His Call is a 1925 Soviet drama film directed by Yakov Protazanov. It was also released as 23 January in the Soviet Union and as Broken Chains in the United States.
Number 17 is a 1928 German-British silent crime film directed by Géza von Bolváry and starring Guy Newall, Lien Deyers, and Carl de Vogt.
Lien Deyers was a Dutch actress based in Germany.
The Prince of Rogues is a 1928 German silent drama film directed by Curtis Bernhardt and starring Hans Stüwe, Lissy Arna and Albert Steinrück. It was shot at the Johannisthal Studios in Berlin. The film's art direction was by Heinrich Richter. The story depicts the life of the 18th century outlaw Schinderhannes. It is based on a 1927 play Schinderhannes by Carl Zuckmayer.
Cagliostro is a 1929 silent drama film directed by Richard Oswald and starring Hans Stüwe, Renée Héribel and Alfred Abel. It depicts the life of the eighteenth century Italian occultist Alessandro Cagliostro, portraying him more sympathetically than in most other works. It was based on a novel by Johannes von Guenther.
My Heart is a Jazz Band is a 1929 German silent drama film directed by Frederic Zelnik and starring Lya Mara, Raimondo Van Riel and Heinrich Gotho. The film's art direction was by Andrej Andrejew. It premiered on 28 January 1929. It shares its title with a popular 1920s song of the same name.
A Sister of Six is a 1926 silent romantic comedy film directed by Ragnar Hyltén-Cavallius and starring Willy Fritsch, Betty Balfour and Lydia Potechina. It was a co-production between Germany, Sweden and the United Kingdom. It was shot at the Tempelhof Studios in Berlin. The film's sets were designed by the Swedish art director Vilhelm Bryde.
Ivan Koval-Samborsky was a Ukrainian stage and film actor. After establishing himself in the Soviet film industry in the 1920s, he briefly went to work in Germany during the late 1920s before returning to Russia following the arrival of sound. In 1938 he was arrested by the Soviet authorities leading to his most recent film, the anti-Nazi The Swamp Soldiers, having to be reshot to minimize his role. He didn't appear in another film until 1957.
Mary Lou (German:Mary-Lou) is a 1928 German silent film directed by Frederic Zelnik and starring Lya Mara, Fred Louis Lerch and Ivan Koval-Samborsky.
Love in the Cowshed is a 1928 German silent drama film directed by Carl Froelich and starring Henny Porten, Toni Tetzlaff and Eugen Neufeld. The film's art direction was by Gustav A. Knauer and Willy Schiller. It was distributed by the German branch of Universal Pictures.
Love is a 1927 German silent film directed by Paul Czinner and starring Elisabeth Bergner, Agnes Esterhazy and Elza Temary.
Elza Temary [Elsa Temary] was a Hungarian film actress.
Mary's Big Secret is a 1928 German silent film directed by Guido Brignone.
Mascots is a 1929 German silent film directed by Felix Basch and starring Käthe von Nagy, Jeanne Helbling, and Muriel Angelus. It is based on an operetta by Walter Bromme and Georg Okonkowski.
Triumph of Love is a 1929 German silent film directed by William Dieterle and starring Dieterle, Lien Deyers and Olaf Fønss.
Sprengbagger 1010 is a 1929 German silent film directed by Carl Ludwig Achaz-Duisberg and starring Heinrich George, Viola Garden and Ivan Koval-Samborsky.
Knights of the Night is a 1928 German silent film directed by Max Reichmann and starring Ivan Koval-Samborsky, Georges Charlia, and La Jana.
Transit Camp or Temporary Shelter is a 1932 French-German drama film directed by Max Reichmann and starring Ivan Koval-Samborsky, Berthe Ostyn and Meg Lemonnier. It was made as a polyglot film with each actor speaking in their own language. It is set amongst the travelling circus community.
When the Guard Marches or The Girl from The Spree Woods is a 1928 German silent comedy film directed by Hans Steinhoff and starring Claire Rommer, Fred Solm and Wera Engels.
The Yellow Ticket or Earth in Captivity is a 1928 Soviet silent drama film directed by Fyodor Otsep and starring Anna Sten, Ivan Koval-Samborsky and Mikhail Narokov.
