Cataloging

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A handwritten subject card from the National Library of Medicine's old card catalog recalls the precomputer days when information had to be created, classified, and sorted by hand. HMD Prints & Photos, PP059772.7. Handwritten subject card..JPG
A handwritten subject card from the National Library of Medicine's old card catalog recalls the precomputer days when information had to be created, classified, and sorted by hand. HMD Prints & Photos, PP059772.7.

In library and information science, cataloging (US) or cataloguing (UK) is the process of creating metadata representing information resources, such as books, sound recordings, moving images, etc. Cataloging provides information such as creator names, titles, and subject terms that describe resources, typically through the creation of bibliographic records. The records serve as surrogates for the stored information resources. Since the 1970s these metadata are in machine-readable form and are indexed by information retrieval tools, such as bibliographic databases or search engines. While typically the cataloging process results in the production of library catalogs, it also produces other types of discovery tools for documents and collections.

Contents

Bibliographic control provides the philosophical basis of cataloging, defining the rules for sufficiently describing information resources to enable users to find and select the most appropriate resource. A cataloger is an individual responsible for the processes of description, subject analysis, classification, and authority control of library materials. Catalogers serve as the "foundation of all library service, as they are the ones who organize information in such a way as to make it easily accessible". [1]

Six functions of bibliographic control

Ronald Hagler identified six functions of bibliographic control. [2]

History of bibliographic control

While the organization of information has been going on since antiquity, bibliographic control as we know it today is a more recent invention. Ancient civilizations recorded lists of books onto tablets and libraries in the Middle Ages kept records of their holdings. With the invention of the printing press in the 15th century, multiple copies of a single book could be produced quickly. Johann Tritheim, a German librarian, was the first to create a bibliography in chronological order with an alphabetical author index. Konrad Gesner followed in his footsteps in the next century as he published an author bibliography and subject index. He added to his bibliography an alphabetical list of authors with inverted names, which was a new practice. He also included references to variant spellings of author's names, a precursor to authority control. Andrew Maunsell further revolutionized bibliographic control by suggesting that a book should be findable based on the author's last name, the subject of the book, and the translator. In the 17th century Sir Thomas Bodley was interested in a catalog arranged alphabetically by author's last name as well as subject entries. In 1697, Frederic Rostgaard called for subject arrangement that was subdivided by both chronology and by size (whereas in the past titles were arranged by their size only), as well as an index of subjects and authors by last name and for word order in titles to be preserved based on the title page. [6]

After the French Revolution, France's government was the first to put out a national code containing instructions for cataloging library collections. [7] At the British Museum Library Anthony Panizzi created his "Ninety-One Cataloging Rules" (1841), which essentially served as the basis for cataloging rules of the 19th and 20th centuries. Charles C. Jewett applied Panizzi's "91 Rules" at the Smithsonian Institution.

Types of cataloging

Descriptive cataloging

"Descriptive cataloging" is a well-established concept in the tradition of library cataloging in which a distinction is made between descriptive cataloging and subject cataloging, each applying a set of standards, different qualifications and often also different kinds of professionals. In the tradition of documentation and information science (e.g., by commercial bibliographical databases) the concept document representation (also as verb: document representing) have mostly been used to cover both "descriptive" and "subject" representation. Descriptive cataloging has been defined as "the part of cataloging concerned with describing the physical details of a book, such as the form and choice of entries and the title page transcription." [8]

Subject cataloging

Subject cataloging [9] may take the form of classification or (subject) indexing. Classification involves the assignment of a given document to a class in a classification system (such as Dewey Decimal Classification or the Library of Congress Subject Headings). Indexing is the assignment of characterizing labels to the documents represented in a record.

Classification typically uses a controlled vocabulary, while indexing may use a controlled vocabulary, free terms, or both.

History

Libraries have made use of catalogs in some form since ancient times. The library of Ninevah had the first classification system. It is located in present-day Iraq. The first known cataloging occurred with ancient clay tablets. They had marks on each side of the tablet. There is evidence of catalogs dating back to approximately 310/05-240 B.C. in Sumer. [10] The Library of Alexandria is reported to have had at least a partial catalog consisting of a listing by Callimachus of the Greek literature called “Pinakes”, [9] however was have very little and poor evidence about “Pinakes.” Pinakes means list. There were originally 825 fragments of Callimachus’ “Pinakes,” but only 25 of them have survived. [11] The Chinese Imperial Library of the Han Dynasty of the 3rd century A.D. had a catalog listing nearly 30,000 items, each item similar in extent of its content to a Western scroll. [12] The first catalogs in the Islamic world, around the 11th century, were lists of books donated to libraries by persons in the community. These lists were ordered by donor, not by bibliographic information, but they provided a record of the library's inventory. [12]

Many early and medieval libraries in Europe were associated with religious institutions and orders, including the Papal library in Rome. The first Vatican Library catalog is from the late 14th century. These catalogs generally used a topical arrangement that reflected the topical arrangement of the books themselves. The Vatican Library published 'rules for the catalog of printed books' [13] in 1939. These rules were then translated to English and published in the United States in 1949. [12] Meanwhile, the Sorbonne library in Paris had accumulated more than one thousand books, and in 1290 their catalog pioneered the use of the alphabet as an organizing tool. [11]

It was the growth in libraries after the invention of moveable-type printing and the widespread availability of paper that created the necessity for a catalog that organized the library's materials so that they could be found through the catalog rather than "by walking around." By the 17th century libraries became seen as collections of universal knowledge. Two 17th century authors, Gabriel Naudé, in France, and John Dury, in Scotland, both developed theories of systematic organization of libraries. [12] The development of principles and rules that would guide the librarian in the creation of catalogs followed. The history of cataloging begins at this point.

In ancient times in the orient the title was used to identify the work. Since the renaissance the author has been the main source of identification.

Cataloging standards

Cataloging rules have been defined to allow for consistent cataloging of various library materials across several persons of a cataloging team and across time.

Anglo-American cataloging standards

The English-speaking libraries have shared cataloging standards since the early 1800s. The first such standard is attributed to Anthony Panizzi, the Keeper of the Printed Books of the British Museum Library. His 91 rules, published in 1841, formed the basis for cataloging standards for over 150 years. [14]

Subsequent work in the 19th century was done by Charles Coffin Jewett, head of the Smithsonian library, which at the time was positioned to become the national library of the United States. Jewett used stereotype plates to produce the library's catalog in book form, and proposed the sharing of cataloging among libraries. His rules were published in 1853. [14] A disagreement with the head Smithsonian secretary caused Jewett to be dismissed from his position but soon after he accepted a position with the Boston Public Library. He was tasked with purchasing books as well as arranging them. Jewett earned the role of director of the Boston Public Library in 1858; during this time the Index to the Catalogue of a Portion of the Public Library of the City of Boston Arranged in its Lower Hall was published. The article included new cataloging information alongside many of the Smithsonian cataloging rules that Jewett created. His systems became a model for other libraries as he pushed for alphabetical card catalogs. [15]

Jewett was followed by Charles Ammi Cutter, an American librarian whose Rules for a Dictionary Catalog were published in 1876. Cutter championed the concept of "ease of use" for library patrons. [14]

In the 20th century, library cataloging was forced to address new formats for materials, including sound recordings, movies, and photographs. Seymour Lubetzky, once an employee of the Library of Congress and later a professor at UCLA, wrote a critique of the 1949 ALA rules for entry, Cataloging Rules and Principles: A Critique of the ALA Rules for Entry and a Proposed Design for the Revision. Lubetzky's writings revealed the weaknesses in the existing rules, and spoke to the need for preparing a set of standards for a more complete and succinct code. [16] As changes in culture over time would necessitate an ever-increasing/changing list of rules, Lubetzky "helped remedy the situation by advocating the concept of cataloging according to 'basic principles,' in place of a rule for each case that might arise." [17] He was tasked to do extensive studies of the current cataloging rules over the time period from 1946-1969. His analyses shaped the subsequent cataloging rules. [14]

The published American and Anglo-American cataloging rules in the 20th century were: [14]

The 21st century brought renewed thinking about library cataloging, in great part based on the increase in the number of digital formats, but also because of a new consciousness of the nature of the "Work" in the bibliographic context, often attributed to the principles developed by Lubetzky. [18] This was also supported by the work of the International Federation of Library Associations and Institutions on the Functional Requirements for Bibliographic Records (FRBR), which emphasized the role of the work in the bibliographic context. [19] FRBR created a tiered view of the bibliographic entity from Item, Manifestation, Expression, to Work. Item refers to the physical form of the book. Manifestation refers to the publication. Expression meaning the translation of the book from other languages. Work refers to the content and ideas of the book. [20] This view was incorporated into the cataloging rules subsequent to AACR2-R, known as Resource Description and Access (RDA).

England

The Bodleian Library at Oxford University developed its cataloging code in 1674. The code emphasized authorship, and books by the same author were listed together in the catalog.

We can trace the origins of modern library cataloging practice back to the 1830s and Anthony Panizzi's 91 rules. Panizzi's singular insight was that a large catalog needed consistency in its entries if it was to serve the user. [21] The first major English-language cataloging code was that developed by Sir Anthony Panizzi for the British Museum catalog. Panizzi's 91 rules were approved by the British Museum in 1839, and published in 1841. [22] The British Museum rules were revised up until 1936. The library departments of the British Museum became part of the new British Library in 1973. [23]

Germany and Prussia

The Prussian government set standard rules for all of its libraries in 1899. The rules were based on those of the University Library at Breslau by Karl Franz Otto Dziatzko. [24] These were adopted throughout Germany, Prussia and Austria.

The Prussian Instructions was a standardized system of cataloging authorized in 1908. In the Prussian Instructions, titles in literature are arranged grammatically not mechanically and literature is entered under its title. [25]

After the adoption of the Paris Principles (cataloging) in 1961, Germany developed the Regeln für die alphabetische Katalogisierung  [ de ] (RAK) in 1977. [26] [27] The goal of the Paris Principles was to serve as a basis for international standardization in cataloging. Most of the cataloging codes that were developed worldwide since that time have followed the Principles. [28]

Cataloging codes

Cataloging codes prescribe which information about a bibliographic item is included in the entry and how this information is presented for the user; It may also aid to sort the entries in printing (parts of) the catalog.

Currently, most cataloging codes are similar to, or even based on, the International Standard Bibliographic Description (ISBD), a set of rules produced by the International Federation of Library Associations and Institutions (IFLA) to describe a wide range of library materials. These rules organize the bibliographic description of an item in the following eight areas: title and statement of responsibility (author or editor), edition, material specific details (for example, the scale of a map), publication and distribution, physical description (for example, number of pages), series, notes, and standard number (ISBN). There is an initiative called the Bibliographic Framework (Bibframe) that is "an initiative to evolve bibliographic description standards to a linked data model, in order to make bibliographic information more useful both within and outside the library community." [27] The most commonly used cataloging code in the English-speaking world was the Anglo-American Cataloguing Rules, 2nd edition (AACR2). AACR2 provides rules for descriptive cataloging only and does not touch upon subject cataloging. AACR2 has been translated into many languages, for use around the world. The German-speaking world uses the Regeln für die alphabetische Katalogisierung (RAK), also based on ISBD. The Library of Congress implemented the transition to RDA from AACR2 in March 2013.

In subject databases such as Chemical Abstracts, MEDLINE and PsycINFO, the Common Communication Format (CCF) is meant to serve as a baseline standard. Different standards prevail in archives and museums, such as CIDOC-CRM. Resource Description and Access (RDA) is a recent attempt to make a standard that crosses the domains of cultural heritage institutions.

Digital formats

Most libraries currently use the MARC standards—first piloted from January 1966 to June 1968 [29] —to encode and transport bibliographic data. [30] [31] These standards have seen critiques in recent years for being old, unique to the library community, and difficult to work with computationally. [32] The Library of Congress is currently developing BIBFRAME, an RDA schema for expressing bibliographic data. BIBFRAME is being revised and piloted currently by the Library of Congress, but still is not available to the public. It will first be available to vendors to try out, but afterwards there will be a hybrid form of the system (MARC and BIBFRAME) until the data can be fully translated. [33]

Library digital collections often use simpler digital formats to store their metadata. XML-based schemata, particularly Dublin Core and MODS, are typical for bibliographic data about these collections.

Transliteration

Library items that are written in a foreign script are, in some cases, transliterated to the script of the catalog. In the United States and some other countries, catalogers typically use the ALA-LC romanization tables for this work. If this is not done, there would need to be separate catalogs for each script.

Ethical issues

Ferris maintains that catalogers, in using their judgment and specialized viewpoint, uphold the integrity of the catalog and also provide "added value" to the process of bibliographic control, resulting in added findability for a library's user community. [34] This added value also has the power to harm, resulting in the denial of access to information. [35] Mistakes and biases in cataloging records can "stigmatize groups of people with inaccurate or demeaning labels, and create the impression that certain points of view are more normal than others". [36]

Social responsibility in cataloging is the "fair and equitable access to relevant, appropriate, accurate, and uncensored information in a timely manner and free of bias". [37] In order to act ethically and in a socially responsible manner, catalogers should be aware of how their judgments benefit or harm findability. They should be careful to not misuse or misrepresent information through inaccurate or minimal-level cataloging and to not purposely or inadvertently censor information. [38]

Bair states that it is the professional obligation of catalogers to supply thorough, accurate, high-quality surrogate records for databases and that catalogers also have an ethical obligation to "contribute to the fair and equitable access to information." [39] Bair recommends that catalogers "actively participate in the development, reform, and fair application of cataloging rules, standards, and classifications, as well as information-storage and retrieval systems". [39] As stated by Knowlton, access points "should be what a particular type of library patron would be most likely to search under -- regardless of the notion of universal bibliographic control." [36]

A formal code of ethics for catalogers does not exist, and thus catalogers often follow library or departmental policy to resolve conflicts in cataloging. While the American Library Association created a "Code of Ethics", [40] Ferris notes that it has been criticized for being too general to encompass the special skills that set catalogers apart from other library and information professionals. [34] As stated by Tavani, a code of ethics for catalogers can "inspire, guide, educate, and discipline" (as cited in Bair, 2005, p. 22). Bair suggests that an effective code of ethics for catalogers should be aspirational and also "discuss specific conduct and actions in order to serve as a guide in actual situations". Bair has also laid out the beginnings for a formal code of cataloging ethics in "Toward a Code of Ethics for Cataloging." [35]

Criticism

Sanford Berman, former Head Cataloger of the Hennepin County Library in Minnetonka, Minnesota, has been a leading critic of biased headings in the Library of Congress Subject Headings. Berman's 1971 publication Prejudices and Antipathies: A Tract on the LC Subject Heads Concerning People (P&A) has sparked the movement to correct biased subject headings. In P&A, Berman listed 225 headings with proposed alterations, additions, or deletions and cross-references to "more accurately reflect the language used in addressing these topics, to rectify errors of bias, and to better guide librarians and readers to material of interest". [36] Berman is well known for his "care packages," mailings containing clippings and other materials in support of changes to subject headings and against racism, sexism, homophobia, and governmental secrecy, among other areas for concern.

In "Three Decades Since Prejudices and Antipathies: A Study of Changes in the Library of Congress Subject Headings," Knowlton examines ways in which the Library of Congress Subject Headings (LCSH) has changed by compiling a table of changes described in P&A, followed by the current status of headings in question. Knowlton states that his intent for this table is to "show how many of Berman’s proposed changes have been implemented" and "which areas of bias are still prevalent in LCSH." In the discussion of Knowlton's findings, it is revealed that of the 225 headings suggested for change by Berman, only 88 (39%) have been changed exactly or very closely to his suggestions (p. 127). Another 54 (24%) of headings have been changed but only partially resolve Berman's objections, and "which may leave other objectionable wording intact or introduce a different shade of bias." 80 (36%) headings were not changed at all according to Berman's suggestions. [36]

Queer theory and cataloging

Building on Berman's critique of cataloging practices, queer theorists in library and information science such as Emily Drabinski and Amber Billey have written about the implications of creating stable categorizations for gender identities. [41] Utilizing queer theory in conjunction with library classification and cataloging requires perspectives that can present both ethically and politically sound viewpoints that support marginalized persons such as women, people of color, or members of the LGBTQ+ community. [42] This work has resulted in the modification of RDA Rule 9.7, governing how gender is represented in record creation. At the ALA Midwinter meeting in January 2016, the controlled vocabulary for gender in RDA was abolished, allowing catalogers and libraries to describe a person's gender in whatever terms best represent that person. [43]

Cataloging terms

See also

Related Research Articles

Library classification systems of coding and organizing documents or library materials

A library classification is a system of knowledge organization by which library resources are arranged and ordered systematically. Library classifications use a notational system that represents the order of topics in the classification and allows items to be stored in that order. Library classification systems group related materials together, typically arranged as a hierarchical tree structure. A different kind of classification system, called a faceted classification system, is also widely used, which allows the assignment of multiple classifications to an object, enabling the classifications to be ordered in many ways.

Library catalog Register of bibliographic items

A library catalog is a register of all bibliographic items found in a library or group of libraries, such as a network of libraries at several locations. A bibliographic item can be any information entity that is considered library material, or a group of library materials, or linked from the catalog as far as it is relevant to the catalog and to the users (patrons) of the library.

Seymour Lubetzky American librarian

Seymour Lubetzky was a major cataloging theorist and a prominent librarian.

This page is a glossary of library and information science.

Sanford Berman is a librarian. He is known for radicalism, promoting alternative viewpoints in librarianship, and acting as a proactive information conduit to other librarians around the world. His vehicles of influence include public speaking, voluminous correspondence, and unsolicited "care packages" delivered via the U.S. Postal Service. Will Manley, columnist for the American Library Association (ALA) publication, American Libraries, has praised Berman: "He makes you proud to be a librarian."

The International Standard Bibliographic Description (ISBD) is a set of rules produced by the International Federation of Library Associations and Institutions (IFLA) to create a bibliographic description in a standard, human-readable form, especially for use in a bibliography or a library catalog. A preliminary consolidated edition of the ISBD was published in 2007 and the consolidated edition was published in 2011, superseding earlier separate ISBDs for monographs, older monographic publications, cartographic materials, serials and other continuing resources, electronic resources, non-book materials, and printed music. IFLA's ISBD Review Group is responsible for maintaining the ISBD.

MARCstandards are a set of digital formats for the description of items catalogued by libraries, such as books. Working with the Library of Congress, American computer scientist Henriette Avram developed MARC in the 1960s to create records that could be read by computers and shared among libraries. By 1971, MARC formats had become the US national standard for dissemination of bibliographic data. Two years later, they became the international standard. There are several versions of MARC in use around the world, the most predominant being MARC 21, created in 1999 as a result of the harmonization of U.S. and Canadian MARC formats, and UNIMARC. UNIMARC is maintained by the Permanent UNIMARC Committee of the International Federation of Library Associations and Institutions (IFLA), and is widely used in Europe. The MARC 21 family of standards now includes formats for authority records, holdings records, classification schedules, and community information, in addition to the format for bibliographic records.

<i>Anglo-American Cataloguing Rules</i> Library cataloging standard

Anglo-American Cataloguing Rules (AACR) were an international library cataloging standard. First published in 1967 and edited by C. Sumner Spalding, a second edition (AACR2) edited by Michael Gorman and Paul W. Winkler was issued in 1978, with subsequent revisions (AACR2R) appearing in 1988 and 1998; all updates ceased in 2005.

In library science, authority control is a process that organizes bibliographic information, for example in library catalogs by using a single, distinct spelling of a name (heading) or a numeric identifier for each topic. The word authority in authority control derives from the idea that the names of people, places, things, and concepts are authorized, i.e., they are established in one particular form. These one-of-a-kind headings or identifiers are applied consistently throughout catalogs which make use of the respective authority file, and are applied for other methods of organizing data such as linkages and cross references. Each controlled entry is described in an authority record in terms of its scope and usage, and this organization helps the library staff maintain the catalog and make it user-friendly for researchers.

ALA-LC is a set of standards for romanization, the representation of text in other writing systems using the Latin script.

The Library of Congress Subject Headings (LCSH) comprise a thesaurus of subject headings, maintained by the United States Library of Congress, for use in bibliographic records. LC Subject Headings are an integral part of bibliographic control, which is the function by which libraries collect, organize and disseminate documents. It first appeared in year 1898, a year later to the publication of Library of Congress Classification(1897). The latest 38th edition was published in year 2016. LOC has ceased the print publication and a weekly updated list, supplement to the 38th edition is published. LCSHs are applied to every item within a library's collection, and facilitate a user's access to items in the catalogue that pertain to similar subject matter. If users could only locate items by 'title' or other descriptive fields, such as 'author' or 'publisher', they would have to expend an enormous amount of time searching for items of related subject matter, and undoubtedly miss locating many items because of the ineffective and inefficient search capability.

Functional Requirements for Bibliographic Records is a conceptual entity–relationship model developed by the International Federation of Library Associations and Institutions (IFLA) that relates user tasks of retrieval and access in online library catalogues and bibliographic databases from a user’s perspective. It represents a more holistic approach to retrieval and access as the relationships between the entities provide links to navigate through the hierarchy of relationships. The model is significant because it is separate from specific cataloguing standards such as Anglo-American Cataloguing Rules (AACR) or International Standard Bibliographic Description (ISBD).

Resource Description and Access (RDA) is a standard for descriptive cataloging initially released in June 2010, providing instructions and guidelines on formulating bibliographic data. Intended for use by libraries and other cultural organizations such as museums and archives, RDA is the successor to Anglo-American Cataloguing Rules, Second Edition (AACR2).

Describing Archives: A Content Standard (DACS) is a standard used for describing materials in archives. First adopted by the Society of American Archivists (SAA) in March 2004, DACS was updated with a Second Edition in 2013. DACS is broken down into a set of rules used in crafting archival descriptions, and guidelines for creating authority records in archives.

A bibliographic record is an entry in a bibliographic index which represents and describes a specific resource. A bibliographic record contains the data elements necessary to help users identify and retrieve that resource, as well as additional supporting information, presented in a formalized bibliographic format. Additional information may support particular database functions such as search, or browse, or may provide fuller presentation of the content item.

General Material Designation (GMD) is used in Library and other catalogues to describe the material type of the item.The list was created as part of the Anglo-American Cataloging Rules (AACR2), and has been included the International Standard Bibliographic Description, As part of the ongoing process to standardize international and local cataloging standards. While being superseded by the Resource Description and Access (RDA) rules, the GMD is still in use in many institutions. General Material Designation created a list of standardized terms, describing the material of the item. Examples such as braille, microfilm, motion picture are used to eliminate different cataloging practices previously used by Libraries. The full list appears in AACR2, with explanations and examples. The GMD can be applied at different points in the catalog, according to MARCstandards. Points of access include title, alternative titles, author and subject. In recent years, a number of issues regarding GMD have arisen, including lack of terms to define newer material types, lack of consistency in application by different library systems, incompatibility with needs of special libraries and museums, and the difficulty of relating to digital forms. In 2013 GMD was superseded by RDA, which greatly enlarged the list and divided the list into three, describing content, media and carrier types.

BIBFRAME is a data model for bibliographic description. BIBFRAME was designed to replace the MARC standards, and to use linked data principles to make bibliographic data more useful both within and outside the library community.

Barbara Tillett American librarian

Barbara Ann Barnett Tillett is a librarian and library scholar known for her work on authority control and bibliographic data modeling.

The Australian National Bibliographic Database (ANBD), formerly part of the Australian Bibliographic Network (ABN) and for some years renamed Kinetica, is a national shared library cataloguing network, hosted by the National Library of Australia. It commenced in 1981 in Australia as the ABN, and after a series of rebrandings and added services, has since 2006 been available through Libraries Australia. In mid-2019, Libraries Australia partnered with Trove, and as of June 2020 is set to be co-branded with Trove.

Online Audiovisual Catalogers, Inc., otherwise known as OLAC, was founded in 1980 as a group of library catalogers involved in the cataloging of audiovisual materials, but now supports the work of catalogers working on all nonprint resources. OLAC provides a way for catalogers to have a method of communication among themselves as well as with the Library of Congress. The first official meeting of the group happened on July 1, 1980 in New York City with Nancy B. Olson chairing the group of catalogers.

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Further reading

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