Calisto Bassi (Cremona, beginning of the 19th century – Abbiategrasso, c. 1860) was an Italian opera librettist.
Cremona is a city and comune in northern Italy, situated in Lombardy, on the left bank of the Po River in the middle of the Pianura Padana. It is the capital of the province of Cremona and the seat of the local city and province governments. The city of Cremona is especially noted for its musical history and traditions, including some of the earliest and most renowned luthiers, such as Giuseppe Guarneri, Antonio Stradivari, Francesco Rugeri, Vincenzo Rugeri, and several members of the Amati family.
Abbiategrasso, formerly written Abbiate Grasso, is a comune and town in the Metropolitan City of Milan, Lombardy, northern Italy, situated in the Po valley approximately 22 kilometres from Milan and 38 kilometres from Pavia.
Italy, officially the Italian Republic, is a country in Southern and Western Europe. Located in the middle of the Mediterranean Sea, Italy shares open land borders with France, Switzerland, Austria, Slovenia and the enclaved microstates San Marino and Vatican City. Italy covers an area of 301,340 km2 (116,350 sq mi) and has a largely temperate seasonal and Mediterranean climate. With around 61 million inhabitants, it is the fourth-most populous EU member state and the most populous country in Southern Europe.
Bassi wrote many original librettos and was also active as translator into Italian of several librettos from other languages. For many years he was also stage director at La Scala in Milan.
La Scala is an opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the Nuovo Regio Ducale Teatro alla Scala. The premiere performance was Antonio Salieri's Europa riconosciuta.
|Le nozze di Telemaco e Antiope||azione lirica||3 acts||Saverio Mercadante||5 November 1824||Vienna, Theater am Kärntnertor|
|Il podestà di Burgos ossia Il signore del villaggio||melodramma giocoso||2 acts||Saverio Mercadante||20 November 1824||Vienna, Theater am Kärntnertor|
|I Crociati a Tolemaide ovvero Malek-Adel||melodramma serio||2 acts||Giovanni Pacini||13 November 1828||Trieste, Teatro Grande|
|Il solitario||opera seria||2 acts||Giuseppe Persiani||26 April 1829||Milan, Teatro alla Scala|
|La vendetta||melodramma tragico||2 acts||Cesare Pugni||11 February 1832||Milan, Teatro alla Scala|
|Ricciarda di Edimburgo||dramma serio||2 acts||Cesare Pugni||29 September 1832||Trieste, Teatro Grande|
|Iacopo di Valenza||melodramma||2 acts||Ruggero Manna||Autumn 1832||Trieste, Teatro Grande|
|Il carrozzino da vendere||melodramma comico||1 act||Angelo Frondoni||29 June 1833||Milan, Teatro alla Scala|
|Amelia, ossia Otto anni di costanza||melodramma comico||3 acts||Lauro Rossi||31 December 1834||Napoli, Teatro San Carlo|
|I tre mariti||farsa||1 act||Giovanni Luigi Bazzoni||24 June 1836||Milan, Teatro alla Canobbiana|
|La bella Celeste degli Spadari||melodramma comico||2 acts||Pietro Antonio Coppola||14 June 1837||Milan, Teatro alla Canobbiana|
|L'ammalata e il consulto||melodramma comico||1 act||Giuseppe Manusardi||24 June 1837||Milan, Teatro alla Canobbiana|
|Salvator Rosa||farsa||3 acts||Giovanni Luigi Bazzoni||27 June 1837||Milan, Teatro alla Canobbiana|
|I ciarlatani||melodramma buffo||2 acts||Giacomo Panizza||29 October 1839||Milan, Teatro alla Scala|
|Il solitario||opera seria||2 acts||Achille Peri||29 May 1841||Reggio Emilia, Teatro Comunale|
|Il Buontempone di Porta Ticinese in Milano, ossia Sabato Domenica e Lunedì||melodramma buffo||3 acts||Placido Mandanici||16 June 1841||Milan, Teatro alla Scala|
|Il birichino di Parigi||melodramma||1 act||Giuseppe Manusardi||25 June 1841||Milan, Teatro alla Scala|
|Rosalia di San Miniato||melodramma semiserio||1 act||Antonio Cagnoni||28 February 1845||Milan, Conservatory|
|Azema di Granata, ovvero Gli Abencerragi ed i Zegrini||melodramma tragico||2 acts||Lauro Rossi||21 March 1846||Milan, Teatro alla Scala|
|Don Bucefalo||melodramma giocoso||3 acts||Antonio Cagnoni||28 June 1847||Milan, Conservatory|
|Il testamento di Figaro||melodramma comico||3 acts||Antonio Cagnoni||26 February 1848||Milan, Teatro Re|
|Mezz'ora all'Inferno||cantata fantastica||Luigi Pirola||1850||Milan, Teatro Carcano|
|Due mogli in una||melodramma giocoso||2 acts||Cesare Dominiceti||30 June 1853||Milan, Teatro Filodrammatici|
|Ida di Danimarca|
(Revision of La fidanzata di Lammermoor, after Scott's The Bride of Lammermoor )
|opera||3 acts||Luigi Rieschi||29 July 1854||Milan, Teatro Carcano|
|Elodia di San Mauro||melodramma||3 acts||Giovanni Battista Meiners||Spring 1855||Milan, Teatro Carcano|
This is a partial list of librettos translated into Italian by Bassi. Location and date refer to the first performance of the translated version.
Le siège de Corinthe is an opera in three acts by Gioachino Rossini set to a French libretto by Luigi Balocchi and Alexandre Soumet, which was based on the reworking of some of the music from the composer's 1820 opera for Naples, Maometto II, the libretto of which was written by Cesare della Valle.
Gioachino Antonio Rossini was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.
William Tell is a folk hero of Switzerland. According to the legend, Tell was an expert marksman with the crossbow who assassinated Albrecht Gessler, a tyrannical reeve of the Habsburg dukes positioned in Altdorf, in the canton of Uri. Tell's defiance and tyrannicide encouraged the population to open rebellion and a pact against the foreign rulers with neighbouring Schwyz and Unterwalden, marking the foundation of the Swiss Confederacy.
The Dizionario Biografico degli Italiani is a biographical dictionary published by the Istituto dell'Enciclopedia Italiana, started in 1925 and not yet completed. It is planned to include about 40,000 biographies of distinguished Italians. The entries are signed by their authors and provide a rich bibliography.
|This biographical article about an Italian writer or poet is a stub. You can help Wikipedia by expanding it.|
Felice Romani was an Italian poet and scholar of literature and mythology who wrote many librettos for the opera composers Donizetti and Bellini. Romani was considered the finest Italian librettist between Metastasio and Boito.
Patrizia Ciofi is an Italian operatic coloratura soprano.
Hariclea Darclée was a celebrated Romanian operatic soprano of Greek origin who had a three-decade-long career.
Giuseppe Farinelli was an Italian composer active at the end of the 18th century and the beginning of the 19th century who excelled in writing opera buffas. Considered the successor and most successful imitator of Domenico Cimarosa, the greatest of his roughly 60 operas include I riti d'Efeso, La contadina bizzarra and Ginevra degli Almieri. More than 2/3 of his operas were produced between 1800-1810 at the height of his popularity. With the arrival of Gioachino Rossini his operas became less desirable with the public, and by 1817 his operas were no longer performed. His other compositions include 3 piano forte sonatas, 3 oratorios, 11 cantatas, 5 masses, 2 Te Deums, a Stabat mater, a Salve regina, a Tantum ergo, numerous motets, and several other sacred works.
Giacomo Prestia is an Italian operatic bass,
Domenico Reina was a Swiss bel canto tenor, notable for creating roles in the operas of Vincenzo Bellini, Gaetano Donizetti, Saverio Mercadante, and other Italian composers.
Giovanni Battista Verger was an Italian operatic tenor and impresario. He particularly excelled in the operas of Gioachino Rossini and Gaetano Donizetti.
Adelaide Tosi was an Italian operatic soprano.
Bernadette Manca di Nissa is an Italian operatic contralto who has sung leading roles in the principal opera houses of Italy as well as internationally. She has appeared at La Scala in Milan, La Fenice in Venice, Teatro San Carlo in Naples, and the Maggio Musicale Fiorentino in Florence as well as at the Royal Opera House, Covent Garden and Gran Teatre del Liceu in Barcelona.
Gottardo Aldighieri was an Italian operatic baritone who had a major opera career in Italy from 1858 to 1885. He possessed a powerful and beautiful voice and appeared on the stages of most of Italy's great opera houses. He sang a broad repertoire which encompassed works by Italian, French, and German composers. His vocal range was wide, which enabled him to tackle some tenor roles during his career, although he mostly stayed within the baritone repertory. The composer Luigi Arditi devoted his famous waltz song, Il bacio, to him. He was married to the soprano Maria Spezia-Aldighieri, who also had an important opera career in Italy. He is the great grandfather of singer George Aaron.
Eugenio Cavallini was an Italian conductor, composer, violinist, and violist. In 1833 he became first violinist of the orchestra at La Scala, a post he held through 1855. He also served as a conductor at La Scala, notably leading the world premieres of Gaetano Donizetti's Lucrezia Borgia (1833), Donizetti's Gemma di Vergy (1834), Donizetti's Maria Stuarda (1835), Saverio Mercadante's Il giuramento (1837), Mercadante's Il bravo (1839), Giuseppe Verdi's Oberto (1839), Verdi's Un giorno di regno (1840), Donizetti's Maria Padilla (1841), Verdi's Nabucco (1842), Verdi's I Lombardi alla prima crociata (1843), Verdi's Giovanna d'Arco (1845), Federico Ricci's Estella di Murcia (1846), and Domenico Ronzani's Salvator Rosa (1854).
Raffaele Scalese (1800–1884) was an Italian operatic bass who specialized in the opera buffa repertoire. He was active in Italy's major opera houses from the mid-1820s up into the 1860s. He also appeared internationally in opera houses in Austria, Portugal, and France. The last years of his career were spent performing in Paris in the late 1860s where he remained after his retirement from the stage.
Ferdinando Orlandi, also referred to as Orland and Orlando. Little is known of his early life and his year of birth is also cited as 1777. He was an Italian musician and teacher of singing who composed cantatas and sacred music, but was particularly known for his operas, not all of which have survived. He was born and died in Parma.
Nicolas-Prosper Dérivis was a French operatic bass. He possessed a rich deep voice that had a great carrying power. While he could easily assail heavy dramatic roles, he was also capable of executing difficult coloratura passages and performing more lyrical parts. Along with Nicolas Levasseur, he was one of the greatest French basses of his generation.
Teresa Ruggeri was an Italian operatic soprano who had an active career from the 1820s through the 1840s. In 1827 she portrayed the role of Zarele in the world premiere of Giovanni Pacini's Gli arabi nelle Gallie at La Scala in Milan. She performed in several more world premieres at that house, including Francisca in Gaetano Donizetti's Maria Padilla (1841), Anna in Giuseppe Verdi's Nabucco (1842), and Viclinda in Verdi's I Lombardi alla prima crociata (1843). Other roles she performed at La Scala included Baroness Aspasia in Gioachino Rossini's La pietra del paragone (1829), Giannetta in Donizetti's L'elisir d'amore (1835), Alisa in Donizetti's Lucia di Lammermoor (1839), The Marquise of Birkenfeld in La fille du régiment (1840), and Giovanna in Verdi's Ernani (1844) among others.
Adelaide Borghi-Mamo was an Italian operatic mezzo-soprano who had an active international career from the 1840s through the 1880s. She was married to tenor Michele Mamo and their daughter, soprano Erminia Borghi-Mamo, also had a successful singing career.
Antonio Poggi was an Italian operatic tenor who had an active international career from 1827–1848. He is best remembered for creating roles in the world premieres of operas by Gaetano Donizetti and Giuseppe Verdi. He was married to soprano Erminia Frezzolini from 1841–1846.
Maxim Vyacheslavovich Mironov, is a Russian tenor, best known for his interpretation of the bel canto repertoire. He began his studies in Moscow Gnessin State Musical College in class of Professor D. Vdovin. In 2001 he joined the Helikon Opera Theatre in Moscow where he made his operatic debut in opera of André Grétry Pierre le Grand. Mironov's international career was launched by his winning the competition Neue Stimmen in Germany in 2003.
Antonino Fogliani is an Italian conductor.