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Mozart Camargo Guarnieri (February 1, 1907 – January 13, 1993) was a Brazilian composer.
Guarnieri was born in Tietê, São Paulo, and registered at birth as Mozart Guarnieri, but when he began a musical career, he decided his first name was too pretentious and subject to puns.[ clarification needed ] Thus he adopted his mother's maiden name Camargo as a middle name, and thenceforth signed himself M. Camargo Guarnieri. In 1948, he legally changed his name to Mozart Camargo Guarnieri, but continued to sign only the initial of his first name. One of his brothers was named Rossine (a Portuguese misspelling of Rossini) Guarnieri, another one Verdi Guarnieri.[ citation needed ]
He studied piano with Ernani Braga and Antonio de Sá Pereira ( Béhague 2001 ). Some of his compositions received important prizes in the United States in the 1940s, giving Guarnieri the opportunity of conducting them in New York, Boston, Los Angeles and Chicago. A distinguished figure of the Brazilian national school, he served in several capacities; conductor of the São Paulo Orchestra, member of the Academia Brasileira de Música, and Director of the São Paulo Conservatório, where he taught composition and orchestral conducting. In 1936 he was the first conductor of the Coral Paulistano choir. His œuvre comprises symphonies, concertos, cantatas, two operas, chamber music, many piano pieces, and over fifty songs. Some[ weasel words ] consider him to be the most important Brazilian composer after Heitor Villa-Lobos. Shortly before his death in São Paulo in 1993, he was awarded the Gabriela Mistral Prize by the Organization of American States as the greatest contemporary composer of the Americas.and composition with Lamberto Baldi at the Conservatório Dramático e Musical de São Paulo. In 1938, a fellowship from the Council of Artistic Orientation allowed him to travel to Paris, where he studied composition and aesthetics with Charles Koechlin and conducting with François Ruhlmann
Heitor Villa-Lobos was a Brazilian composer, conductor, cellist, and guitarist described as "the single most significant creative figure in 20th-century Brazilian art music". Villa-Lobos has become the best-known South American composer of all time. A prolific composer, he wrote numerous orchestral, chamber, instrumental and vocal works, totaling over 2000 works by his death in 1959. His music was influenced by both Brazilian folk music and by stylistic elements from the European classical tradition, as exemplified by his Bachianas Brasileiras and his Chôros. His Etudes for guitar (1929) were dedicated to Andrés Segovia, while his 5 Preludes (1940) were dedicated to his spouse Arminda Neves d’Almeida, a.k.a. "Mindinha." Both are important works in the guitar repertory.
Alan Rawsthorne was a British composer. He was born in Haslingden, Lancashire, and is buried in Thaxted churchyard in Essex.
Grażyna Bacewicz was a Polish composer and violinist. She is the second Polish female composer to have achieved national and international recognition, the first being Maria Szymanowska in the early 19th century.
Robert Casadesus was a renowned 20th-century French pianist and composer. He was the most prominent member of a distinguished musical family, being the nephew of Henri Casadesus and Marius Casadesus, husband of Gaby Casadesus, and father of Jean Casadesus. The preferred pronunciation of his last name is "Kah-zah-deh-su" with a silent final "s." Per live interview ca. 1970 of Robert Casadesus by announcer Bill Agee of KKHI-AM-FM San Francisco during a live San Francisco Symphony concert, Mr. Casadesus indicated that he pronounced his name as it is pronounced in Spanish, Kah-sah-deh'sus, final s pronounced.
Cyril Meir Scott was an English composer, writer, poet, and occultist. He created around four hundred musical compositions including piano, violin, cello concertos, symphonies, and operas. He also wrote around 20 pamphlets & books on occult topics and natural health.
Francisco Paulo Mignone was one of the most significant figures in Brazilian classical music, and one of the most significant Brazilian composers after Heitor Villa-Lobos. In 1968 he was chosen as Brazilian composer of the year.
Arnold Atkinson Cooke was a British composer.
Flute repertoire is the general term for pieces composed for flute. The following lists are not intended to be complete, but rather to present a representative sampling of the most commonly played and well-known works in the genre. The lists also do not generally include works originally written for other instruments and subsequently transcribed, adapted, or arranged for flute, unless such piece is very common in the repertory, in which case it is listed with its original instrumentation noted.
Carlos Prieto was born in Mexico City and is a Mexican cellist and writer. He has received enthusiastic public acclaim and won excellent reviews for his performances throughout the United States, Europe, Russia and the former Soviet Union, Asia, and Latin America. The New York Times review of his Carnegie Hall debut raved, "Prieto knows no technical limitations and his musical instincts are impeccable."
Sérgio Assad is a Brazilian guitarist, composer, and arranger who often performs with his brother, Odair in the guitar duo Sérgio and Odair Assad, commonly referred to as the Assad Brothers or Duo Assad. Their younger sister Badi is also a guitarist. Assad is the father of composer/singer/pianist Clarice Assad. He is married to Angela Olinto.
The Bachianas Brasileiras are a series of nine suites by the Brazilian composer Heitor Villa-Lobos, written for various combinations of instruments and voices between 1930 and 1945. They represent a fusion of Brazilian folk and popular music on the one hand and the style of Johann Sebastian Bach on the other, as an attempt to freely adapt a number of Baroque harmonic and contrapuntal procedures to Brazilian music. Most of the movements in each suite have two titles: one "Bachian", the other Brazilian.
Henrique José Pedro Maria Carlos Luis Oswald was a Brazilian composer and pianist.
Nilson Lombardi was a pianist, composer and Brazilian maestro with a vast contribution to the classical music in many countries. His compositions have also been interpreted in international recitals and recordings on disc by Eudoxia de Barros, Attilio Mastrogiovanni, Orlando Retroz, Beatriz Balzi, among others.
Guido Antonio Santórsola di Bari Bruno was a Brazilian-Uruguayan composer, violinist, violist, viola d'amore player, and conductor of Italian birth.
Michael Publig is an Austrian composer, pianist, instructor, and music manager. He studied piano with Roland Batik at the City of Vienna Conservatory and Social and Economic Sciences at the Vienna University of Economics.
Chôros No. 12 is an orchestral work written between 1925 and 1945 by the Brazilian composer Heitor Villa-Lobos. It is part of a series of fourteen numbered compositions collectively titled Chôros, ranging from solos for guitar and for piano up to works scored for soloist or chorus with orchestra or multiple orchestras, and in duration up to over an hour. Chôros No. 12 is one of the longest compositions in the series, a performance lasting about 35 minutes.
Mariuccia Iacovino was a Brazilian violinist and instructor. A child prodigy on the violin, she studied in Brazil and Spain and performed internationally. At the end of World War II, she moved to Paris and performed as a soloist with the Cologne Orchestra. In 1964, she and the Quarteto da Guanabara received the first prize from the international Villa-Lobos String Quartet Competition and in 1966, she was awarded the Carlos Gomes Medal in Rio de Janeiro.