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Lucie Höflich was a German actress, teacher and head of the Staatliche Schauspielschule in Berlin. In 1937 she was named the Staats-Schauspielerin and in 1953 she was awarded the Bundesverdienstkreuz.
Danton is a 1931 German historical drama film directed by Hans Behrendt and starring Fritz Kortner, Lucie Mannheim and Gustaf Gründgens. It depicts the dramatic downfall and execution of Georges Danton in 1794 at the hands of Maximilien Robespierre.
Nora is a 1923 German silent drama film directed by Berthold Viertel and starring Olga Chekhova, Carl Ebert and Fritz Kortner. It is an adaptation of the 1879 play A Doll's House by Henrik Ibsen. It premiered in Berlin on 2 February 1923. The film's art direction was by Walter Reimann.
A Waltz Dream is a 1925 German silent drama film directed by Ludwig Berger and starring Willy Fritsch, Mady Christians and Xenia Desni. It was based on the 1907 operetta Ein Walzertraum composed by Oscar Straus. It was influential on the development of later Viennese operetta films. Unlike many of UFA's ambitious productions of the 1920s, A Waltz Dream managed to recover its production cost in the domestic market alone.
You Walk So Softly is a 1927 German silent comedy film directed by Reinhold Schünzel and starring Schünzel, Yvette Darnys and Jakob Tiedtke. Schünzel ran into trouble with his superiors at UFA because he had not submitted his screenplay for approval before filming began. The film's art direction was by Erich Czerwonski.
1914 is a 1931 German drama film directed by Richard Oswald and starring Albert Bassermann, Hermann Wlach and Wolfgang von Schwindt. The film focuses on the leadership of the Great Powers of Europe in the days leading up to the outbreak of the First World War, culminating in the assassination of Archduke Franz Ferdinand of Austria by Gavrilo Princip. It was produced at the Babelsberg Studios in Berlin and premiered in the city at the Tauentzien-Palast on 20 January 1931. At the request of the German Foreign Office an introduction by Eugen Fischer-Baling was filmed and presented at the start of the film. A special screening was held at the Reichstag on 3 March 1931.
Donogoo Tonka is a 1936 German comedy film directed by Reinhold Schünzel and starring Anny Ondra, Viktor Staal and Will Dohm. It is based on a play of the same name by Jules Romains. A separate French-language version Donogoo was also made. The film was produced by UFA at the Babelsberg Studios in Berlin, with sets designed by Otto Hunte and Willy Schiller.
The Beautiful Adventure is a 1932 West German romantic comedy film directed by Reinhold Schünzel and starring Käthe von Nagy, Wolf Albach-Retty and Alfred Abel. It was shot at the Babelsberg Studios in Berlin and premiered at the city's Gloria-Palast cinema. The film's sets were designed by the art director Werner Schlichting. A separate French language version was also made.
The Beautiful Adventure is a 1932 German French-language romantic comedy film directed by Roger Le Bon and Reinhold Schünzel and starring Jean Périer, Paule Andral and Daniel Lecourtois. It is a French-language version of the German film The Beautiful Adventure. As was common at the time, the two films were shot in completely different versions with major changes to the cast and some scenes.
The White Demon is a 1932 German drama film directed by Kurt Gerron and starring Hans Albers, Gerda Maurus and Peter Lorre. The film is also known by the alternative title of Dope. The sets were designed by the art director Julius von Borsody.
The Unfaithful Eckehart is a 1931 German comedy film directed by Carl Boese and starring Ralph Arthur Roberts, Fritz Schulz and Paul Hörbiger. The film is based on the play of the same title by Hans Stürm. It was remade in 1940. A silent film was made by Reinhold Schünzel in 1928 under the title Don Juan in a Girls' School.
Luise Millerin is a 1922 German historical film directed by Carl Froelich and starring Lil Dagover, Paul Hartmann and Walter Janssen. It is based on the play Intrigue and Love by Friedrich Schiller.
Don Juan in a Girls' School is a 1928 German silent comedy film directed by and starring Reinhold Schünzel. It is based on Hans Stürm's play The Unfaithful Eckehart.
The Pride of the Company is a 1926 German silent comedy film directed by Georg Jacoby and starring Reinhold Schünzel, Georg H. Schnell and Camilla Spira.
Diary of a Lost Woman is a 1918 German silent drama film directed by Richard Oswald and starring Erna Morena, Reinhold Schünzel, and Werner Krauss. The rising star Conrad Veidt also appeared. It is now considered a lost film. It was remade at the end of the silent era as Diary of a Lost Girl by Georg Wilhelm Pabst.
Christian Wahnschaffe is a 1920 German silent drama film directed by Urban Gad and starring Conrad Veidt, Lillebil Ibsen, Hermann Vallentin and Fritz Kortner. It was released in two parts World Ablaze (Weltbrand) in November 1920 and The Escape from the Golden Prison in March 1921. It is an adaptation of the novel of the same title by Jakob Wassermann. The film is extant, and was restored in 2018 by the Friedrich-Wilhelm-Murnau-Stiftung.
Prostitution is a 1919 German silent drama film directed by Richard Oswald and starring Conrad Veidt, Reinhold Schünzel and Gussy Holl. It was released in two parts Das gelbe Haus and Die sich verkaufen. It was one of several enlightenment films made during the era by Oswald. The physician Magnus Hirschfeld was an advisor on the production. The first part premiered at the Marmorhaus in Berlin.
The Uncanny House is a 1916 German silent mystery film directed by Richard Oswald and starring Werner Krauss, Reinhold Schünzel and Lupu Pick. It was released in three parts. The second part was called Der chinesische Götze and the third Freitag, der 13.
During My Apprenticeship is a 1919 German silent drama film directed by Hubert Moest and starring Hedda Vernon, Reinhold Schünzel, and Wilhelm Diegelmann. It is based on the nineteenth century novel From My Farming Days by Fritz Reuter.
Mary Magdalene is a 1920 German silent drama film directed by Reinhold Schünzel and starring Eduard von Winterstein, Ilka Grüning and Lucie Höflich.
References
- ↑ Kreimeier p. 93
