Caterina Mancini

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Caterina Mancini (10 November 1924 – 21 January 2011) was an Italian dramatic coloratura soprano, primarily active in Italy in the 1950s.

Mancini was born at Genzano di Roma. She made her debut in 1948, as Giselda in I Lombardi , in Florence. In 1950, she appeared in Bologna and Venice, in Norma , and made her debut at La Scala in Milan, in Lucrezia Borgia , in 1951.

Genzano di Roma Comune in Lazio, Italy

Genzano di Roma is a town and comune in the Metropolitan City of Rome, in the Lazio region of central Italy. It is one of the Castelli Romani, at a distance of 29 kilometres (18 mi) from Rome, in the Alban Hills.

<i>Norma</i> (opera) opera by Vincenzo Bellini

Norma is a tragedia lirica or opera in two acts by Vincenzo Bellini with libretto by Felice Romani after the play Norma, ou L'infanticide by Alexandre Soumet. It was first produced at La Scala in Milan on 26 December 1831.

La Scala Opera house in Milan, Italy

La Scala is an opera house in Milan, Italy. The theatre was inaugurated on 3 August 1778 and was originally known as the Nuovo Regio Ducale Teatro alla Scala. The premiere performance was Antonio Salieri's Europa riconosciuta.

The same year, she sang in many Verdi operas on radio broadcast (RAI) to commemorate 50th anniversary of Verdi's death. Many of these broadcasts have been released by the record company Cetra, notably, Nabucco , Ernani , Attila , La battaglia di Legnano , Il trovatore , and Aïda .

RAI Italys national public-service radio and television broadcasting organization

RAI – Radiotelevisione italiana (Italian pronunciation: [ˈrai ˌradjoteleviˈzjoːne itaˈljaːna]; commercially styled as Rai since 2000; known until 1954 as Radio Audizioni Italiane is the national public broadcasting company of Italy, owned by the Ministry of Economy and Finance.

Cetra Baroque composition based on the cetra

Cetra, a Latin word borrowed from Greek, is an Italian descendant of κιθάρα (cithara). It is a synonym for the cittern but has been used for the citole and cithara and cythara.

<i>Nabucco</i> opera written by Giuseppe Verdi, Italian composer

Nabucco is an Italian-language opera in four acts composed in 1841 by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The libretto is based on biblical books of Jeremiah and Daniel and the 1836 play by Auguste Anicet-Bourgeois and Francis Cornu, although Antonio Cortese's ballet adaptation of the play, given at La Scala in 1836, was a more important source for Solera than the play itself. Under its original name of Nabucodonosor, the opera was first performed at La Scala in Milan on 9 March 1842.

She sang mostly in Italy, notably as Anaide in Mosè in Egitto in Florence (1955), and as Amelia in Il duca d'Alba , in Verona (1956). She made occasional appearances in France and Spain. Other notable roles included: Amelia, Elisabetta, Gioconda, Santuzza, Tosca.

<i>Mosè in Egitto</i> opera by Gioachino Rossini

Mosè in Egitto is a three-act opera written by Gioachino Rossini to an Italian libretto by Andrea Leone Tottola, which was based on a 1760 play by Francesco Ringhieri, L'Osiride. It premièred on 5 March 1818 at the recently reconstructed Teatro San Carlo in Naples, Italy.

<i>Un ballo in maschera</i> melodramma in three acts by Giuseppe Verdi

Un ballo in maschera(A Masked Ball) is an 1859 opera in three acts by Giuseppe Verdi. The text by Antonio Somma was based on Eugène Scribe's libretto for Daniel Auber's 1833 five act opera, Gustave III, ou Le bal masqué.

<i>La Gioconda</i> (opera) dramma lirico in four acts by Amilcare Ponchielli

La Gioconda is an opera in four acts by Amilcare Ponchielli set to an Italian libretto by Arrigo Boito, based on Angelo, Tyrant of Padua, a play in prose by Victor Hugo, dating from 1835..

Mancini was a dramatic coloratura soprano, possessing a large and powerful, yet surprisingly flexible voice, which made her an excellent exponent of early Verdi operas. Health problems in the early 1960s led her to withdraw little by little from the stage. In fact, on 30 November 1963 she sang the contralto part in a performance of the oratorio Messiah, for the Dallas Opera. The event was dedicated to the memory of John F. Kennedy, who had been slain in that city a few days earlier. The other soloists included Jon Vickers and Norman Treigle, and it was conducted by Nicola Rescigno. It was billed as her "first appearance as a contralto and in an English work."

Dallas Opera non-profit organisation in the USA

The Dallas Opera is an American opera company located in Dallas, Texas. The company performs at the Margot and Bill Winspear Opera House, one venue of the AT&T Performing Arts Center.

John F. Kennedy 35th president of the United States

John Fitzgerald "Jack" Kennedy, commonly referred to by his initials JFK, was an American politician and journalist who served as the 35th president of the United States from January 1961 until his assassination in November 1963. He served at the height of the Cold War, and the majority of his presidency dealt with managing relations with the Soviet Union. A member of the Democratic Party, Kennedy represented Massachusetts in the U.S. House of Representatives and Senate prior to becoming president.

Jon Vickers Canadian singer

Jonathan Stewart Vickers,, known professionally as Jon Vickers, was a Canadian heldentenor.

Her career was in many ways similar to that of Anita Cerquetti; both had short but brilliant careers, and both were more of less eclipsed by Maria Callas, and nowadays almost forgotten.

Anita Cerquetti was an Italian dramatic soprano who had a short but meteoric career in the 1950s. Her voice was very powerful and pleasing to audiences.

Maria Callas American-born Greek operatic soprano

Maria Callas, Commendatore OMRI was an American-born Greek soprano. She was one of the most renowned and influential opera singers of the 20th century. Many critics praised her bel canto technique, wide-ranging voice and dramatic interpretations. Her repertoire ranged from classical opera seria to the bel canto operas of Donizetti, Bellini and Rossini and further, to the works of Verdi and Puccini; and, in her early career, to the music dramas of Wagner. Her musical and dramatic talents led to her being hailed as La Divina.

Selected recordings


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