Camilo Castelo Branco

Last updated

Camilo Ferreira Botelho Castelo-Branco
Camilo Castelo Branco.jpg
Born16 March 1825
Lisbon, Kingdom of Portugal
Died1 June 1890(1890-06-01) (aged 65)
São Miguel de Seide  [ pt ], Kingdom of Portugal
Occupationnovelist, playwright, essayist
GenreRomance novel
Literary movement Romanticism

Camilo Castelo Branco, 1st Viscount of Correia Botelho (Portuguese pronunciation:  [kɐˈmilu kɐʃˈtɛlu ˈbɾɐ̃ku] ; 16 March 1825 – 1 June 1890), was a prolific Portuguese writer of the 19th century, having produced over 260 books (mainly novels, plays and essays). His writing is considered original in that it combines the dramatic and sentimental spirit of Romanticism with a highly personal combination of sarcasm, bitterness and dark humour. He is also celebrated for his peculiar wit and anecdotal character, as well as for his turbulent (and ultimately tragical) life.

Contents

His writing, which is centred in the local and the picturesque and is in a general sense affiliated with the Romantic tradition, is often regarded in contrast to that of Eça de Queiroz – a cosmopolitan dandy and a fervorous proponent of Realism, who was Camilo's literary contemporary in spite of being 20 years younger. In this tension between Camilo and Eça – often dubbed by critics the literary guerrilla – many have interpreted a synthesis of the two great tendencies present in the Portuguese literature of the 19th century.

Allegations that he was initiated in Freemasonry in 1846, [1] are somewhat contradictory as there are indications that, around the same time, during the Revolution of Maria da Fonte, he fought in favor of the Miguelists as "helper to the orders of the Scottish General Reinaldo MacDonell", [2] [3] who was active in the revived Order of Saint Michael of the Wing precisely to combat Masonry. Similarly, much of his literature demonstrates his ideals of legitimism and as a conservative and Catholic traditionalist.

Biography

Camilo was born out of wedlock and orphaned in infancy, although his origins lay ultimately in Northern Portugal's provincial aristocracy (his father, Manuel Joaquim Botelho Castelo Branco, was the son of an illustrious household in the environs of Vila Real, but lived in near-poverty due to the strict law of primogeniture which then largely excluded younger sons from inheritance). Camilo spent his early years in a village in Trás-os-Montes, where he was educated at home by three unmarried aunts. At the age of 13, he enrolled at the Catholic seminary of nearby Vila Real, where he was educated by Catholic priests. During his teenage years, he fell in love with the poetry of Luís de Camões and Manuel Maria Barbosa de Bocage, while Fernão Mendes Pinto gave him a lust for adventure. In spite of this interest in literature, and of his remarkable abilities in Greek and Latin, Camilo was a distracted student and grew up to be undisciplined and proud.

From the age of 17 to his early 20s, he intermittently studied medicine and theology in Oporto and Coimbra and eventually chose to become a writer. After a spell of journalistic work in Oporto and Lisbon he proceeded to the episcopal seminary in Oporto in order to study for the priesthood. During this period Camilo wrote a number of religious works and translated the work of François-René de Chateaubriand. Camilo actually took minor holy orders, but his restless nature drew him away from the priesthood and he devoted himself to literature for the rest of his life. He was arrested twice; the first time for having unearthed the remains of his first wife (whom he had married at the age of 16, and who had died at 24) and the second due to his adulterous affair with Ana Plácido, who was married at the time.

His first period of incarceration was short, apparently thanks to the intervention of Teixeira de Queiroz, an influential judge and, coincidentally, father of the renowned José Maria de Eça de Queiroz. During his second and longer incarceration he wrote what most consider to be his best and most characteristic work Amor de Perdição. Later this phase of his life would also inspire him to write his Memórias do Cárcere (literally "Memories of Prison"), in which he describes the meanders of the then miserable and overcrowded prison of Relação, at the centre of Oporto, intertwined with intimate ramblings of the imagination and biographical fragments.

Camilo was made a viscount (Visconde de Correia Botelho) in 1885 in recognition of his contributions to literature, and when his health deteriorated and he could no longer write, parliament gave him a pension for life. In 1886, he wrote "Esboço de crítica: Otelo, o Mouro de Veneza". [4] [5] Going blind (because of syphilis) and suffering from chronic nervous disease, Castelo Branco committed suicide [6] with a revolver in 1890, while sitting in his now-famous wooden rocking chair.

Works

Camilo Castelo Branco is probably the most prolific of all Portuguese writers, his work including novels, plays, verse, and essays. In addition, Camilo was the first Portuguese writer able to support himself financially from his writing alone. In all, his publications number about five hundred and sixty, but he is best known for his romances. Even though Camilo churned out a lot of work to pay the bills, he never lost his individuality. His familiarity with personalities allowed him to enliven his writing with a succession of memorable characters and Portuguese types, such as the "brasileiro" (a returned Portuguese emigrant who had made his fortune in Brazil), the old "Fidalgo" (nobleman) of the north of Portugal, and the Minho priest.

Camilo's novels may be divided into three periods. The first period comprises his romances of the imagination, of which Os Mistérios de Lisboa, in the style of Eugène Sue, is a fair example.

The second period includes his novels of manners, a style he developed and remained the chief exponent of until the appearance of O Crime de Padre Amaro by Eça de Queiroz. In these novels he combines realism and idealism, and perfectly captures the domestic and social life of Portugal in the early part of the 19th century.

The third period embraces his writings in the realms of history, biography and literary criticism. Among these may be cited Noites de Lamego, Cousas leves e pesadas, Cavar em ruínas, Memórias do Bispo do Grão Pará and Boémia do Espírito.

Among the most notable of his romances are O Romance de um Homem Rico, his favorite, Retrato de Ricardina, Amor de Perdição, the collection of novellas Novelas do Minho and A Brasileira de Prazins. Many of his novels are autobiographical, like Onde está a felicidade? and Memórias do Cárcere and Vinganca. Castelo Branco is an admirable story-teller, largely because he was a brilliant improvisatore, but he does not attempt character study. He has a richness of vocabulary probably unmatched in all Portuguese literature, often using obscure words. At the same time, few Portuguese authors have demonstrated so profound a knowledge of the vernacular tongue. Though nature had endowed Camilo with a poetic temperament, his verses are considered to be mediocre, while his best plays are cast in bold lines and contain powerfully dramatic situations, and his comedies are a triumph of the grotesque, with a mordant tone reminiscent of the work of Gil Vicente.

Selected bibliography

Film and television adaptations

Related Research Articles

José Cardoso was a Portuguese author of short stories, novels, plays, and political satire.

José Maria de Eça de Queirós Portuguese writer

José Maria de Eça de Queirós is generally considered to have been the greatest Portuguese writer in the realist style. Zola considered him to be far greater than Flaubert. In the London Observer, Jonathan Keates ranked him alongside Dickens, Balzac and Tolstoy. During his lifetime the spelling was Eça de Queiroz, and this is the form that appears on many editions of his works; the modern standard Portuguese spelling is "Eça de Queirós".

Ramalho Ortigão Portuguese writer

José Duarte Ramalho Ortigão was a Portuguese writer of the late 19th century and early 20th century.

Hélia Correia is a Portuguese novelist, playwright, poet and translator.

António Silva (actor) Portuguese actor (1886-1971)

António Maria da Silva was a Portuguese actor. He appeared in more than 40 productions over his more than 50 years in acting.

Ponte da Cava da Velha Bridge in Portugal

The Bridge of Cava da Velha is a Roman bridge, situated in the civil parish of Castro Laboreiro e Lamas de Mouro, in the municipality of Melgaço in northern Portuguese district of Viana do Castelo.

Maria Amália Vaz de Carvalho Portuguese writer

Maria Amália Vaz de Carvalho was a Portuguese writer and poet. She was the first woman to join the Portuguese Academy of Sciences.

Amor de Perdição is a 19th-century Portuguese novel by Camilo Castelo Branco. It has been adapted into several films, like Amor de Perdição and a telenovela.

Amor de Perdição is a Brazilian telenovela that first aired on TV Cultura in 1965. It is based on the novel of the same name by Portuguese writer Camilo Castelo Branco.

Luísa Costa Gomes is a Portuguese chronicler, librettist, novelist, playwright and screenwriter.

Maria Isabel Barreno de Faria MartinsGOIH was a Portuguese writer.

Maria Judite de Carvalho was a Portuguese author. She was married to Urbano Tavares Rodrigues (1923–2013).

Diniz d Alpoim

Diniz d' Alpoim (c.1300-?) was a Portuguese nobleman, Lord of Esgueira, He served as ambassador to Aragon in times of Afonso IV.

Fernanda Botelho was a Portuguese writer.

Pedro Queiroz Pereira was a Portuguese businessman and former competition driver.

Memoirs of a Suicide is a channeled afterlife account psychographed by the Brazilian spiritist medium Yvonne do Amaral Pereira, whose authorship is attributed to the spirit of Portuguese writer Camilo Castelo Branco.

References

Wikisource-logo.svg This article incorporates text from a publication now in the public domain : Chisholm, Hugh, ed. (1911). "Castello Branco, Camillo". Encyclopædia Britannica (11th ed.). Cambridge University Press.