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The Czechs, or the Czech people, are a West Slavic ethnic group and a nation native to the Czech Republic in Central Europe, who share a common ancestry, culture, history, and the Czech language.
Czech cinema is the name for cinematography of Czech Republic, as well as the Czech cinematography while it was a part of other countries.
The Czechoslovak New Wave is a term used for the Czechoslovak filmmakers who started making movies in the 1960s. The directors commonly included are Miloš Forman, Věra Chytilová, Ivan Passer, Pavel Juráček, Jiří Menzel, Jan Němec, Jaromil Jireš, Vojtěch Jasný, Evald Schorm, Hynek Bočan, Juraj Herz, Juraj Jakubisko, Štefan Uher and others. The movement was sometimes called the "Czechoslovak film miracle".
Czech philosophy, has often eschewed "pure" speculative philosophy, emerging rather in the course of intellectual debates in the fields of education, art, literature, and especially politics. A source drawing from literature, however, distinguished the Czech national philosophy from the speculative tradition of German thought, citing that it emerged from folk wisdom and peasant reasoning.
The Undertaker is a Czech comedy film directed by Karel Lamač. It was released in 1932.
Josef Rovenský was a Czech-Jewish film actor and director. He appeared in 74 films between 1914 and 1936. He starred in the 1929 film Father Vojtech, which was the directorial debut of Martin Frič. He died during filming of Virginity. According to Otakar Vávra he died of cocaine overdose. His last film Watchman No. 47 was then completed by Jan Sviták.
The Good Soldier Schweik is a 1931 Czechoslovak black-and-white comedy film directed by Martin Frič, based on Jaroslav Hašek's novel The Good Soldier Švejk.
The Ideal Schoolmaster is a 1932 Czech comedy film directed by Martin Frič.
Jan Sviták was a Czech actor and film director. He was an important exponent of Czechoslovak film in the interwar period and during World War II. Sviták was murdered shortly after the liberation of Prague in 1945.
Vera Voronina was a Russian actress. She was born in Odessa, then part of the Russian Empire, but her family fled after the Russian Revolution of 1917. She starred in films in several countries including Germany, Britain, Sweden and the United States. The information about her life is very scarce and even her death year is disputed. She arrived in the USA in January 1927 and stayed for about two years. Her name was given as Wera Awramow aged 22 born in Odessa and she was traveling with her husband Nikolaus Awramow a lawyer born in Kyiv aged 34.
Oskar Marion was an Austrian film actor.
Sviták is a Czech surname. Notable people with the surname include:
The Mystery of the Blue Room is a 1933 Czechoslovak mystery film, directed by Miroslav Cikán. It is a remake of the German film Secret of the Blue Room (1932). It stars Karel Hašler, František Kovářík, and Jaroslav Marvan.
Sons in Law is a 1926 Austrian silent comedy film directed by Hans Steinhoff and starring Harald Madsen, Carl Schenstrøm and Wilhelm Diegelmann.
Grand Hotel Nevada is a 1935 comedy film directed by Jan Sviták and starring Lída Baarová, Otomar Korbelář, and Karel Dostal.
Time to Love is a 1927 American silent comedy film directed by Frank Tuttle and starring Raymond Griffith, William Powell and Vera Voronina. It is currently considered a lost film.
The Whirlwind of Youth is a 1927 American silent romance film directed by Rowland V. Lee and starring Lois Moran, Vera Voronina and Donald Keith.
Irca's Romance is a 1936 Czech romance film directed by Karel Hašler and starring Jiřina Steimarová, Rolf Wanka and Theodor Pištěk. It was one of several Czech films of the 1930s to involve a trip to an Adriatic resort. A separate German-language version Escape to the Adriatic was made in a co-production with Austria.
Tonka of the Gallows is a 1930 Czech drama film directed by Karl Anton and starring Ita Rina, Vera Baranovskaya and Josef Rovenský.
The Affair of Colonel Redl is a Czech comedy film directed by Karel Anton. German version of the movie Der Fall des Generalstabs-Oberst Redl was released in 1931. The film is considered lost.
References
- ↑ Nagl, Tobias (2009). Die unheimliche Maschine: Rasse und Repräsentation im Weimarer Kino (in German). München: Edition Text + Kritik. p. 735. ISBN 978-3-88377-910-2.
