rufus Wainwright, and hip-hop producer Dr. Dre.

In 2008, Bacharach opened the BBC Electric Proms at The Roundhouse in London, performing with the BBC Concert Orchestra accompanied by guest vocalists Adele, Beth Rowley and Jamie Cullum. The concert was a retrospective look back at his six-decade career. In early 2009, Bacharach worked with Italian soul singer Karima Ammar and produced her debut single Come In Ogni Ora, which became a #4 hit.

In June, 2015, Bacharach performed in the UK at the Glastonbury Festival, [47] and a few weeks later appeared on stage at the Menier Chocolate Factory to launch 'What's It All About? Bacharach Reimagined', a 90-minute live arrangement of his hits.

In 2016, Bacharach, at 88 years old, composed and arranged his first original score in 16 years for the film A Boy Called Po (along with composer Joseph Bauer [48] ). The score was released on September 1, 2017. The entire 30-minute score was recorded in just two days at Capitol Studios. [49] The theme song Dancing With Your Shadow, was composed by Bacharach, with lyrics by Billy Mann, and performed by Sheryl Crow. [50] After seeing the film, a true story about a child with Autism, Bacharach decided he wanted to write a score for it, as well as a theme song, in tribute to his daughter Nikki — who had gone undiagnosed with Asperger syndrome, and who committed suicide at the age of 40. [51] [52] Bacharach asked Director John Asher to see the film and offered to score it. "It touched me very much," the composer says. "I had gone through this with Nikki. Sometimes you do things that make you feel. It's not about money or rewards." [49]

Though not known for political songs, Live To See Another Day was released in 2018. "Dedicated to survivors of school gun violence" proceeds for the release went to charity Sandy Hook Promise, a non-profit organization founded and led by several family members whose loved ones were killed at Sandy Hook Elementary School in 2012. A co-write with Rudy Pérez it also featured the Miami Symphony Orchestra. [53] [54]

On June 25, 2019, The New York Times Magazine listed Burt Bacharach among hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire. [55]

Film and television

Throughout the 1960s and 1970s, Bacharach was featured in a dozen television musical and variety specials videotaped in the UK for ITC; several were nominated for Emmy Awards for direction (by Dwight Hemion). The guests included artists such as Joel Grey, Dusty Springfield, [56] Dionne Warwick, and Barbra Streisand. Bacharach and David did the score for an original musical for ABC-TV titled On the Flip Side, broadcast on ABC Stage 67 , starring Ricky Nelson as a faded pop star trying for a comeback. While the ratings were dismal, the soundtrack showcased Bacharach's abilities to try different kinds of musical styles, ranging from (almost) 1960s rock, to pop, ballads, and Latin-tinged dance numbers.

In 1969, Harry Betts arranged Bacharach's instrumental composition "Nikki" (named for Bacharach's daughter) into a new theme for the ABC Movie of the Week , a television series that ran on the U.S. network until 1976.

During the 1970s, Bacharach and then-wife Angie Dickinson appeared in several television commercials for Martini & Rossi beverages, and even penned a short jingle ("Say Yes") for the spots. Bacharach also occasionally appeared on television/variety shows, such as The Merv Griffin Show , The Tonight Show Starring Johnny Carson , and many others.

In the 1990s and 2000s, Bacharach had cameo roles in Hollywood movies, including all three Austin Powers movies, inspired by his score for the 1967 James Bond parody film Casino Royale .

Bacharach appeared as a celebrity performer and guest vocal coach for contestants on the television show, "American Idol" during the 2006 season, during which an entire episode was dedicated to his music. In 2008, Bacharach featured in the BBC Electric Proms at The Roundhouse with the BBC Concert Orchestra. [57] He performed similar shows in the same year at the Walt Disney Concert Hall [58] and with the Sydney Symphony.

Musical style

The whole room would come to life with his conducting — the way he would look over at the drummer and with just a flick of his finger, things could happen. Once the groove was happening in the room, forget it; there was nothing like it. And everything, including the strings, responded to the kind of body movement that Burt had. He brings an incredible amount of life to the studio. He's probably one of the most amazing musicians in the world.

—Record producer Phil Ramone [59]

Bacharach's music is characterized by unusual chord progressions, influenced by jazz harmony, with striking syncopated rhythmic patterns, irregular phrasing, frequent modulation, and odd, changing meters. He arranged, conducted, and produced much of his recorded output. [60] Though his style is sometimes called "easy listening", he has expressed apprehension regarding that label. According to NJ.com contributor Mark Voger, "It may be easy on the ears, but it's anything but easy. The precise arrangements, the on-a-dime shifts in meter, and the mouthfuls of lyrics required to service all those notes have, over the years, proven challenging to singers and musicians." [61] Bacharach's selection of instruments included flugelhorns, bossa nova sidesticks, breezy flutes, molto fortissimo strings and cooing female voices. [59] According to editors of The Mojo Collection, it led to what became known as the "Bacharach Sound." [59] He explains:

I didn't want to make the songs the same way as they'd been done, so I'd split vocals and instrumentals and try to make it interesting  ... For me, it's about the peaks and valleys of where a record can take you. You can tell a story and be able to be explosive one minute, then get quiet as kind of a satisfying resolution. [59]

While he did not mind singing during live performances, he sought mostly to avoid it on records. When he did sing, he explains, "I [tried] to sing the songs not as a singer, but just interpreting it as a composer and interpreting a great lyric that Hal [David] wrote." [59] When performing in front of live audiences, he would often conduct while playing piano., [62] as he did during a televised performance on The Hollywood Palace , where he played piano and conducted at the same time. [63]

Personal life

With actress-wife Angie Dickinson in 1965 Burt Bacharach - Angie Dickinson -1965.jpg
With actress-wife Angie Dickinson in 1965

Bacharach has been married four times. His first marriage was to Paula Stewart and lasted five years (1953–1958). His second marriage was to actress Angie Dickinson, lasting for 15 years (1965–1980). [14] Bacharach and Dickinson had a child, a daughter named Nikki Bacharach, who struggled with mental health problems. Nikki died by suicide in 2007 at the age of 40. [64]

Bacharach's third marriage was to lyricist Carole Bayer Sager, which lasted nine years (1982–1991). Bacharach and Bayer Sager collaborated on a number of musical pieces and adopted a son named Christopher. Bacharach married his fourth wife, Jane Hansen, in 1993; they have two children, a son named Oliver, and a daughter named Raleigh. [23] His autobiography, Anyone Who Had a Heart, was published in 2013.

Honors and awards

The success of their creative genius continues today as they each add new songs to what is without question one of the richest and most recognizable multi-generational playlists known to the world. Their creative talents have inspired songwriters for more than five decades, and their legacy is much in the tradition of George and Ira Gershwin, for whom this award is named.

—Librarian of Congress, James H. Billington, 2011 [67]

Television and film appearances

Discography

Albums

Broadway works

Other recordings

As arranger, conductor
As composer
Tribute albums

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Make Way for Dionne Warwick is the third album by American singer Dionne Warwick, released in 1964 on the Scepter label. It was produced by Burt Bacharach and Hal David.

<i>Dionne Warwick in Paris</i> 1966 live album by Dionne Warwick

Dionne Warwick in Paris is Dionne Warwick's sixth album, and was released in 1966 on Scepter Records. It was recorded during Warwick's five-week engagement at the Paris Olympia in January 1966 and was released shortly after the tour was completed. The LP was issued as number 534 in the Scepter Catalog. The liner of this LP is pink with three pictures of Warwick side-by-side, not unlike the Make Way for Dionne Warwick album two years earlier.

<i>Dionne Warwick in Valley of the Dolls</i> 1968 studio album by Dionne Warwick

Dionne Warwick in Valley of the Dolls is the title of Dionne Warwick's tenth album for the Scepter label. It was recorded during the summer and fall of 1967 and was released early the next year. It was recorded at A&R and Bell Sound Studios in New York City and was produced by Burt Bacharach and Hal David.

What the World Needs Now Is Love 1965 single by Jackie DeShannon

"What the World Needs Now Is Love" is a 1965 popular song with lyrics by Hal David and music composed by Burt Bacharach. First recorded and made popular by Jackie DeShannon, it was released on April 15, 1965, on the Imperial label after a release on sister label Liberty records the previous month was canceled. It peaked at number seven on the US Hot 100 in July of that year. In Canada, the song reached number one.

Message to Michael 1966 single by Dionne Warwick

"Message to Michael" is a song written by Burt Bacharach and Hal David, that has been a hit for several different artists under several different titles. The song was first recorded as "Message to Martha" by Jerry Butler in 1962. In 1964, singer Lou Johnson had a minor US hit with the song, with the title "Kentucky Bluebird". The British singer Adam Faith also recorded the song as "A Message to Martha " in 1965, and had a substantial hit with it in the UK Singles Chart, reaching No. 12. Exactly the same recording was issued in Australia as "Message to Martha", where it was a No. 15 hit for Faith. Americans are probably most familiar with the 1966 Top Ten version by Dionne Warwick, which was titled "Message To Michael".

"Wives and Lovers" is a 1963 song by Burt Bacharach and Hal David. It has been recorded by numerous male and female vocalists, instrumentalists and ensembles, most notably by Jack Jones in 1963. That recording earned the 1964 Grammy Award for Best Vocal Performance, Male, and peaked at number fourteen on the Hot 100 and number nine on the Easy Listening chart.

"The Windows of the World" is a song written by Burt Bacharach (music) and Hal David (lyrics) which was a hit single for Dionne Warwick in 1967.

Peter Matz was an American musician, composer, arranger and conductor. His musical career in film, theater, television and studio recording spanned fifty years, and he worked with a number of prominent artists, including Marlene Dietrich, Noël Coward and Barbra Streisand. Matz won three Emmys and a Grammy Award, and is best known for his work on Streisand's early albums.

<i>Promises, Promises</i> (Dionne Warwick album) 1968 studio album by Dionne Warwick

Promises, Promises is a 1968 album by Dionne Warwick, and her 11th studio album. Like many of her previous albums, it was produced by the songwriting team of Burt Bacharach and Hal David. The album includes three songs from the musical Promises, Promises, for which Bacharach and David wrote the music, and which would premiere a month after the album was released: the title song, "Whoever You Are " and "Wanting Things". The album also includes two other Bacharach/David compositions, "This Girl's in Love With You" and "Who Is Gonna Love Me".

"Trains and Boats and Planes" is a song written by composer Burt Bacharach and lyricist Hal David, and first recorded in 1965. Hit versions were recorded by Bacharach and by Billy J. Kramer and the Dakotas in 1965, and by Dionne Warwick in 1966.

Rob Shirakbari American-born musician (keyboards/piano), composer, producer, and orchestrator

Rob (Shrock) Shirakbari is an American musician, composer, record producer, and arranger, best known for being long-time music director for Dionne Warwick (1985–present) and Burt Bacharach and as producer, co-writer, and music director for Rumer (musician) (2013–present).

"Are You There " is a song written by Burt Bacharach and Hal David for American singer Dionne Warwick. Her version, released as a single on December 1965, eventually reached number 39 on the Billboard charts. It also appears as the 10th track on her album Here I Am (1965).

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Sources