Calenture | ||||
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Studio album by | ||||
Released | November 1987 | |||
Recorded | April – August 1987
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Genre | Rock, folk rock | |||
Length | 46:24 | |||
Label | White/Hot, Island, Domino | |||
Producer | Gil Norton, The Triffids, Craig Leon | |||
The Triffids chronology | ||||
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Singles from Calenture | ||||
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Calenture is the fourth studio album by Australian rock group The Triffids, it was released in November 1987 and saw them explore themes of insanity, deception and rootlessness—the title refers to a fever suffered by sailors during long hot voyages. [1] It reached No. 32 on the Australian Kent Music Report Albums Chart. In November 1987, it reached No. 24 on the Swedish Albums Chart, in May 1988 it peaked at No. 25 on the New Zealand Albums Chart. The album spawned three singles, "Bury Me Deep in Love" (1987), "Trick of the Light" and "Holy Water" (both in 1988). The latter track was recorded with American producer Craig Leon.
In 2007 Calenture was re-released as a 2× CD with five bonus tracks on the first disc and twelve tracks on the second disc, mostly rehearsal or studio demos of the original album tracks. In February it appeared on the Belgium Albums Chart Top 60.
The recording sessions for Calenture began in April 1987 with American producer Craig Leon appointed by Island Records. [2] However, it became clear, at least to The Triffids, that Leon (and Island Records) were primarily interested in lead singer and lead guitarist David McComb and not the rest of the band: [3] Alsy MacDonald on drums and backing vocals; Robert McComb on guitar, backing vocals and violin; Martyn P. Casey on bass guitar; Jill Birt on keyboards; and Graham Lee on guitar. [4] [5] "Bury Me Deep in Love" and "Holy Water" were recorded as singles but the group were not satisfied with Leon. [2] According to Lee:
In the tried and true way of all major labels at the time, they really wanted to sign Dave but got a troublesome band instead. It was probably Island's insistence that Alsy and Marty weren't up to it that caused the Craig Leon sessions to be the unmitigated disaster that they were. Now I could be wrong here, maybe Craig wanted them out, maybe both. We were pretty much forced to let a couple of session guys stand in – no names because it wasn't their fault – and we could tell straight away that this was applying a straightener to the normally unruly quiff that was the band. It was also sucking the essence of the band out. Anyway, it's a sorry little interlude that I should draw the curtain on. The sessions were scrapped and we were allowed to be The Triffids again. [3]
Island Records then brought in Lenny Kaye, "who made a few suggestions... 'Some of them were a bit odd' David recalls, 'like his calypso/reggae version of "Trick of the Light"' Rob: 'A bit odd! Basically we just shot them down in flames'". [2] Nevertheless Kaye felt that the Triffids and their material were impressive enough and that they did not need his help. [2] [3] Eventually Gil Norton who had worked on their 1986 album, Born Sandy Devotional , was brought back to re-record Calenture. [2] [3] The album was released in November 1987 by White/Hot Records for the Australian market and by Island Records for Europe, United Kingdom, and United States. [4] [6]
In 2007 Domino Records released a remastered edition as a 2× CD with five bonus tracks on the first disc and a second disc including 12 bonus tracks, mostly rehearsal demos of the original album's tracks.
The term calenture is described in the sleeve notes as: "Tropical fever or delirium suffered by sailors after long periods away from land, who imagine the seas to be green fields and desire to leap into them". [2] [5] In February 1988 David McComb, in an interview with Paul Mathur and Stephen Phillips for Rock Australia Magazine (RAM), described Calenture as an "over-the-top record" and even called it the Triffids' Heaven's Gate . [2] The Triffids were nomadic, travelling back and forth from Australia to England to record the 'difficult' album and related to the disoriented sailors. [7] [8] [9]
David McComb is the principal songwriter, "it's upon [his] shoulders that most of the weight has been borne. It's the weight of lyrics which have been far more personal now... so intensely personal you can almost feel the pain". [10] Wilson Neate of Perfect Sound Forever found that a "sense of alienation, betrayal, insanity and solitude still permeates his writing, although Calenture seems less explicitly imbued with Western Australian imagery than the previous records". [3] Mathur and Phillips describe the album as "far and away the most 'produced' record The Triffids have ever done... packed full of little electronic surprises: drum computers, synthesisers, samplers, even a gadget that goes 'woop'". [2]
Review scores | |
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Source | Rating |
AllMusic | ![]() ![]() ![]() ![]() ![]() |
Encyclopedia of Popular Music | ![]() ![]() ![]() ![]() ![]() |
Gigwise | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
The Great Rock Discography | 8/10 [14] |
The Irish Times | ![]() ![]() ![]() ![]() ![]() |
NME | ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() ![]() |
Ox-Fanzine | 10/10 [17] |
Record Collector | ![]() ![]() ![]() ![]() ![]() |
Rolling Stone | ![]() ![]() ![]() ![]() ![]() |
Calenture, saw The Triffids explore themes of insanity, deception and rootlessness. [3] [7] [9] AllMusic's Michael Sutton found "there's an undeniably spiritual feel to several of the songs" where "David McComb spews his words with the fiery passion of a backwoods preacher". [11] Sutton advises "Fans of Nick Cave will immediately be seduced by McComb's bluesy croon; deep and brimming with palpable sorrow, [his] voice never dwindles in intensity". [11] David Fricke writing for Rolling Stone observed that the album "is about the chills and delusions suffered by lovers separated too long from each other and from reality". [19] Mathur and Phillips summarised, "[it] is a precise and masterful record. Eleven songs and one instrumental together illustrate the heights which such finely crafted music can attain". [2] NME 's Stephen Worthy reviewed the 2007 version and felt it was "even more difficult to understand why [the band] weren’t at rock’s top table with U2 and R.E.M.". [16] Mess+Noise's Lauren Zoric compared the 2007 versions of Calenture and In the Pines (originally issued in 1986), "Calenture emerged from the woolshed chrysalis. It is The Triffids' pop album, and remains a sweeping, majestic masterpiece. McComb's voice is overwhelming, a terrifying embodiment of ruinous emotions reined into literary form". [20]
The album was included in the book 1001 Albums You Must Hear Before You Die . [21]
All tracks are written by David McComb, [5] [22] unless otherwise noted
No. | Title | Length |
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1. | "Bury Me Deep in Love" | 4:04 |
2. | "Kelly's Blues" | 4:34 |
3. | "Trick of the Light" (David McComb, Graham Lee) | 3:50 |
4. | "Hometown Farewell Kiss" | 4:33 |
5. | "Unmade Love" | 4:01 |
6. | "Open for You" (Jill Birt) | 3:05 |
7. | "Holy Water" | 3:17 |
8. | "Blinder by the Hour" | 4:24 |
9. | "Vagabond Holes" | 3:57 |
10. | "Jerdacuttup Man" (McComb, James Paterson) | 4:59 |
11. | "Calenture" | 1:10 |
12. | "Save What You Can" (McComb, Paterson) | 4:30 |
All tracks are written by David McComb, [22] [23] unless otherwise noted
No. | Title | Length |
---|---|---|
1. | "Bury Me Deep in Love" | 4:04 |
2. | "Kelly's Blues" | 4:34 |
3. | "Trick of the Light" (David McComb, Graham Lee) | 3:50 |
4. | "Hometown Farewell Kiss" | 4:33 |
5. | "Unmade Love" | 4:01 |
6. | "Open for You" (Jill Birt) | 3:05 |
7. | "Holy Water" | 3:17 |
8. | "Blinder by the Hour" | 4:24 |
9. | "Vagabond Holes" | 3:57 |
10. | "Jerdacuttup Man" (McComb, James Paterson) | 4:59 |
11. | "Calenture" | 1:10 |
12. | "Save What You Can" (McComb, Paterson) | 4:30 |
13. | "Baby Can I Walk You Home" (Bonus track) | 2:38 |
14. | "Region Unknown" (Bonus track) | 4:11 |
15. | "Love the Fever" (McComb, Adam Peters) (Bonus track) | 4:43 |
16. | "Bad News Always Reminds Me of You" (Bonus track) | 3:15 |
17. | "Everything You Touch Turns to Time" (Bonus track) | 3:29 |
Total length: | 64:40 |
All tracks are written by David McComb, [22] [23] unless otherwise noted
No. | Title | Demo type | Length |
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1. | "Bury Me Deep in Love" | rehearsal | 4:16 |
2. | "Kelly's Blues" | rehearsal | 4:10 |
3. | "A Trick of the Light" (David McComb, Graham Lee) | rehearsal | 3:05 |
4. | "Hometown Farewell Kiss" | rehearsal | 4:25 |
5. | "There Must Be a Curse on Me" | studio | 3:48 |
6. | "Open for You" (Jill Birt) | rehearsal | 2:22 |
7. | "Burned" | studio | 4:16 |
8. | "Blinder by the Hour" | rehearsal | 2:58 |
9. | "Vagabond Holes" | rehearsal | 4:08 |
10. | "Jerdacuttup Man" (McComb, James Paterson) | rehearsal | 3:57 |
11. | "Save What You Can" (McComb, Paterson) | studio | 4:08 |
12. | "Calentura" | original | 1:42 |
Total length: | 43:15 |
Country | Provider(s) | Peak position |
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Australia [24] [25] | ARIA | 32 |
Belgium [26] | Ultratop | 58 |
New Zealand [27] | RIANZ | 25 |
Sweden [28] | Sverigetopplistan | 24 |
Credits for Callenture: [2] [4] [29]
The Triffids were an Australian alternative rock and pop band, formed in Perth in Western Australia in May 1978 with David McComb as singer-songwriter, guitarist, bass guitarist and keyboardist. They achieved some success in Australia, but greater success in the UK and Scandinavia in the 1980s before disbanding in 1989. Their best-known songs include "Wide Open Road" and "Bury Me Deep in Love". SBS television featured their 1986 album, Born Sandy Devotional, on the Great Australian Albums series in 2007, and in 2010 it ranked 5th in the book The 100 Best Australian Albums by Toby Creswell, Craig Mathieson and John O'Donnell.
David Richard McComb was an Australian musician. He was the singer-songwriter and guitarist of the Australian bands, The Triffids (1976–89) and The Blackeyed Susans (1989–93). He also had a solo career including leading David McComb and The Red Ponies.
Martyn Paul Casey is an English-born Australian rock bass guitarist. He has been a member of the Triffids, Nick Cave and the Bad Seeds and Grinderman. Casey plays either his Fender Precision Bass or Fender Jazz Bass.
Born Sandy Devotional is the second studio album by the Triffids, released in March 1986.
In The Pines is an album by The Triffids, released in August 1986, which reached No. 69 on the Australian Album Charts.
Love In Bright Landscapes is an anthology by Australian folk rock group, The Triffids, which was released in 1986. The original LP had ten tracks compiled from their album, EP and single releases in the period from 1983 to 1985, during which time the group were resident in Perth, Sydney and London. Three additional tracks from the same sources were included on the later CD version of the album.
The Black Swan is the fifth and final studio album by The Triffids, released in April 1989 and peaking at No. 59 on the Australian Album Charts. The album was originally conceived as a double album.
Stockholm is a live recording by Australian rock group, The Triffids, released in July 1990 and is the final official recording by the band. All tracks were recorded live in Stockholm in 1989 for Swedish National Radio, The Bommen Show. The album was produced by Lars Aldman, engineered by Michael Bergek, and mixed at Planet Sound Studios, Perth on 15, 16 and 17 September 1989 by James Hewgill and David McComb.
Lawson Square Infirmary was a 12" extended play released in November 1984 by the Triffids and James Paterson under the collaborative project of the same name. In 2008 all six tracks from the EP were included on the compilation Beautiful Waste and Other Songs.
Raining Pleasure is a record released in 1984 by the Australian folk rock group The Triffids as a 12" vinyl EP. It reached No. 95 on the Australian Charts. Its seven tracks were co-produced by the group with Nick Mainsbridge who also supplied trumpet.
Alan MacDonald is an Australian musician and lawyer, best known as the drummer of the 1980s band the Triffids, where he performed under his nickname 'Alsy'.
"Trick of the Light" is a single released in January 1988 by Australian group The Triffids from their album Calenture. The single appeared in 7", 10", 12" and CD single versions. It was produced by Gil Norton and written by David McComb. The B-Side "Love the Fever" was co-written by David McComb and Adam Peters and was produced by Peters. It was recorded in August 1986.
Bury Me Deep in Love is a single released by Australian rock group The Triffids from their album Calenture. It appeared in October 1987 and reached No. 48 on the Australian Kent Music Report Singles Chart. It was produced by Gil Norton and written by David McComb, the group's lead singer and guitarist. The B-sides "Baby Can I Walk You Home" and "Region Unknown" were produced by Victor Van Vugt and The Triffids. The single was released as 7", 12" & CD single versions.
"Wide Open Road" is a single released in 1986 by Australian rock band The Triffids from their album Born Sandy Devotional. It was produced by Gil Norton and written by David McComb on vocals, keyboards and guitar. The B-side "Time of Weakness" was recorded live at the Graphic Arts Club, Sydney, November 1985 by Mitch Jones, mixed by Rob Muir. "Dear Miss Lonely Hearts" was recorded at Planet Sound Studios, Perth and produced by the Triffids. "Wide Open Road" reached No. 26 on the UK Singles Chart in 1986, and No. 64 on the Australian Kent Music Report Singles Chart. In May 2001 the Australasian Performing Right Association (APRA), as part of its 75th Anniversary celebrations, named "Wide Open Road" as one of the Top 30 Australian songs of all time.
"Goodbye Little Boy" was the first single released in March 1989 by Australian group The Triffids ahead of their album The Black Swan. Lead vocals are provided by Jill Birt, their keyboardist, instead of David McComb, the group's usual lead singer. Birt is also featured on the single's front cover.
"Holy Water" was the third single taken from Australian rock group The Triffids' Calenture album, and was released in August 1988. It was produced by Craig Leon and was written by lead guitarist and lead singer David McComb. This was one of only two tracks that resulted from Leon's production of the band's fourth album. The production costs of Leon's efforts were more than the total costs of the band's break-through album, Born Sandy Devotional. The record sleeve however credits the production to Gil Norton who produced the remainder of the album with the band. The single was released as 7", 12" and CD single versions by Island Records but failed to chart in either Australia or the United Kingdom.
Love of Will is the only studio album by David McComb, released in March 1994. The album was recorded and mixed between June and August 1993, at Platinum Studios with additional mixing at Metropolis and Sing Sing Studios. McComb selected 13 songs out of a pile of 35 and recorded them at Platinum Studios, Melbourne with producer Nick Mainsbridge, together with freelance musical directors Graham Lee and David McComb, and assistant engineers Kalju Tonuma and Phil Jones.
"Falling Over You" was the second single, released in September 1989, by Australian rock group The Triffids from their album The Black Swan. It was produced by Stephen Street and co-written by David McComb and Adam Peters. The tracks were recorded between September and October 1988 at The Justice Room, Cathanger, Somerset and mixed at Fallout Shelter, London, November 1988. "You Minus Me" was written and produced by McComb. The single appeared as a 7", 12" and cassette single version.
Jillian Margaret Birt is an Australian rock musician and architect. Birt was the keyboardist and vocalist of the alternative rock and pop band, The Triffids from 1983 to 1989. In 2008, The Triffids were inducted into the Australian Recording Industry Association Hall of Fame.
The Triffids were an Australian rock band from Perth, Western Australia. They have released five studio albums, one live album, ten singles, six extended plays, nine cassette tapes, four compilation albums and a video album. The Triffids formed in 1978 by mainstay David McComb, his school friend Alsy MacDonald together with Phil Kakulas. Their first release was a cassette tape, Triffids 1st recorded in May, by September they had added Byron Sinclair and released, Triffids 2nd with four more cassette tapes released by 1981. Considerable line-up changes had occurred resulting in McComb and MacDonald with Will Akers, Margaret Gillard, Robert McComb and Mark Peters. "Stand Up", their first single, was released in July 1981 from Triffids 6th. Their first extended play, Reverie appeared in November 1982.
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