The Canadian Singles Chart was a chart compiled by the American-based music sales tracking company, Nielsen SoundScan, which began publication in November 1996. [1] It was published every Wednesday and also published on Thursday by Jam! /Canoe. The chart also appeared in Billboard until March 2006, when Billboard stopped publishing the Canadian Singles Chart in favor of the Canadian Digital Songs Sales Chart. [2] Billboard later introduced their own singles chart for Canada, the Canadian Hot 100, on June 7, 2007.
In the 1960s, the Canadian music industry was disparate and regionally focused, and English-speaking Canadian artists were often overlooked in favour of American acts. To encourage a more national focus and ensure that domestic artists were promoted across Canada, the Maple Leaf System (MLS) was set up in 1969. [3] The MLS produced its own national singles chart, [4] which Billboard magazine reproduced as Canada's entry in its weekly Hits of the World section. [5] The MLS struggled to achieve widespread support in Canada, however, particularly as participating radio stations failed to give the nominated Canadian records the requisite national airplay. [3]
In November 1996, Nielsen started compiling sales charts in Canada and introduced the Canadian Singles Chart. [6] When the chart was started in 1996, there were 200 positions (with the top 50 being published by Jam! and the top 10 being published by Billboard). By the late 1990s, physical single sales in Canada had greatly declined. In April 1999, Billboard described Canada's singles market as "dire" and Doug Spence, Director of the Canadian operations of Soundscan, said: "there's no singles market here". [7] Due to the limited amount of commercially available physical singles, singles began remaining on the chart for lengthy periods of time. Elton John's charity single "Candle in the Wind '97"/"Something About the Way You Look Tonight" spent 45 weeks at number one despite selling only one million copies in its first two years of release in the country. [8] It stayed in the top twenty for three years. [9]
With of the growing popularity of digital music downloads in the mid-2000s, physical single sales in Canada declined further, and in March 2006, Billboard reported that most of the then-recent number-one singles on the Canadian Singles Chart had sold less than 200 copies. [2] In March 2006, Nielsen Entertainment Canada created the Canadian Digital Songs Chart, which tracked sales of digital music downloads, and Billboard stopped publishing the Canadian Singles Chart in favor of the new chart. [2] However, the chart continued to be published on Jam!. [10]
Billboard introduced their own singles chart for Canada, the Canadian Hot 100, on June 7, 2007. It is based on digital download single sales and streaming data from Nielsen SoundScan and radio audience levels from Nielsen BDS. [11]
"Escapade" is a song by American singer Janet Jackson from her fourth studio album, Janet Jackson's Rhythm Nation 1814 (1989). It was written and produced by Jackson and Jimmy Jam and Terry Lewis. The song was released on January 8, 1990, by A&M Records as the third single from Janet Jackson's Rhythm Nation 1814 (1989). "Escapade" became the third of the historic seven top-five singles released from the Rhythm Nation 1814 album, reaching number one on the US Billboard Hot 100.
"Candle in the Wind 1997", also known as "Goodbye England's Rose" and "Candle in the Wind '97", is a song by English musician Elton John and songwriter Bernie Taupin, a re-written and re-recorded version of their 1973 song "Candle in the Wind". It was released on 13 September 1997 as a tribute single to Diana, Princess of Wales, with the global proceeds from the song going towards Diana's charities. In many countries, it was pressed as a double A-side with "Something About the Way You Look Tonight". It was produced by Sir George Martin.
"With You" is a song by American recording artist Jessica Simpson from her third studio album, In This Skin. "With You" was released by Columbia Records as the second single from In This Skin on November 3, 2003. Overall, "With You" was Simpson's seventh single in the United States and her fourth single in the United Kingdom. Billy Mann and Andy Marvel produced the song and co-wrote it with Simpson.
"I Have Nothing" is a song by American singer and actress Whitney Houston, released on February 20, 1993 as the third single from The Bodyguard: Original Soundtrack Album (1992) by Arista Records. The song was written by David Foster and Linda Thompson, and produced by Foster.
Nanda Layos Lwin is a Canadian author, music historian, journalist, civil engineer, and educator. He wrote the weekly ChartTalk column, a commentary of the current Canadian music charts; it appeared on canoe.ca from 1997 to 2002 and in The Hamilton Spectator from 2003 to 2006. He is the author and publisher of eight books including Top 40 Hits: The Essential Chart Guide (1999) and Top Albums: The Essential Chart Guide (2003), primarily documenting the chart history of the Canadian music magazine The Record.
"Ain't It Funny (Murder Remix)" is a song by American singer Jennifer Lopez for her remix album J to tha L–O! The Remixes (2002). The song was marketed as a remix of "Ain't It Funny", but is actually an entirely different song with the same title. It features guest vocals from Ja Rule (Jeffrey Atkins) and Caddillac Tah (Tiheem Crocker). It was written by Lopez, Atkins, Tah, Cory Rooney, Irving Lorenzo, and Ashanti. Over a reworking of the beat to Craig Mack's "Flava in Ya Ear" (produced by Easy Mo Bee), Lopez sings about "dropping a boyfriend who keeps messing up".
"4 Seasons of Loneliness" is a song by Philadelphia-based vocal quartet Boyz II Men. Written and produced by Jimmy Jam and Terry Lewis, the song was issued as the first single from their fourth studio album, Evolution (1997), on September 8, 1997.
"Change the World" is a song written by Tommy Sims, Gordon Kennedy, and Wayne Kirkpatrick and recorded by country music artist Wynonna Judd. A later version was recorded by English singer Eric Clapton for the soundtrack of the 1996 film Phenomenon. Clapton's version was produced by R&B record producer Kenneth "Babyface" Edmonds.
"Let Your Backbone Slide" is the debut single by Maestro Fresh-Wes, released in 1989 from his first album, Symphony in Effect. In Canada, over 50,000 copies of the single were sold, making Maestro the first Canadian rapper to have a gold single. It also reached #1 on The Record Singles Chart, in April 1990. In the United States, 25,000 copies were sold in its first few weeks of release. It remained the best-selling Canadian hip hop single of all time until 2008, when it was eclipsed by Kardinal Offishall's "Dangerous".
"Romantic" is a song by American singer Karyn White from her second studio album Ritual of Love (1991). It hit number one on the Billboard Hot 100 on November 2, 1991, making it her biggest hit to date. "Romantic" was also White's fourth number one on the Billboard Hot R&B Singles chart.
"Missing You" is a song by American singers Brandy, Gladys Knight, Chaka Khan and Canadian R&B musician Tamia. The song was used to promote the 1996 film Set It Off. It was written and produced by Gordon Chambers and Barry J. Eastmond and released as the lead single from the soundtrack album of the film on August 6, 1996, through East West Records. The song features a string arrangement conducted by Eastmond.
"Motownphilly" is a song by American vocal harmony group Boyz II Men, released in April 1991 by Motown as the first single from their debut album, Cooleyhighharmony (1991). Co-written and produced by Dallas Austin, the song was a success, peaking at number three on the US Billboard Hot 100. Michael Bivins, who co-wrote the song, provides a guest rap during the bridge. The song's title is a portmanteau of two of the group's main musical influences: 1960s Motown and 1970s Philly soul.
"In My House" is a song produced, written and arranged by American musician Rick James and recorded by his protégées, the Mary Jane Girls, for their second studio album, Only Four You (1985). It was released as the album's lead single in October 1984 by Gordy Records. In the United States, the single topped Billboard's Dance Club Songs chart in April 1985 and remained atop the chart for two weeks. It also reached the top 10 on both the Billboard Hot 100 and Billboard Hot R&B/Hip-Hop Songs chart, peaking at number seven on the Hot 100 in June 1985 and remained in the top 40 for 12 weeks. It is the group's highest-peaking single and their only top-40 entry on the Billboard Hot 100, although they have had other singles succeed on both the R&B and dance charts.
"Never Be the Same" is the title of the third single by singer-songwriter Christopher Cross, released from his debut Grammy Award-winning album Christopher Cross. It was the singer's third consecutive single to reach the Top 40 on the Billboard Hot 100 chart, where it peaked at No. 15 in 1980. The song was a No. 1 hit on the adult contemporary chart, remaining there for two weeks.
"Here We Go Again" is a country music standard written by Don Lanier and Red Steagall that first became notable as a rhythm and blues single by Ray Charles from his 1967 album Ray Charles Invites You to Listen. It was produced by Joe Adams for ABC Records/Tangerine Records. To date, this version of the song has been the biggest commercial success, spending twelve consecutive weeks on the US Billboard Hot 100 chart, peaking at number 15.
American singer Whitney Houston, known as "The Voice", released 57 singles as a leading artist and 4 as a featured artist. Houston is one of the best-selling music artists of all time, with over 220 million records sold worldwide. In the United States, Houston amassed 11 Billboard Hot 100 number-one singles, all of whom have been certified either gold, platinum, multi-platinum or diamond by the Recording Industry Association of America and was one of a selected group of artists to have a top ten single in the Billboard Hot 100 in four different decades. She is currently ranked in seventh place of the artists with the most number one singles in the history of the Billboard Hot 100. Prior to the introduction of digital singles, Houston sold 16.5 million physical singles in the country, the most ever by a female recording artist. In October 2012, the Official Charts Company claimed Houston was the fourth biggest-selling female singles artist of all time with a sales total of 8.5 million singles in that country.
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