Carol Reed | |
---|---|
![]() | |
Born | |
Died | 25 April 1976 69) Chelsea, London, England | (aged
Occupation |
|
Years active | 1935–1972 |
Spouse(s) | |
Children | 1 |
Parent | Herbert Beerbohm Tree (father) |
Relatives |
|
Sir Carol Reed (30 December 1906 – 25 April 1976) was an English film director and producer, best known for Odd Man Out (1947), The Fallen Idol (1948), The Third Man (1949), and Oliver! (1968), [1] for which he was awarded the Academy Award for Best Director.
Odd Man Out was the first recipient of the BAFTA Award for Best British Film. The Fallen Idol won the second BAFTA Award for Best British Film. The British Film Institute voted The Third Man the greatest British film of the 20th century.
Carol Reed was born in Putney, southwest London. [2] He was the son of actor-producer Sir Herbert Beerbohm Tree and his mistress, Beatrice May Pinney, who later adopted the surname of Reed. [3] [4] He was educated at The King's School, Canterbury.
He embarked on an acting career while still in his late teens. A period in the theatrical company of the thriller writer Edgar Wallace followed, and Reed became his personal assistant in 1927. [5] Apart from acting in a few Wallace derived films himself, Reed became involved in adapting his work for the screen during the day while he was a stage manager in the evenings. This connection ended when Wallace died in February 1932. Taken on by Basil Dean, Reed worked for his Associated Talking Pictures, successively for ATP as a dialogue director, second-unit director and then assistant director. [6] His films in the later role working under Dean were Autumn Crocus , Lorna Doone and Loyalties and (with Thorold Dickinson) Java Head .
His earliest films as director were "quota quickies".[ citation needed ] Of his experience making Midshipman Easy (1935) his first solo directorial project he was harsh on himself. "I was indefinite and indecisive", he said later. "I thought I had picked up a lot about cutting and camera angles, but now, when I had to make all the decisions myself and was not just mentally approving or criticising what somebody else decided, I was pretty much lost. Fortunately, I realised that this was the only way to learn – by making mistakes." [5] Graham Greene, then reviewing films for The Spectator , was much more forgiving, commenting that Reed "has more sense of the cinema than most veteran British directors". [7] Of Reed's comedy Laburnum Grove (1936), he wrote: "Here at last is an English film one can unreservedly praise". He was perceptive about Reed's potential, describing the film as "thoroughly workmanlike and unpretentious, with just the hint of a personal manner which makes one believe that Mr. Reed, when he gets the right script, will prove far more than efficient." [8]
Reed's career began to develop with The Stars Look Down (1940), from the A. J. Cronin novel, which features Michael Redgrave in the lead role. Greene wrote that Reed "has at last had his chance and magnificently taken it." He observed that "one forgets the casting altogether: he [Reed] handles his players like a master, so that one remembers them only as people." [9]
The scripts of several of Reed's films in this period were written by Frank Launder and Sidney Gilliat, with the screenwriters and director working for producer Edward Black, who released through the British subsidiary of 20th Century Fox. The best known of these films are probably Night Train to Munich (1940), with Rex Harrison; Kipps (1941), again with Michael Redgrave; and The Young Mr. Pitt (1942), with Robert Donat in the title role, set during the French Revolutionary and Napoleonic Wars.
From 1942, Reed served in the Royal Army Ordnance Corps: he was granted the rank of Captain and placed with the film unit, and then with the Directorate of Army Psychiatry. [10] For the latter body a training film, The New Lot (1943), was made, recounting the experiences of five new recruits. It had a script by Eric Ambler and Peter Ustinov, with contributions from Reed, and was produced by Thorold Dickinson. It was remade as The Way Ahead (1944).
Reed made his three most highly regarded films just after the war, beginning with Odd Man Out (1947), with James Mason in the lead. It is the tale of an injured IRA leader's last hours in an unidentified Northern Irish city. In fact, Belfast was used for the location work, but it remains unnamed in the film. Filmmaker Roman Polanski has repeatedly cited it as his favourite film. [11]
It was the producer Alexander Korda, to whom Reed was now signed, who introduced the director to the novelist Graham Greene. [12] The next two films were made from screenplays by Greene: The Fallen Idol (1948) and The Third Man (1949).
The Third Man was co-produced by David O. Selznick and Korda, with the American actors Orson Welles and Joseph Cotten in two of the leading roles. Reed insisted on casting Welles as Harry Lime, although Selznick had wanted Noël Coward for the role. The film required six weeks of location work in Vienna, during which Reed by chance discovered Anton Karas, the zither player who became responsible for the film's music, in a courtyard outside a small Viennese restaurant. [12]
Reed once said: "A picture should end as it has to. I don't think anything in life ends 'right'". While Greene wanted Holly Martins (Cotten) and Anna Schmidt (Alida Valli) to reconcile at the end of the film, after Lime, her lover, is killed by Martins, Reed insisted that Anna should ignore him and walk on. "The whole point of the Valli character in that film is that she'd experienced a fatal love – and then comes along this silly American!" [12]
According to the film critic Derek Malcolm, The Third Man is the "best film noir ever made out of Britain". [1] The film won the Grand Prix at the Cannes Film Festival, [6] the predecessor of the Palme d'Or.
Outcast of the Islands (1952), based on a novel by Joseph Conrad, is considered by some to mark the start of his creative decline. [13] The Man Between (1953) is dismissed as a rehash of The Third Man. [2] It "makes no startling impact, such as we have learned to expect from its director, on either the mind or the heart", complained Virginia Graham in The Spectator. [14] While the fable A Kid for Two Farthings (1955), Reed's first colour film, set in the East End of London, has been claimed as one of very few authentic cinematic depictions of an Anglo-Jewish community, [15] it suffers from the stereotyping of Jews [16] and is no more than a "whimsical curiosity" according to Michael Brooke. [15] It was the last film Reed made for Korda's London Films; the producer died at the beginning of 1956.
Trapeze (1956) was Reed's first venture into the then relatively new CinemaScope wide screen process, and, although largely shot in Paris, was made for the US Hecht-Hill-Lancaster Productions company and was a success at the box-office. Our Man in Havana (1959) reunited him with Graham Greene who adapted his own novel.
He was contracted to direct a remake of Mutiny on the Bounty (1962) by MGM, but then Marlon Brando was cast as Fletcher Christian, and problems with the mock Bounty and the weather at the locations caused delays. [17] Brando had insisted on creative control, [18] and the two men argued incessantly. Reed left at a relatively early stage of production and was replaced by Lewis Milestone. [19] The Agony and the Ecstasy (1965), made in the United States, was a box-office failure, and was the last film over which Reed also served as producer. Oliver! (1968), made at Shepperton in Surrey, was financially backed by Columbia, and won the Academy Award for Best Director. "The movie may have been over-produced but it seemed everyone liked it that way", writes Thomas Hischak. [20]
From 1943 until 1947, he was married to the British actress Diana Wynyard. After their divorce, he married in 1948 the actress Penelope Dudley-Ward, also known as Pempie, the elder daughter of Freda Dudley Ward, who had been a mistress of Edward, Prince of Wales (later King Edward VIII, then Duke of Windsor). They had one son, Max. His stepdaughter Tracy Reed, Ward's daughter, also had an acting career. [21] Actor Oliver Reed was his nephew.
In 1952, he became only the second British film director to be knighted for his craft. The first was Sir Alexander Korda in 1942, the producer of some of Reed's most admired films.
Reed died from a heart attack on 25 April 1976, aged 69, at his home at 213 King's Road, Chelsea, where he had lived since 1948. He is buried in Kensington Cemetery, Gunnersbury, West London. A blue plaque has been placed on his former home in his honour.
The United Kingdom has had a significant film industry for over a century. While film production reached an all-time high in 1936, the "golden age" of British cinema is usually thought to have occurred in the 1940s, during which the directors David Lean, Michael Powell, and Carol Reed produced their most critically acclaimed works. Many British actors have accrued critical success and worldwide recognition, such as Audrey Hepburn, Maggie Smith, Roger Moore, Michael Caine, Sean Connery, Joan Collins, Judi Dench, Julie Andrews, Daniel Day-Lewis, Gary Oldman, Emma Thompson, Hugh Grant and Kate Winslet. Some of the films with the largest ever box office returns have been made in the United Kingdom, including the third and sixth highest-grossing film franchises.
The Third Man is a 1949 British film noir directed by Carol Reed, written by Graham Greene and starring Joseph Cotten, Alida Valli, Orson Welles, and Trevor Howard. Set in postwar Vienna, the film centres on American Holly Martins (Cotten), who arrives in the city to accept a job with his friend Harry Lime (Welles), only to learn that Lime has died. Viewing his death as suspicious, Martins elects to stay in Vienna and investigate the matter.
James Neville Mason was an English actor. He achieved considerable success in British cinema before becoming a star in Hollywood. He was the top box-office attraction in the UK in 1944 and 1945; his British films included The Seventh Veil (1945) and The Wicked Lady (1945). He starred in Odd Man Out (1947), the first recipient of the BAFTA Award for Best British Film.
Sir Alexander Korda was a Hungarian-British film director, producer and screenwriter, who founded his own film production studios and film distribution company.
Mervyn Ian Guy Hamilton, DSC was an English film director. He directed 22 films from the 1950s to the 1980s, including four James Bond films.
Odd Man Out is a 1947 British film noir directed by Carol Reed, and starring James Mason, Robert Newton, Cyril Cusack, and Kathleen Ryan. Set in a Northern Irish city, it follows a wounded Nationalist leader who attempts to evade police in the aftermath of a robbery. It is based on the 1945 novel of the same name by F. L. Green.
Sidney Gilliat was an English film director, producer and writer.
Robert Krasker, B.S.C., A.S.C. was an Australian cinematographer who worked on more than 50 films in his career.
The Fallen Idol is a 1948 British mystery thriller film directed by Carol Reed, and starring Ralph Richardson, Bobby Henrey, Michèle Morgan, and Denis O'Dea. Its plot follows the young son of a diplomat in London, who comes to suspect that his family's butler, whom he idolises, has committed a murder. It is based on the 1936 short story "The Basement Room", by Graham Greene.
Elephant Boy is a 1937 British adventure film starring Sabu in his film debut. Documentary filmmaker Robert J. Flaherty, who produced some of the Indian footage, and supervising director Zoltan Korda, who completed the film, won the Best Director Award at the Venice Film Festival. The film was made at the London Films studios at Denham, and in Mysore, India, and is based on the story "Toomai of the Elephants" from Rudyard Kipling's The Jungle Book (1894).
A Kid For Two Farthings is a 1955 film, directed by Carol Reed. The screenplay was adapted by Wolf Mankowitz from his 1953 novel of the same name. The title is a reference to the traditional Passover song, Chad Gadya, which begins "One little goat which my father bought for two zuzim". At the end of the film, Mr. Kandinsky softly sings fragments of an English translation of the song.
Oswald Eduard Hafenrichter was an Austrian-British film editor with more than seventy feature film credits. He was nominated for the Academy Award for Best Film Editing for The Third Man (1949). He has been called "one of the most important foreign editors to have worked in Britain."
The Man Who Could Work Miracles is a 1937 London Films British fantasy-comedy film directed by Lothar Mendes and produced by Alexander Korda. The film stars Roland Young with a cast of supporting players including Sir Ralph Richardson. Possibly the best-known of Mendes' 20 films, it is an expanded version of H. G. Wells's 1898 short story of the same name. Wells worked on the adaptation, revising the plot to reflect his socialist frustrations with the British upper class and the growing threats of communism and fascism in Europe.
Rembrandt is a 1936 British biographical film made by London Film Productions of the life of 17th-century Dutch painter Rembrandt van Rijn. The film was produced and directed by Alexander Korda from a screenplay by June Head and Lajos Bíró based on a story by Carl Zuckmayer. The music score was by Geoffrey Toye and the cinematography by Georges Périnal.
British Lion Films is a film production and distribution company active under several forms since 1919. Originally known as British Lion Film Corporation Ltd, it entered receivership on 1 June 1954. From 29 January 1955 to 1976, the company was known as British Lion Films Ltd, and was a pure distribution company.
Our Man in Havana is a 1959 British spy comedy film shot in CinemaScope, directed and produced by Carol Reed, and starring Alec Guinness, Burl Ives, Maureen O'Hara, Ralph Richardson, Noël Coward and Ernie Kovacs. The film is adapted from the 1958 novel Our Man in Havana by Graham Greene. The film takes the action of the novel and gives it a more comedic touch. The movie marks Reed's third collaboration with Greene.
Edward Black was a British film producer, best known for being head of production at Gainsborough Studios in the late 1930s and early 1940s, during which time he oversaw production of the Gainsborough melodramas. He also produced such classic films as The Lady Vanishes (1938). Black has been called "one of the unsung heroes of the British film industry." In 1946 Mason called Black "the one good production executive" that J. Arthur Rank had. Frank Launder called Black "a great showman and yet he had a great feeling for scripts and spent more time on them than anyone I have ever known. His experimental films used to come off as successful as his others."
Midshipman Easy is a 1935 British adventure film directed by Carol Reed and starring Hughie Green, Margaret Lockwood and Harry Tate. The screenplay concerns a young man who runs away from home, joins the navy and goes to sea in the 1790s. He rescues a captive woman from a Spanish ship and battles pirates and smugglers. The film was based on the novel Mr Midshipman Easy (1836) by Frederick Marryat.
Laburnum Grove is a 1936 British comedy film directed by Carol Reed and starring Edmund Gwenn, Cedric Hardwicke and Victoria Hopper. It was based on the 1933 play of the same name written by J. B. Priestley.
Robert Henrey is an Anglo-French former child actor best known for his role as the son of the French ambassador to London in the classic 1948 English film The Fallen Idol, directed by Carol Reed.
Carol Reed directed films for 40 years, but his golden period was brief. It covered three years in the late '40s when he made Odd Man Out, The Fallen Idol and The Third Man. These three films alone put him in the forefront of British directors of the period, and the last-named, his second collaboration with Graham Greene, is probably the best film noir ever made out of Britain.