The Cello Concerto is one of Honnegger's three concertante works, and the only one without a diminutive in its title. Composed in 1929, it was finished after Honegger had become a member of Les Six, a group of composers that advocated a return to French music-hall traditions and departed from Wagnerian influence.[1] The work was premiered by cellist Maurice Maréchal,[2] who was also the dedicatee.[3] The premiere took place in Boston with Maréchal as the soloist and Serge Koussevitzky conducting[4] the Boston Symphony Orchestra, on 17 February 1930.[5][6] This was not Honegger's first premiere on American territory, as he had premiered Pacific 231 in Boston during the 1924-25 season with Koussevitzky, a noted champion of contemporary music.[7] It was published a year later, in 1931, by Éditions Maurice Senart, and is nowadays published by Francis Salabert. The original cadenza written by Maréchal was also published in 1931 as a separate item.[1][8]
Structure
The concerto is in one movement. It is scored for solo cello and an orchestra made up of two flutes, two oboes, two clarinets, two bassoons, two French horns, two trumpets, a tuba, timpani, percussion, and a standard string section. It is structured into three distinct sections, which were considered to be distinct attacca movements at the time of the premiere:[9] an introductory "andantino" section, a slow section marked "lento" and followed by an ad libitum cadenza by the solo cello, and a quick-paced "allegro marcato" section that closes the piece.[10]
Recordings
Reviewing a 2007 recording by cellist Christian Poltéra with the Malmö Symphony Orchestra, conducted by Tuomas Hannikainen[fr], which combined the work with the composer's Cello Sonata and two Sonatinas, Guy Rickards from Gramophone noted that recordings of the Cello Concerto are rather rare, but Rostropovich had already recorded it twice by then.[10] The following is a list of recordings of Honegger's Cello Concerto.
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