Galician–Portuguese, also known as Old Galician–Portuguese, Old Galician or Old Portuguese, Medieval Galician or Medieval Portuguese when referring to the history of each modern language, was a West Iberian Romance language spoken in the Middle Ages, in the northwest area of the Iberian Peninsula. Alternatively, it can be considered a historical period of the Galician, Fala, and Portuguese languages.
A chansonnier is a manuscript or printed book which contains a collection of chansons, or polyphonic and monophonic settings of songs, hence literally "song-books"; however, some manuscripts are called chansonniers even though they preserve the text but not the music, for example, the Cancioneiro da Vaticana and Cancioneiro da Biblioteca Nacional, which contain the bulk of Galician-Portuguese lyrics.
Martin Codax or Codaz, Martín Codax or Martim Codax was a Galician medieval joglar, possibly from Vigo, Galicia in present-day Spain. He may have been active during the middle of the thirteenth century, judging from scriptological analysis. He is one of only two out of a total of 88 authors of cantigas d'amigo who used only the archaic strophic form aaB. He employed an archaic rhyme-system whereby i~o / a~o were used in alternating strophes. In addition Martin Codax consistently utilised a strict parallelistic technique known as leixa-pren. There is no documentary biographical information concerning the poet, dating the work at present remains based on theoretical analysis of the text.
Mendinho, also Meendinho, Mendiño and Meendiño, was a medieval Iberian poet.
Johan de Cangas was a jograr or non-noble troubadour, probably active during the thirteenth century. He seems to have been from—or associated with – Cangas do Morrazo, a small town of Pontevedra, Galicia (Spain). Only three of his songs survive. All three are cantigas de amigo and in each of them the girl mentions a religious site (ermida) at San Momede do Mar. These references to the sea may be symbolic as they are real, but they have earned this poet the designation of "singer of the sea". In the first text, a girl asks her mother for permission to go see her boyfriend at San Momede do Mar; in the second she informs her mother that the boyfriend did not come and she has surely lost him; in the third she asks her boyfriend to meet her there, and not to break his word to her again.
Being one of the most ancient nation-states in Europe, Portugal has a long music history, which accompanied and strongly contributed to the development of the music history in Europe.
João Zorro was a late 13th century Galician or Portuguese minstrel at the court of Afonso III of Portugal, or as it is most likely at the court of Denis of Portugal. He is noted for his 10 cantigas de amigo about ancient sailors, written on the eve of the great voyages of discovery. Like most similar cantigas de amigo of his time, the musical notation wasn't recorded.
A cantiga is a medieval monophonic song, characteristic of the Galician-Portuguese lyric. Over 400 extant cantigas come from the Cantigas de Santa Maria, narrative songs about miracles or hymns in praise of the Holy Virgin. There are near 1700 secular cantigas but music has only survived for a very few: six cantigas de amigo by Martín Codax and seven cantigas de amor by Denis of Portugal.
The Cancioneiro da Biblioteca Nacional, commonly called Colocci-Brancuti, is a compilation of Galician-Portuguese lyrics by both troubadours and jograes. These cantigas (songs) are classified, following indications in the poems themselves and in the manuscript tradition, into three main genres: cantigas de amigo, cantigas de amor and cantigas de escárnio e mal-dizer.
The Cancioneiro de Elvas is one of the four Renaissance songbooks of Portuguese music from the 16th century - along with the Lisbon Songbook, the Belém Songbook, and the Paris songbook. It is one important source of secular music from the Iberian Renaissance.
The Cancioneiro de Paris is one of the four Renaissance songbooks of Portuguese music from the 16th century. It is one important source of secular music of the Portuguese Renaissance and the largest one of Portuguese secular Renaissance music.
The Cancioneiro da Ajuda is a collection of Galician-Portuguese lyric poems probably dating from the last quarter of the 13th-century. It is the oldest of the Galician-Portuguese cancioneiros with secular music.
The Pergaminho Sharrer is a mediaeval parchment fragment containing seven songs by King Denis of Portugal, with lyrics in the Galician-Portuguese language and musical notation.
The Cancioneiro da Vaticana is a compilation of troubadour lyrics in Galician-Portuguese. It was discovered c. 1840 in the holdings of the Vatican Library and was first transcribed by D. Caetano Lopes de Moura in 1847, sponsored by the Viscount of Carreira, and again by Ernesto Monaci in 1875.
Manuel Machado was a Portuguese composer and harpist. He was mostly active in Spain, as he was born when the kingdoms of Portugal and Spain were in a dynastic union.
In the Middle Ages, the Galician-Portuguese lyric, also known as trovadorismo in Portugal and trobadorismo in Galicia, was a lyric poetic school or movement. All told, there are around 1680 texts in the so-called secular lyric or lírica profana. At the time Galician-Portuguese was the language used in nearly all of Iberia for lyric poetry. From this language derives both modern Galician and Portuguese. The school, which was influenced to some extent by the Occitan troubadours, is first documented at the end of the twelfth century and lasted until the middle of the fourteenth, with its zenith coming in the middle of the thirteenth century, centered on the person of Alfonso X, The Wise King. It is the earliest known poetic movement in Galicia or Portugal and represents not only the beginnings of but one of the high points of poetic history in both countries and in Medieval Europe. Modern Galicia has seen a revival movement called neotrobadorismo.
The Cancionero de Palacio, or Cancionero Musical de Palacio (CMP), also known as Cancionero de Barbieri, is a Spanish manuscript of Renaissance music. The works in it were compiled during a time span of around 40 years, from the mid-1470s until the beginning of the 16th century, approximately coinciding with the reign of the Catholic Monarchs.
The Cancioneiro Musical de Belém or simply Cancioneiro de Belém is a Portuguese Renaissance manuscript from the beginning of the 17th century.
Filipa de Almada was a Portuguese poet and noblewoman.
Lisbon is one of the most popular city destinations in Europe. The city of Lisbon and the Lisbon metropolitan area attracts a significant number of tourists each year, drawn to its historical and cultural heritage, good transportation connections and good touristic infrastructure.
